The Taiwanese music scene is the center of the Chinese music scene. It is prosperous, talented, and classics emerge in endlessly. There have been many musicians who are well-known across the Taiwan Strait and have extraordinary achievements and far-reaching influence. Luo Dayou , Li Zongsheng, Li Taixiang , Liu Jiachang , Li Shouquan , Chen Peter , Huang Shujun , Liang Hongzhi , Chen Zhiyuan, bug and others are praised and praised. Meritorious musicians who have left a deep mark on the music scene and made outstanding contributions to the development of the Chinese music scene are loved and remembered by fans.
is also a low-key style to be good at creating songs with a strong sense of family and country. He is well-known in the music scene. He is loved and praised by people. One of them.
Tan Jian was born in Taiwan, and he emerged from the booming Taiwanese music scene in the 1970s and 1980s in an environment of economic boom and cultural recovery. During this period, the Taiwanese music scene has got rid of the characteristics of immature and single style in the budding stage, and has grown up, flourished, and flourished, blending in various music styles, and it looks colorful, prosperous and splendid. Also because of the prosperity of cultural undertakings and the relaxed creative environment, many talented musicians have come to the fore.
In addition to the love songs of men and women who love Yingge and Yanyu, poetic romance, and folk songs that sing beauty, the once monotonous Taiwanese music scene is like a spring rain, full of vitality, and various musical expressions have been revealed. It is also more in-depth, more humanistic, and more ideological.
Luo Dayou, as an epic figure in the Chinese music scene, used his angry youth's eclectic, bold and sharp thinking breadth and talented creative talent to bring an earth-shaking revolution to Taiwanese pop music. is very compassionate and critical. His exposure to social pain points and bashing music have pushed Chinese pop music to a new level, making countless people worship, and at the same time established his status as the godfather of Chinese music.
Li Zongsheng is another godfather-level figure in the Taiwanese music scene. He redefines love songs and gives them deeper connotations with delicate brushwork, making them clearer and more contagious. In addition to love songs, Li Zongsheng's many songs incorporate various thoughts and perceptions of life, singing all the experiences and mental journeys of ordinary people up and down the sea, sincere and sincere, arousing infinite resonance among fans.
In addition to the above-mentioned music masters, there are many outstanding musicians who are outstanding music creation elites who have been tempered and transformed by the wave of folk songs in the Taiwan music circle. They have a keen sense of smell and a broad ideological dimension in the development and changes of the times, and they have used Western music. It is perfectly integrated with the traditional Chinese style, and infused with their own understanding, each creating its own distinctive style.
And these musicians who grew up in the 70s and 80s all have one thing in common, that is, the music and literary nature of the works are strong, which makes people have endless aftertastes. And Tan Jianchang, who is highlighted in this article, takes this characteristic to the extreme.
is also Taiwan’s leading music master. Luo Dayou’s music is full of irony and critical spirit, while Tan Jianchang’s music is full of domestic and national sentiments. It is also a beautiful scenery of the Chinese music scene. It has written a new chapter and is equally influential, moving and comforting. Countless fans are especially homesick, wandering away from home and the heart of a prodigal son.
The low-key Tan Jianchang is unfamiliar to many young fans, but he grew up in the golden age of Taiwanese pop music after the 70s and 80s, when Taiwan's pop music swept across the Taiwan Strait, and in the minds of fans who have experienced Tan Jianchang's style, he is the same as Luo Dayou and Li Zongsheng. Existence that is much more respected and admired than it is. Tan Jian often made his debut in Singapore. He was talented and because of the close cultural ties between the two places, coupled with the small Singapore market, he could not give him enough room for display, so he entered the Taiwanese music scene by chance. At that time, Taiwan's popular music was vibrant, and the music creation and talent training system was complete and sound, which allowed his hero to use his abilities like a fish in water.
He joined the Tony Records Agency in Taiwan and is highly regarded by the company. He has composed many classic songs for the singers of the company.Songs, such as Liu Wenzheng " light rain in March ", Huang Yingying 's "Mumbled", Gao Mingjun " I quietly blindfold your eyes ", etc. These styles are fresh and poetic, picturesque and picturesque. The emotional songs show Tan Jianchang’s literary temperament and ability to portray and create the artistic conception and connotation of the song. Listening to the song carefully, you can feel the kind of heart-warming touch that comes from your face, as if you are in the expression of the song. In the artistic conception, it soothes the restless mind and sublimates the sentiment that is corroded by the world.
In addition, the key for Tan Jianchang to truly impress people and become a master musician in the Chinese music scene lies in his portrayal and display of Chinese humanities and expression of his strong family and country .
benefited from the influence of the surrounding environment and atmosphere since childhood, the understanding of the humanities and customs of the mainland of the motherland, and then a strong yearning and love of praise. Tan Jian often incorporates the feelings of admiration and admiration in his creation, using delicate and true brushstrokes to outline the beauty of the magnificent rivers and mountains of the motherland, and expressing his nostalgia and yearning for his hometown with scenery as a metaphor.
