Once upon a time, before Koo Tianle and Zhang Jiahui formed the "Gu Hui" combination, before Zhang Jiahui appeared in "Anti-drug", there was a person who actually occupied Zhang Jiahui's position. The person
is Daniel Wu. Like Liu Qingyun and Zhang Jiahui, he has collaborated with Louis Koo in many movies. It was the earliest Hong Kong-produced police film Iron Triangle, and there was nothing wrong with Zhang Jiahui at that time. And regardless of appearance and height, he is more suitable to partner with Louis Koo. The most important thing about
is that both of them are actors born in the 70s, and Liu Qingyun and Zhang Jiahui are not born in the same era. Although
said that the post-80s generation actors in Hong Kong were a bit broken, the post-70s Koo and Daniel Wu were still worthy of trust at the time. Both have a steady and steady performance in their film careers, performing very hard, never giving up acting, and are low-key and mature.
also starred in a lot of movies in those years. Although they had collaborated on "The Eye of the Beast" very early, but at that time, Koo Tianle was only a guest performer. The real close cooperation should start from the combination of Johnnie To and Mai Zhuang. Up.
such as the "Eavesdropping" series, "Single Men and Women", "The King of Gun King" and so on.
It can be said that Daniel Wu and Louis Koo were the most important young actors in Hong Kong film circles at the time, and Daniel Wu’s early development was even better than Louis Koo, such as "Monster Night Corridor" and "Mong Kok Dark Night" are very classic movies of Daniel Wu in his early days. Take down the actor.
At that time, Louis Koo was still acting in a large number of comedy movies. It was not until 2005 that Johnnie To's "Underworld" showed his real acting skills. In 2007, he also played a supporting role for Wu Yanzu in "The Disciples".
But no matter what, the two finally got on the same level. It's not a love movie where two people chase a girl together, or you are a traitor and I am a police and gangster movie that takes turns acting decently. To a large extent,
is also to exercise acting skills. After all, their experience and qualifications are too short compared to their predecessors. To gain recognition, they must have different roles to enrich themselves. Because of this, the comparison between the two male protagonists has always existed. For example, "Which is the more handsome Gu Tianle or Daniel Wu?" "Which one of Gu Tianle or Wu Yanzu has better acting skills?" The status is equal, and it is really difficult to compare the two in terms of appearance. After all, Gu Tianle was really handsome to have no friends during his peak from Bai Gu to Hei Gu, and Wu Yanzu’s exotic flavor is also a dish of many people, very masculine. concentrated.
But I want to compare two people, but I don't want to compare their appearance, because the two people began to transform very early, and they didn't want to rely on their faces to eat.
If the acting skills at the time were compared, Daniel Wu might be even better than Louis Koo. After all, he was acting in a literary film like "Beautiful Boy's Love" when he debuted. Daniel Wu also has a preference for literary films.
and our Koo Tianle seems a bit too commercial, so the performance has been slow to improve, if it weren't for Old Du La, it might be even worse.
However, it is a pity that Wu Yanzu's path was a bit off the road later, and obviously in the later stage he began to look for changes.
Like Louis Koo, Daniel Wu also formed a film company with Feng Delun. But the difference is that Louis Koo focuses on Hong Kong movies, while Daniel Wu likes various attempts and co-productions. Hollywood has become his main direction of development.
This is why we rarely see him in Hong Kong movies now.
The so-called dedicated talents are more likely to succeed. With this dedication, Koo Tianle finally won the Golden Statue in 2017. However, Daniel Wu, who has deviated from the runway, has not received any results. Perhaps he does not need to use awards to prove himself. After all, everyone can see from his "Four Heavenly Kings" that he is not so traditional in his bones, and his Growing up in the United States and graduating from a young age, I have some Western ideas.
It is just a pity that Wu Yanzu, a person who was once so close to Louis Koo, is now farther and farther away from the model worker who has become a movie tycoon.
