"The World·Comedy" has been released. The film is starred by the new comedy star Allen and the powerful actress Wang Zhi. This is their third collaboration. The first work is "Charlotte Annoyance" and the second It's "Ice Fist of Shame", the third two finally appeared as a couple, but they are not a couple of gods, but ordinary young couples with quite pyrotechnics.
Wang Zhi is familiar with the audience because of her role as Qiuya in "Charlotte Annoyance". Her pure and sweet look in the movie, her proud figure, and her brilliant acting skills have left a deep memory for everyone. Wang Zhi graduated from Chinese opera. She has studied martial arts since she was a child. In fact, she can take the route of beating women. She has performed many different roles. She played the intellectual white-collar Ning Xin in "Cool Life, Can We Not Sad", and still "Super Weng Son" plays the empathetic Zhu Ju.
Wang Zhi, who has received professional performance training, has no exaggeration in his performance in "Charlotte Annoyance". It is natural. The success of Qiuya's role lies in the seamless transformation of Wang Zhi's performance, which is pure or sexy, showing the face of first love. The different states of the goddess.
Wang Zhi in "Human Comedy" plays Allen's starring role Pu Tong's wife Mi Li, which is inextricably linked to Pu Tong's kidnapping. Because the performance is an ordinary person, Wang Zhi does not have an external appearance to give the character more attractive appearance, but in accordance with the plot to change the sister next door, real, natural and not artificial.
The grains of rice are tough on the surface, but tender. Because Putong doesn’t want a salary, it’s a problem to support the family. At this time, she is disappointed with her husband and confused. The most important thing is that she knows that she is pregnant and all the anxiety and anxiety passed. He Putong's bickering is vividly expressed, and it truly shows the daily life of the little person.
The grains of rice constantly put pressure on her husband, and I feel a little hated that iron cannot become steel, but in fact, she still loves her husband deeply in her heart, so she was innocently involved in the "kidnapping case", and she experienced it together. The ridiculous "kidnapping" path.
Wang Zhi still has a strong sense of substitution in shaping the role of rice grains. The two have no fixed place, and her husband also lends the emergency savings to others, which causes the rice grains to explode, but she can’t see the future, hope and future. Emotions were vented on Pu Tong.
Mi Li was involved in the "kidnapping" case is passive, because she is the wife of the person involved, Pu Tong, but why she participated in it is actually because of love, because of pregnancy, because of the need to live with Pu Tong.
The largest scale of the film, that is, the bridge section where the rice grains will be used to inherit Yang's family. The rice grains, which seem to be relatively gentle and weak, seem to be a different person, wild and firm. This actually tests Wang Zhi’s acting skills and shows The character itself brings a great contrast to the audience's impression. This is the point where Wang Zhi’s performance is extremely explosive, and it has also become a highlight of the movie. The dramatic conflict reached a climax, and we seemed to see a woman who was bold and fearless in order to save a happy life, which was awe-inspiring.
Wang Zhi through his own understanding of the character set, the performance is natural and smooth, it is easy to resonate with the audience, if you are a rice grain, for the sake of the child in your belly, for the husband, it is impossible to stay out of the matter, let alone leave. From quarreling and quarreling with Mi Li, to holding a group, and then holding hands, these transformations are very convincing. The hierarchy is clear and the logic is rigorous, so that people will finally understand a truth. Only when we share weal and woe can we know the value of true love.
Wang Zhi’s performance in "Human Comedy" has no burden at all. Many actresses are very concerned about their artistic image, do not like to be ugly, and always like to appear in front of the audience with a beautiful image, but Wang Zhi has no idol burden. There are many scenes of unkempt, crying and deformed faces. This kind of performance makes the characters more grounded, more convincing, and better serves the plot. Every actor should do this, giving the character a soul through his own performance, so that the audience can think that the character is authentic.