"Dream of Camel Bell", " Three Hundred and Sixty Five Miles ", "Clouds in the Hometown", "The Great Wall That Discolored", " Ancient Moon Shines Today Dust " and other songs that combine folk songs and ancient tunes It is the brainchild of Tan Jianchang, and it also embodies Tan Jianchang's sincere national feelings and profound cultural skills. Different from most popular songs of , the connotation is vague, the emotional color is weak, and it can't give people a deeper touch. These songs are magnificent, profound, and emotional, just like a pot of old wine exuding a mellow fragrance that refreshes the heart and the mind, and it is endlessly memorable. .
The melodious tune at the beginning of "Dream Camel Bell" is like opening a picture of history, magnificent and magnificent, "Climbing the peak and looking at the hometown of Huangsha Wanli, where is the sound of camel bells knocking on the heart... How many dreams of not being old have ever returned to Qinguan tonight..." and other lyrics are full of affection, depicting the feelings of the lost prodigal son for his hometown and for his relatives. The picture is full of touch and inspires the audience, especially those who are far away from home and far away from the motherland. There are many feelings of love.
"Three Hundred and Sixty-Five Miles" is also a classic, with delicate and true brushstrokes that tells the expatriate prodigal who has a dream to go out and eats and sleeps out. The vicissitudes of life and inner ambition and the persistence of faith The pursuit of dreams fits the mood of most people who have gone through trials and hardships for their lives and dreams, and arouses infinite resonance. Every time the melody of is played today, there will always be infinite emotions in the heart, and finally it will become a disaster, and the emotions are difficult to suppress. At this moment, songs are not only songs, but also portrayals of mood and experience.
A classic song can make a good singer and make him shine, and a good singer can make a classic song the finishing touch and amaze all living beings. Fei Yuqing, , articles, Fei Xiang, have reached the pinnacle of their singing career by singing these songs. From then on, they have become famous all over the world and become a famous singer who has a pivotal position in the music world and is admired and admired by people. These songs carefully composed by Tan Jianchang perfectly fit the characteristics of these singers, stimulate their singing potential, and make their singing life show full of vitality.
Tan Jianchang's achievements in the music scene are not only his own unique musical talent and silent cultivation, but also his wife and best partner Xiaoxuan. The husband and wife worked together and worked together in tacit understanding to contribute many masterpieces to the singing world, and they were also talked about and passed down as tales.
Xiaoxuan is a well-known lyricist in the Taiwanese music scene. Although a female, he has mature thoughts and insights beyond gender and age. He has a solid foundation in writing, has a deep understanding of Chinese culture and customs, and is familiar with his ease. The text vividly describes a well-organized and touching humanities picture scroll, which perfectly blends with the melody created by her husband Tan Jianchang, sparks dazzling sparks, and condenses into a classic song that can be called a cultural treasure, enduring and moving.
Tan Jianchang and Xiaoxuan can be regarded as gods and goddesses in the singing world. In addition to the familiar Zhang Yu and Shiyi Lang, another couple has made great achievements in the music industry. They create couples that are loved and respected by fans. The two of have their own strengths. They both develop a world in their respective fields and lead each other. They also have a good understanding of understanding, tacit cooperation and mutual achievement.It can be said that Tan Jianchang’s song without Xiaoxuan’s word embellishment will lose its color, lose its vitality, and its artistic conception and appeal will be greatly reduced. Similarly, Xiaoxuan’s lyrics will not be backed by Tan Jianchang’s song, and it will be like a phoenix without wings that cannot fly into the sky. Let more people appreciate its elegance and amaze its charm.
Tan Jian is often in the Taiwanese music scene where there are many talents and great talents. With his outstanding creative talents, his distinctive music style, and his promotion of the development of popular music, he is praised and praised by many professionals and fans. It is not inferior to Luo Dayou, Li Zongsheng, Liu Jiachang, Weng Qingxi and other godfather-level musicians.
Unfortunately, due to Tan Jianchang’s low-key personal style and the shift of focus in the later period, he began to retreat to the second line, faded out of public view, and lacked sufficient exposure. His popularity and influence in the music world, especially among the younger generation of fans, is obviously insufficient. It can be said that he has been forgotten by the times, but despite this, he cannot erase the connotation and artistic value of his works and his contribution to popular music. In the minds of many fans who have experienced the golden age of Taiwanese music and were touched by a classic song full of color and emotion, Tan Jianchang and other equally talented and brilliant singers and musicians are equally respectable and worthy Praise, it is also worth recalling his works, recalling his great achievements and the unforgettable existence of his development process.
