1, "School Tomb"; childhood shadow series. Looking back now, I feel that both the plot and the horror atmosphere are so-so, but many of the horror scenes in it were unique at the time. Watching the primary stage of horror movies, it is not very scary. The campus story is still a bit interesting, with a little suspenseful color. The horror technique is quite basic, and the ending is a bit cloudy, and the handling is not very good.
2, "The Eyes Show Fierce Light"; 1999, a magical year, there were American beauties, and there was also such an exquisite Hong Kong movie that showed fierce light, but both of these films described a middle-class family story. After watching many Hong Kong movies, I discovered such a legacy, dull and depressive footage, a looming ghost house, a few old photos, and a background of a financial storm. The role played by Liu Qingyun also changed in this atmosphere, and finally he ended up in the cemetery. He was shot and died, and there was an unspeakable sense of depression.
3, "Evil"; even from the current point of view, the full luo dance is also powerful enough, let alone 40 years ago. One of the better genres of Hong Kong cult films, it is creepy from the creation of the atmosphere. The first half hour has been haunting sadness and strong resentment. The ghostly dance of death brings a perfect end to the film's temperament.
4, "The Resurrection of the Soul"; murder and set fire with a gold belt, justice and thieves give birth to evil children, the three views are extremely wrong. Looking at the screenshot, I feel terrible. Although I am not really scared, I feel a little bit chilling. The ending is a little discouraged, but overall it is still a rare horror and thriller, which is really a surprise. The gangsters reincarnated in a gloomy manner, and the atmosphere in each section was full, but the worst was violent and cruel Huang Guangliang.
5, "Bad List"; Yu Yunkang is one of the pioneers of Hong Kong horror films, and the type is very mature, leading the peak era of Hong Kong horror films in the next few years. Now it seems that although the service is rough and the special effects are rough, it is for 1981 In terms of movies released, you can't demand too much. The script is exquisite, echoes before and after, and the characterization of the characters is complete. Qin Xianglin's pressure composition is logical and solid, and the ending of the film can be understood from many angles, whether it is an illusion or a successful reincarnation of the evil spirit. Worth the aftertaste.
There are 5 domestic horror films that are comparable to "The Old Man in the Mountain Village". I've seen them all!