You must have never watched Zhang Yi’s film that is comparable to "Tuner". You must be confused after watching it.

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The first impression of

"Car Brushing" is that it is similar to "Tuner", which makes people involuntarily compare the two.

are comparable and incomparable.

is comparable in that both use a lot of narration, both adopt a narrative method that combines flashbacks and interludes, and both adopt the method of leaving the ending blank. But the incomparable lies in the different cultural backgrounds, different story lines, and different theme melody.

You must have never watched Zhang Yi’s film that is comparable to 'Tuner'. You must be confused after watching it. - Lujuba

"Car Brushing" leaves people with more thoughts, and the greatest value of a film is to arouse people's resonance and thinking, and it is endless thinking. The

film "Car Brushing" combines suspense, emotion, crime, and horror. It tells that an ordinary carmaker "welcomes" an "uninvited guest" before a date, his companion is killed and he is in danger. A lot of memories and inner feelings of the protagonist are interspersed in the process of brushing the car for the gangsters to complete the story.

This film conflicts and collides the inner world of the little character with the real destiny, tells the little character's rebellion against the world, the desire for success, and the powerlessness of fate. The

You must have never watched Zhang Yi’s film that is comparable to 'Tuner'. You must be confused after watching it. - Lujuba

​​film begins to use the protagonist's narration "Nonsense! Of course I am brushing the car, because I am a car brusher" to bring people into the storyline, and at the same time explain the protagonist's first identity-an ordinary car brusher. Later, he also used the narration to explain the protagonist's "second identity"-the collector. The protagonist of

likes to collect things that the car owner does not want. The protagonist said: "I just think that my stories are too few. I should live in a room full of stories." But in fact, it was a room full of desires, and all the car owners abandoned were what they once occupied, so how could the protagonist be content? And this dissatisfaction comes from dissatisfaction with one's own destiny and fate. The protagonist of

likes to brush the car, loves the car, works carefully, does not miss every detail, and even reaches the level of paranoia, but what the protagonist is obsessed with is the feeling of making every dusty car in his own hands. It's like a story starts again. The protagonist is a small person, but he also longs for extraordinary, longing for recognition, longing for satisfaction. This recognition and satisfaction can only be obtained by making the car spotless. The protagonist is eager to change his own destiny through a new car. Writing your own story is also the hero's dream. Another character in the film

You must have never watched Zhang Yi’s film that is comparable to 'Tuner'. You must be confused after watching it. - Lujuba

-a female car owner wearing an orange floral skirt, the only thing the protagonist describes to her is "the smell of sunshine." From the beginning to the end of the film is a dim washing room, interspersed with a room full of stories, this room is completely sealed without windows. Such an environment and the identity of the protagonist and the little character reflect each other, but it is in sharp contrast to the protagonist's longing for sunshine and rebellion against fate. The protagonist likes female car owners, and Da Zhuang also likes female car owners. Female car owners are actually the outlet of the protagonist’s desires. The smell of sunshine echoes with the protagonist’s approach to the sun.

In the process of brushing the car for the gangster, the protagonist had two chances to escape, but because of fear and cowardice, he chose "At least I am still alive now". The protagonist saw a corner of the orange floral skirt in the trunk of the gangster’s car, thinking that the female owner was in the trunk of the car. At this time, the protagonist’s heart was plunged into extreme struggle and reflection, "Some people say that the reason for fear is that he I don’t know how to be quiet, and the only thing I can do now is to brush the car in front of me and wash away all of this quietly. This is the closest distance to us, the distance I never imagined, this distance makes everything In my hands." So the protagonist decided to start a new story, go out and smell the sunshine. The protagonist remembered that he was still the most powerful carmaker on this street. The protagonist

opened the door, and the sun shone on his face. In the crowd, he saw the female car owner wearing an orange floral skirt with a smile on her face. Then a gunshot sounded and the film ended abruptly.

saw the orange floral skirt in the trunk of the gangster car is a fantasy of the protagonist, but in fact, it is possible that the whole story is the fantasy of the protagonist, there is no gangster, and there is no death. The protagonist is an ordinary little character, but he has voyeurism and is serious and paranoid. After knowing that Da Zhuang also likes the heroine, the protagonist indulges the evil side of his heart in his heart, or releases himself to his heart. Desire, so the protagonist imagined the gangster, the death of Da Zhuang, and the female car owner still alive after she walked toward the sun. The last protagonist of the film walks to the sun and shoots a gunRinging also represents the end of fantasy and return to reality.

There are too many little people in this society, you and I are both, we also have a desire for success, we also reflect on destiny, we also have desires, we also have a bad side in our hearts, but we have to accept the evil side, because we will recognize Be realistic, accept reality, and achieve your desire step by step by doing your job perfectly, approaching success step by step. This film aroused the resonance of the little people, but also caused people's reflection, reflection on human nature, reflection on destiny.

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