"Fang Hua" is the movie I look forward to most this year, perhaps because I am a soldier. Whenever I look back at that era, I feel how precious and beautiful the experience in my life is. I remember that every time soldiers recover and transfer jobs, the song played in the military compound is "Send Comrades". The soldiers hug each other and weep bitterly and climb into the green liberation car to leave the army. That song is so tragic and sad. Kind of inexplicable sadness.
As everyone knows, "Fang Hua" changed from Yan Geling's novel of the same name. The book was originally called "You Touched Me"
. Yan Geling spent 13 years in the army. From the age of 12 to 25 in 1971, he danced for 8 years, but finally found out that "I like dancing, but I don't like dancing. I", Qi Wu writes.
From "Little Fisherman", "Mei Lanfang", "Thirteen Hairpins in Jinling", Li An, Chen Kaige and Zhang Yimou are very fond of Yan Geling's novels.
In 2014, Zhang Yimou bought "Lu Yuyanzhi" and adapted it into the movie "Return". The story written by Yan Geling became an important source of inspiration for the directors. The
film uses a narrative method similar to the collective style, depicting many characters with roughly the same weight. After watching it, you will feel that there does not seem to be a specific male and female protagonist in the film.
In fact, the real protagonist in the film is that special age, the fate of the collective little people in that special age. In character depiction, the director deliberately arranges that everyone's play is always not finished directly, it is always a touch of half-sentence. The sadness and joy of the little people in the film seem so helpless against the background of the big time, and many heartbreaking clips make people feel heartbroken. In the first half of the
film, the daily activities of the art troupe are the main line, telling the story of a group of girls in their youth. In the
art troupe, the girls are in their cardamom years. They have beautiful faces, tall figures, and beautiful bodies. Feng Xiaogang's "Fang Hua" is a tomato with tassels and red lips and teeth, a cello in the practice room, and a swimming pool. The damp black hair of the girls and the shyness of the boy rushing to collect clothes in front of the water are the young men and women who never pierce the tissue in the middle of the night. A circle of red gauze around the lamp makes the fluffy light become romantic. Red, listen to Teresa Teng's extravagant voice.
Perhaps because of this, the Red Mansion of the Art Troupe under Feng Xiaogang's lens is like a Grand View Garden. The girls are added with a layer of Jia Baoyu-like filters. Even if they play tricks, they are cute and excusable. He admits the trauma, but he doesn't want a more realistic ending. The protagonists have a warmer ending than in the novel, as if the Fanghua of that generation just scribbled the memory and smoothed the sadness with the beautiful lens. Although
had strict rules in that era, it could not stop girls from pursuing beauty and yearning for a better life.
But most of the time, beauty is often only on the surface. Where there are people, there will be rivers and lakes. The girls in the
art troupe each have their own careful thoughts.
is in the ideal and passionate military art troupe, a group of youthful youths who are in full bloom, experiencing the growth of love and the fate of life full of variables.
Liu Feng (Huang Xuan), a helpful, simple and kind-hearted person, and He Xiaoping (Miao Miao), who has been discriminated against and repelled by the female art troupe from the countryside (Miao Miao), accidentally left the romantic and comfortable art troupe and got involved in cruel wars. The blood-stained beauty continued to bloom on the battlefield. They feel the pain and warmth of collective life, the separation and reunion of old people, and the insignificance and powerlessness of everyone under the changing times.
Subsequently, Liu Feng was sent to the front line of the Sichuan-Yunnan border. Everyone in the
art troupe pretended not to know him, only He Xiaoping shouted out in front of many people: When will
leave, tell me, I'll send you off!
E-mails are very slow. In the age when there is only enough love for one person in a lifetime, touching has become a lifelong bet and miss. Liu Feng was sent to the front line because he touched Lin Dingding. He almost broke his arm with a begging for death. After many years, he still missed Lin Dingding. In the lens of
, Liu Feng looked at the photo of Ding Dingyuan marrying Australia, which Hao Shuwen handed over, with warm eyes. He only needs Ding Ding to be well, as long as Ding Ding will always be the little girl with a smile, I see a pitiful childish girl who can't tolerate years to make her grow old. I only hope that she is blessed with her beautiful face and never changes, so that she will not be vain of her past vigorously devoted youth. And affectionate.
And at the end of the film, Hao Shuwen’s sentence""I X your mother", I believe it is what the director and the audience want to scold.
and then, no and then. Each day, each continue to live. Liu Feng is lucky, he lost so much, but fate gave him He Xiaoping More "Liu Feng", I am afraid that they will not be so lucky, and Huang Xuan will not be so handsome. Who knows what their lives are like.
Many people say that "Fanghua" talks about a cultural troupe. Epic, but in my opinion, it is just an epic about an ordinary kind soldier. "
" is a hero, we have given him a lot of praise and praise, but no one regards him as a real living person to love him .
You are a good person, it is useless in the eyes of women, you push him to the high end of honor, everything is empty. "
"Fang Hua" is a love letter written to that era, and also a love letter to our elders, so that they can pick up their previous youth.
is also a heavy nostalgia that will never be forgotten, because of the simplicity The kindness.
"A person who is not treated kindly can recognize kindness and cherish kindness the most. "
wish that the passing years can be remembered and the future can be expected.
