invited three or five friends to join in the grand event and watched " Booming Red " again, and everyone cried and answered without exception. Some of
cried for self-drowning under the pen of Sanmao, some cried for the sisters of Maggie Cheung and Lin Qingxia , some cried about the red dust and the suffering of times when they boarded the ship, and some cried Wu Yaohan’s words to comfort Lin Qingxia:
is okay Yes, when we were Japanese, didn't we survive? Is your own government still afraid that it will not survive?
Sanmao’s original script "Rolling Red Dust"
Sanmao wrote the time and place of the story in the "Rolling Red Dust" movie script.
started in 1943, when Lin Qingxia's Shen Shaohua was under house arrest by her father in the attic at home. In October 1944, her father passed away. She moved out of the house and lived alone in a rented house to survive. Later in the same year, she met Zhang Nengcai, played by Qin Han. , The two fell in love. In the early spring of 1945, Yuefeng, played by Maggie Cheung, returned to Shanghai, and her boyfriend moved to Yan'an. Yuefeng, who was full of enthusiasm for saving the country, found that she could serve the Japanese government and went north to Jiangsu in anger.
About May 1945, the situation changed. Shaohua and Neng realized that there was not much time for the two, and decided to live and dream until the end. Not long after, Neng retreated. In August of the same year, he won the war of resistance, and Shaohua was up and down with the sea. Feng returned to Shanghai again, and met the mob's girlfriend who was bullying the traitor. She ransacked Shaohua's small room and forced Shaohua to go to the countryside to seek refuge in Nengcai. The two broke up because of vinegar.
In the early autumn of 1947, Yuefeng rescued Shaohua who had nothing left from the flooded basement. Shaohua, Yuefeng and Xiaoyong depended on each other for their lives, and were immediately involved in the gold-dollar voucher run and the student wave. Yuefeng and Xiaoyong died and Shaohua was helpless. Committed to his old neighbor, Boss Yu, stolen his life; in March 1949, when the communist army was approaching every day, he would cross the river, reunite with talents, and board the ship.
Nengcai returned to Shanghai in 1989 to search for Shaohua. The beautiful woman has become a paper-pack of archives. Shaohua’s novel "White Magnolia" published after the liberation still has books in the hands of Nengcai. San Mao wrote at the end of the script:
The population of China at that time was 550 million. The current population of China is over 1.1 billion.
Qin Han: How much accumulation can be exchanged for this mature close-up
Frankly speaking, the Qin Han in the heyday of literary and artistic romances has always been in my heart. He looks beautiful and is very photogenic, but he always stays in the idol drama, smiling, frowning, staring, wall dong, coming and going about these tricks. Instead, he plays works that are biased towards rural or realistic themes, such as "A Boat in the Ocean", "This Love Can Ask the Heavens", "Mother Thirty Years Old" or "A Native Countryman", all of which perform more or less depth than purely artistic love . The Qin Han in
movies really began to be "good-looking" and "tasteful". About the time from the late 1980s to the early 1990s, that is, after five consecutive Qiong Yao TV dramas, he returned to the film industry as a middle student. At this time, he took over the roles of "Rolling Red Dust" and "Ruan Lingyu", which happened to be the roles of two middle-aged "scumbags". The former is sentimental and suave, while the latter is rich in money and cheap. Qin and Han brought into the role the calmness, stability and romance of middle-aged men. He started to be ruthless, no longer like him in the three halls of the movie, but also with the trace of sorrow for the new words; he is sweet and greasy, and he is no longer a rash boy.
After more than a hundred episodes of the violent roar of the original sound of the Qiong Yao TV series, he returned to the big screen, playing a role that suits his age, his demeanor, and can also broaden his existing drama. Now it is rewatched and Qin Han plays the chapter. Ability, really don't think of a second person.
Unfortunately, there were only three finalists for the Golden Horse Performance Awards that year, and Qin Han was hardly considered on the list. However, even if the number of places increased to five now, Qin Han probably wouldn't be able to get in. At that time, there was still a strong attitude of rejection of the niche and middle-aged in "literary and artistic romance films." Even in 1990, purely literary and lyrical, it is still difficult to break through the "shortlisted" and "awarded" Chuhe Han circles.
However, regardless of the winning and losing mentality of awards and no awards, 30 years later, when I re-watch "Rolling Red Dust", almost every close-up shot of Qin Han can be described as impeccable. When he appeared on the stage, Fengshen Junyi encountered the grief and helplessness of the anti-Japanese elements, the embarrassment and misery when he was down, waiting for the boat at the dock, and a few eyes inadvertently carved out the hesitating fear of the small person facing the huge era, and facing the huge era The powerlessness of the tide.
