"Incoming Call Freak" is a film with a distinct primary and secondary. The main actors are basically in the main arena, and the supporting actors are in other branch venues. In the plot, they often meet each other, but in the scenes of the movie they only communicate via mobile phones. The mobile phone is the real issue to be discussed in this story. The issue of mobile phones is actually very topical. On the bus, it was repeated over and over again that the movie "Don't be a cell phone, bow your head" was a very common group of friends playing mobile phones at dinner parties. I thought they were going to play Truth or Dare, but they upgraded and wanted to disclose phone calls and messages. Isn't this just for us to watch the fun?
was accustomed to Dai Lele’s funny, but now I see her serious appearance, as a hostess generously entertaining friends, the key is that she also has a background in psychological counseling. She also proposed the idea and is already looking forward to it. I wonder if you guys have actually played like this in real life? I think it shouldn't be too much. After all, there are fictional plots in the movie, but this time the story looks quite real. They gather together to chat, and in this particular home, they are acting like a sitcom. Sometimes it feels as if there is no connection, someone forgets the line, and then others have to find a way to supplement him, or change the place to let everyone distract.
We actually chat with friends in our lives, and sometimes when we can’t continue, we also think about ways to find the next topic. In addition, each of us may also have some little secrets in our mobile phones, or things that we don't want others to know. We have also worked hard to find a way for this. Speaking of actors, the interpretation of each role has its own characteristics, but just as I mentioned earlier, Dai Lele’s performance, or the image created is different from before, so I will pay more attention to it. If the image she has created in the past is so serious, then it must be holding a particularly funny turn in the back. This time I'm serious all the way to the end, yes, will you find this comedy easy after watching it?
don’t hurry to pick up the phone. In the beginning, the call was full of funny and funny, and there was social influence on the little people. People's greed and stubbornness, desire for beauty, exposure of contradictions between family mother-in-law and daughter-in-law. But later, I saw more and saw the sad story behind the beauty. Seeing the hardships behind the little people, seeing the relief of the prodigal son looking back, seeing the pain and helplessness of the workplace, seeing the softness and delicacy behind the toughness, seeing the metaphorical irony, the immature mixed with serious care, several times to cover up. In the end, I understand that wrong is wrong, and I don’t need your correction, because I don’t care anymore. No one can live a perfect life without making a mistake.
So, let's stop making trouble, take the road below our feet, and love the worthy. First of all, there are too many jokes in the movie that are too vulgar. To be honest, I felt a very awkward and uncomfortable feeling after watching it. Of course, different people and different audiences may have different feelings. Secondly, the content of the film may not be deep enough (I can't tell, but I feel that the intensity is not enough). It can be said that the focus of this film is on the local interpersonal relationship. There are not many laughs (or not to my taste) and tears. What I admire most is its structure, which is a bit unexpected. I hope it can bring some influence and some meaning. The latter is more in line with commercial comedy, and the first half is light and funny, which makes sense.
However, the setting of character encounters played by Ma Li is not a good story, and the characterization cannot highlight the charm of actors. The whole movie can only feel that the funny fails to show the social status quo that the original movie wants to express and the changes in human nature in a specific environment. And "Call Frenzy" created a forcible ending for the viewers. When it comes to China's remakes, two of them feel good, one is "Twelve Citizens" by Teacher He Bing, and the other is "Return to Twenty Years Old" by Yang Zishan. One is more serious and the other is comedy. The form of "Ring Call" is similar to the former, and the style is more similar to the latter. Several old classmates of
gathered with their families. During the meeting, the screenwriter suggested that everyone put their mobile phones together, just as the absurd plot of a big adventure game has begun. The mobile phone seems to be the protagonist, but it is just an introduction. Just like Ma Li's smile, the mobile phone was invented to facilitate communication. Why do we hold the mobile phone and have nothing to say to each other? The film discusses communication between people, whether it is relatives, friends, colleagues or strangers. Modern communication methods make communication more and more convenient. We communicate with more people every day, but we don’t understand each other less and less., Hide yourself behind the phone. As the plot becomes more and more absurd, it turns out that all this is just the screenwriter's assumptions, but the people watching it still feel a cold sweat. This is the real us, a reality that is colder than horror films.
