would like to ask the biggest dark horse this summer is none other than "Nezha". Among the big stars participating in the film, Nezha finally stood out. The box office has soared since its release and has now exceeded 2.4 billion. This week we will usher in the release of the two films "Apostle Walker 2" and "Shanghai Fortress". These two films are still very much anticipated for audiences who love Hong Kong dramas. After all, Hong Kong police films are notoriously burning, but This film is a pity.
When the Hong Kong film "Anti-Drug 2", the most explosive this summer, was released, it blew up the entire theater. Many people were attracted by the big production scene because of the king Andy Lau. Now it is released in the mainland market. In 33 days, it also slowly reduced the row of films to the end. The cumulative box office was 1.294 billion yuan. Although the mainland market is nearing the end, it still has a sufficient number of films in the Hong Kong market, but its share of the box office is not high.
Why is such a hot film upset at the box office in Hong Kong? It turns out that for Hong Kong movie fans, there are too many films to choose from, especially for many foreign language blockbusters. However, "Sweeping Drugs 2" did not meet a good time, and the cumulative box office for 21 days was only 23.82 million Hong Kong dollars. It is still a long way from the 30 million mark estimated by the filmmakers. At present, it should not be realized.
This box office netizen also sighed, "It’s a bad time, the opponent is too strong, Andy Lau really tried his best." Actually, think about it, facing the impact of Hollywood blockbusters, you can face the impact for so long. It can be seen that this film is absolutely in quality. No problem, but now the Hong Kong film market is very helpless. Most of them are completely monopolized by imported films. Many classic local films can only survive in the cracks. Films that can be released in Hong Kong, and films with a box office of more than 10 million, use Both hands can count over.
But fortunately, excellent Hong Kong films are backed by the large mainland market, so as long as high-quality, classic works are released in the mainland, the box office will generally not go far. After some Hong Kong film enthusiasts, film critics, and media propaganda, I believe that many tap water people will spontaneously go to the theater to enjoy a well-known and well-known work.
Although today's Hong Kong films have lost the style of the 1980s and 1990s, they still have some merits. I hope that the new generation of Hong Kong directors and artists can revive the glory of Hong Kong films that year!