Lin Qingxia: Heart is more than doing
It is not enough to talk about Qin and Han. The Qin Han and Lin Qingxia in "Rolling Red" come together, Lin Qingxia and Maggie Cheung complement each other, plus Gu Meihua and Maggie Cheung, plus Wu Yaohan. The young actress of the novel character "Magnolia". Several of them, with Lin Qingxia as the core, set up the emotional structure of the whole movie, just like red dust billowing , they were lost in sight, and they were still dreaming when they woke up. Shortly after the prologue of the movie
ended, the plot played to the role of Lin Qingxia, Shen Shaohua, who moved out of the house and walked slowly on the road with all his belongings. Two rickshaws were pulled, the luggage cart was in front, and Shaohua was in the back, I saw books outside the clothes box, books, all books, and a phonograph.
Qingxia's unfathomable expression on her face ended all previous criticisms of Qiongyao-style and Liu Jiachang-style literary films "Non-Eater", thus condensing and sublimating into her last "integrated" interpretation of the literary film. She is not frowning, but not smiling, fog is not fog, flowers are not flowers, she is Shen Shaohua, she is Sanmao, she is Zhang Ailing, she is Lin Qingxia, she is a cloud in the clear sky, occasionally reflected in the waves of the world heart of.
Some people criticized Brigitte Lin for "just acting herself." Said she was "outdated". Said she won the award "excessive reputation." I have heard too many of these criticisms in my childhood. Come to think of it, I might have been one of the critics who accused Qingxia.
But it really took so long before I learned to appreciate Brigitte Lin.
She is delicate to soft to fragile, almost broken into pieces, distressed and broken by the wind, she is a kind of temperament that penetrates to the soul. Indeed, she explained that Shen Shaohua does not eat the fireworks. Unlike Qingxia herself, she has to go to the beloved dumpling restaurant every time she returns to Taiwan to visit her relatives.
Shen Shaohua is almost a clever character composed of water and air. The so-called "heart is more than dry", at first glance, she is just a weak woman. But no, she has another kind of temperament and charm. Between the waves of her eyes and the flow of blue energy, she is alive "more" than the ancient digging Pigan. She is so far away from real life, yet so close to every scholar, every young man and woman in culture, the innermost and most private imagination of poetry and book temperament, and the floating life in troubled times.
Lin Qingxia flew to Hong Kong after filming "I Am A Cloud" in 1976, stepping into the legendary Shaw Studios, and cooperating with the legendary director Li Hanxiang in "The Dream of the Red Chamber". The original role was played by Brigitte Lin as Lin Daiyu. At that time, the entire Chinese film industry had no objection to such a casting. Lin Daiyu could not be played by Brigitte Lin. Who would play it? Zhang Aijia?
Director Li Da's insight knows the hero, let Zhang Aijia act as Daiyu, let Qingxia reverse the role of Baoyu. This movie pushed Zhang Aijia's acting skills to the next level. She performed Daiyu's stubbornness and arrogance, as well as her intimate secret with Baoyu. The film further clarifies the heroic spirit of Qingxia hidden under the dream and elegance, clarifies the context and extracts it, and points out a future development direction for the future "Sword Horse Dan", "New Dragon Inn" and "Invincible East".
But because of this, Qing Xia really has to wait until Shen Shaohua in "Rolling Red Dust" before she finally becomes "Lin Daiyu". This eldest lady, who was raised in a deep boudoir, tried to resist her father's suppression with blood, tears, pen and ink, and stood up her weak body to resist her father's suppression. After gaining freedom, she still used poetry and books, pen and ink, and essays to try to live in troubled times. Find the small room where one party lives. The drama in "A Dream of Red Mansions" chanted: "All my life has been painstakingly formed into words."
compares Xiao Hong and Xiao Jun in the "Golden Age" movie. It is also a pen and ink teaser. Shen Shaohua and Zhang Nengcai's fish and geese go back and forth and read the words intimately. It seems that there is less hunger, more education, and at the same time less chic and more The political inclination is dangerous and uneasy; at the moment when the two masters are determined to be greedy and greedy, the apocalyptic dreams of life and death are even more tragic and bleak.
, who only wears glass stockings, stepped on his black leather shoes, faintly slipped onto the small balcony, the rhythm of the dance music in the junior beat, revolving is the cycle of love, hatred, hatred and madness in the world. This is the biggest failure of the whole movie, but it is also the most impressive and most worthy classic shot of the whole movie.
said that the failure was due to this short drama and the theme song "Easy to come, easy to go, decades of travel in the world; easy to separate, hard to get together, the sorrow of love and hate" is What a grandeur, what a pattern! This is also the first time we have witnessed this pair of lovers in troubled times, standing up to the surging waves of red dust, even if it is only the last dance, we have to dance barefoot with confidence.
was defeated by the director’s lens. The small balcony was surrounded by naked urban buildings. Several seconds of screen time was wasted on the eaves. There was no chaos, no red dust, and no force majeure of "rolling in". If you can't feel the youth and energy, you have to pick up the red shawl, cover your head, wrap your shoulders, and sink into your own small world helplessly.
I don't know who is a guest in my dream, and I am greedy for a while, and I cannot lean on a railing alone, infinite country. Fortunately, there is also the swan song of Chen Shuhua and Luo Dayou, only those faint whispers in the world can always follow the legend of the two of them.
