Sohu Entertainment (Shan Jin/Wen) went from high to low, and it took only 7 days for "Please King". On the first day of
's launch, the popularity of " please " was as high as 9300+, and it was the number one on the entire network for 5 consecutive days. On the second day of its launch, its platform popularity exceeded 9,000.
However, after 7 consecutive days, the popularity of "Please Jun" has declined. The popularity of the platform, the popularity of Maoyan, and the V list are not as good as those of the days when it was launched.
Although the performance of Ren Jialun and Li Qin is quite questionable, what really makes "Please King" lower is its 's plot, inconsistent logic and rough production.
This story is a bit boring
The genre elements of "Please," are very rich, mixing love, fantasy, light comedy, the Republic of China, reincarnation, past and present .
The heroine Yu Dengdeng is a bandit, the owner of Qingquan Village, and the rebirth of Yunxi, the saintess of the Spiritual Race.
The male protagonist is Lu Yan, the general of ancient Shu. He slept in the ancient tomb for thousands of years and was awakened by Yu Dengdeng who robbed the tomb. His purpose is to find and resurrect Yunxi.
In the stereotyped ancient puppet drama market, "Please King" sets the background of the story in the Republic of China and incorporates some Xianxia elements, which is also considered a new idea.
Unfortunately, the two most important elements of the story - "fantasy" and "love", did not do well in either.
In the fantasy part, the narrative rhythm of "Please You" is too slow and the narrative efficiency is too low, resulting in a very dull overall plot of .
The male and female protagonists met for one episode, and the wedding took another episode and a half.
Other village owners embarrass the female lead, the female lead's apprentice will turn into a woman after drinking, and the second male shaved her head for the female lead... Repeated and unimportant information points such as these appear repeatedly, procrastinating and pouring water.
The first crisis event in this play is that the heroine is sucked in, and will rapidly age and die within a day. In order to save the heroine, the protagonist and his party need to find the murderer as soon as possible.
The time is already so tense, but the protagonists spend half of the time chatting, and the chat content has nothing to do with the case itself.
When everyone was trapped in the cocoon, the hero and heroine chatted for a while. The heroine's hair was already white, and she was not in a hurry. When she was looking for the murderer, she began to talk to the second man again.
's plot is driven by dialogue, and lyrical MVs and protagonist chats are also randomly inserted in crisis events. A story that could have been tense and exciting turned into a running account without any waves.
In addition to the plot, the production of 's "Please" is also very rough, perfunctory, and confusing.
In the ancient Shu battlefield three thousand years ago, the war between the two races of man and spirit, the audience seemed to have no more than 20 people. Do the Terrans and Eldar know you're at war?
The location of the war was also chosen very randomly, with narrow mountain roads and claustrophobic valleys. Is this a little sloppy?
Lingxi's shape, big waves, studio style hair accessories, is too simple and perfunctory.
Of course, "Please Jun" is essentially an idol drama. If the other parts cannot be too demanding, what about the love line? doesn't seem to work either.
sprinkled a few episodes of industrial saccharin in front of the routine - the female protagonist fell into the arms of the male protagonist while drunk, and the two accidentally fell together, and the male protagonist helped the female protagonist realize her dream.
As a result, the two broke up before they established a deep relationship, which is called invalid sadomasochism.
After the conflict between the two, there were two episodes of the male lead's recollection and three episodes of the female lead investigating the case, resulting in the slow progress of the main relationship line. After 18 episodes, the male and female protagonists are still tepid.
As for Ren Jialun and Li Qin's sense of CP, it is even more thin. One is indifferent, with no emotion in every line, and the other is too forceful, jumping repeatedly between liveliness and recklessness.
This group of characters is not very pleasing
said that Li Qin acted a little too hard, but the root cause was the problem of the heroine's character. In the early stage of the plot,
wanted to adopt the CP of "strong women and weak men", but the main creator did not bother to portray the strength of the heroine, but simply and rudely made her a "man".
The cottage can't survive without money, so the female protagonist goes down the mountain and robs the civilian man, in order to get a generous dowry.
grabbed the male protagonist as the second room, and the way to force him to submit is to "cook cooked rice with raw rice". The people in Quanzhai call the male protagonist of the second house "Lu Yiniang", is a design that is illogical, meaningless, and not funny.
There is a very obvious order of superiority and inferiority between the two - the male lead, as the second wife, must abide by the rules, be obedient to the four virtues, and have more children. The plot designs of
are just a simple and rude gender conversion, which is neither ironic nor funny, and even a bit vulgar.
In terms of "strong women and weak men", Ren Jialun's last "Acquaintance with Jun" was better than "Please Jun".
"Acquaintance with Jun Chu" is also "strong women and weak men" in the early stage, but the screenwriter's focus is on the strength of the heroine - firm in heart, able to bend and stretch, courageous and resourceful, pursuit of freedom is the first goal, falling in love is subsidiary Taste.
is so set up, Li Qin's performance is also powerless, akimbo, Erlang's legs, evil smile, 's cool beauty has become a greasy female village owner.
In addition, the heroine's character logic is very inconsistent. She is actually two people - bully bandit + silly white sweet girl. The screenwriter is very unwilling to knead the two together. The heroine
shouted the slogan "Everyone eats with their hands", but if they have no money, they give priority to dowry, and buy things on credit; the value is "everyone in Qingquan Village is equal", but she also emphasizes "setting rules" for Concubine Lu.
The heroine whose logic is not online has been difficult for people to substitute, and "Please You" has not even written the important male protagonist in the idol drama.
The male protagonist has participated in racial wars, has been sealed for thousands of years, and the person he loves died to save the common people... He has a deep past, but he only shows the emotion of aloofness. Except for his expressionless face, he frowns.
Overbearing president? Affectionate forbearance? Poisonous tongue and black belly? Warm as jade? He is not very involved in the popular characteristics of these idol drama male protagonists.
We don't see the influence of these pasts on him, nor the change in his feelings for the heroine. The character did not show any distinctive character traits, nor did he have a deep inner predicament, and thus lost his personality charm.
In fact, the audience's requirements for domestic ancient puppets are not so high.
The plot The logic is self-consistent , conforms to common sense, the character IQ is online, and it is already a passing line work to speak, think, and act like a normal person.
Those ancient puppets that made 5% new ideas have more or less received feedback from the audience, such as the recently completed "Freedom of the Orchid", such as " Menghualu ".
viewers have been likeThis is tolerant, but domestic ancient puppets still perfunctory audiences with stereotyped plots, illogical characters, and deliberate industrial saccharin. But in today's environment, in the end, only works that respect the audience can be respected by the audience.
