景别——As one of the most important visual modeling elements closely related to performance in film and television creation, we seem to be both familiar with it and a little strange before we fully understand it. What
is familiar with is that our eyes seem to have judgments about everything from life, that is, far, near, big and small. What is unfamiliar to
is that we don't know that this important modeling element from visual judgment has a very important relationship to our life and performance art creation.
So what is the scene? Where should its special positioning be?
Scenery is an important visual modeling element and the most external and indispensable form of visual modeling. The final visual expression form of film and television creation or production should be attributed to the form of expression of scene, the processing of lens language, and the arrangement and combination of scenes (scene) between lens and lens.
When a film and television work consists of countless images with narrative and freehand elements, with the creator’s conception and ideas, through the control and processing of the scene, the change of the scene and the scheduling between the shots, When arranged and combined according to certain rules (that is, the rules of the game), they will produce a unique form of visual change. It will produce narrative, it will produce changes in narrative rhythm and emotions, and it will form the appearance of the external lens language form and the style of the picture shown by the lens picture.
Therefore, the control, use and processing of scenes should be regarded as a hint and imagination of the expression of the picture space, and a description and reproduction of creative ideas and specific expressions.
When actors know that scene is an important visual modeling element and an indispensable form of visual modeling, what we should know now is that when we see the shots in the director’s script, they are first formed in our minds It is the scenes of those different combinations.
needs to understand at this time, what are the related functions of the different scenes of those combinations, what are their relationship with the performance, how to master and use them, and what are their advantages and disadvantages for the performance.
Now first introduce how scenes are divided in film and television production. Generally speaking, scenes can be divided into two series, namely panoramic scene series and close scene series. These two scenes will make people have different visual experience.
1. Panoramic view series
Panoramic view series includes distant view, large panoramic view, and panoramic close-up. The
panoramic scene series will give the audience a distant and macroscopic visual effect in terms of visual perception, physical space and spatial distance, and produce a psychologically distant feeling, a kind of onlooker (objective) visual experience, there is a kind of Non-participatory and detached, detached mentality. Therefore, the processing of the scene picture of the panoramic series lens will give people a more objective, macroscopic and long-distance visual perception. Such as the endless sorghum fields in the movie "Red Sorghum", and the mountains and pastures in the Japanese movie "Distant Mountains Calling". In actual creation, panoramic sceneries also play a role in explaining the larger environment.
2. Close-up shot series
Close-up shot series includes mid-range, half-length, close-up, close-up, and close-up. Close shots will produce a visual sense of narrow space and very prominent (concrete) subject in the picture, giving people a sense of proximity, such as a sense of closeness, in both psychological and physical space. Therefore, a series of close-range shots will produce a sense of participation, and the screen will produce a strong sense of identity and awareness, and will produce a stronger psychological shock. From close-up to close-up,
emphasizes a certain partial performance. Whether it is the facial features or the hands and feet of the characters, the performance of this kind of scene will be unobstructed.
Therefore, the close-range series of lens images will make the audience have a sense of visual participation and penetration, psychologically will produce a strong sense of identity and cognition, and will bring a strong psychological shock effect.
When watching the film, viewers will find that close-ups and close-ups are rarely used in close-up scenes, or that the directors are very careful in using such scenes. Taking a movie as an example, the length of a movie of 1 hour and 40 minutes can be divided into about 1000 to 1600 shots under normal circumstances, but generally does not exceed 2% (about 12 to 20 shots) when using a close-up lens. This mainly refers to art films, except for other film types such as gunfight films, fighting films, etc., because some passages in these films need to express mood and rhythm, so the mirrorThe splitting of the head is relatively more and more broken, because it is too expressive.
