When you read film reviews on Douban, you will find that most of the most popular reviews for this movie were written more than ten years ago. At that time, the hot word was the original poster, "I am your fan". It is still very trendy. People who have just contacted the Internet retain a trace of mystery, and pretending to be deep messages are not particularly smooth, as if there is always a feeling of time and space travel.
However, when this movie appeared in people’s vision again ten years later, some of the hotly commented accounts have become cancelled. They may still like the movie, but as 1900 said, they entered In the end of life, no one remembers what he said or did. We are sorry that he has never left the Virginia in his entire life. He loves our mediocrity, chasing endless ideals and joys.
director Giuseppe Tonadore perfectly inherited the romance in the bones passed down by the Italians from the Renaissance. Unlike the French, this romance also incorporates humanistic literature that originated in Italy. , If you carefully read his time and space trilogy "Paradise Cinema", "Sea Pianist" and "The Beautiful Legend of Sicily", you will find that this kind of humanistic literary core has been vividly displayed, so they are three different A translation method may reflect this core more thoroughly: "Starlight With My Heart", "Sound and Light With Me Fly" and "True Love With Me". Tonadore’s fine control of the lens in the movie and his classical music skills, coupled with the rare storytelling ability of humanistic literature, make people love it, "The Beautiful Legend of Sicily" I made a porn film that everyone admired. The depressed and eager juvenile sentiment is coveted. "Paradise Cinema" made a movie dream in a lifetime, while "The Pianist on the Sea" made happiness that others could not understand. How time flies, as a genius in 1900, from his birthday to the epitaph, he was lonely.
-1- Except for himself, he has no rivals . I believe that even if you haven’t watched this movie specifically, you must be familiar with the most classic fragments. The fight against the piano is not the most beautiful passage in the movie, but it is for the entire character of 1900 The image of the pianist is the most classic. There is no villain in the whole movie, but the appearance of Jerry Moore Roton still makes the climax of the movie a little gunpowder. When he touted himself to the media under the boat but belittled 1900, 1900 stood on the boat looking at him and asked the crew: "Is he talking about me?" After playing the song, Jerry reaped the audience. Applause, including the opponent 1900, but at this time, the genius who is sitting on the home court only cares about his beloved piano not to be scalded by smoke, and uses a song "Silent Eve" to express his happiness. After all, Christmas on board, It was his happiest day, but in the eyes of Jerry and us, it seemed that this was the declaration of war in 1900. The audience looking forward to this duel was also disappointed, but 1900 didn't care. He bowed to those boos. The second song of
is Jerry's own work "The Crave". He is confident and melodious, just like caressing the piano keys. But 1900 didn't seem to care about winning or losing. He burst into tears while giving the most sincere compliments to his opponents. He didn't know what a game was. For him, music was to enjoy the infinite creation on the limited keys, so he was full of respect. I played Jerry's original song not badly or even more perfectly. Jerry knew that 1900, who had never got off the boat, could not have listened to his own original music. Although the audience felt that the genius was defeated, Jerry was already in a mess at this time. He knew that he was no better than 1900, so he was angry. The ground made the final blow, and 1900 seemed to see Jerry's provocation from one performance after another. Finally, he responded, his hands were so fast that he doubled, he was stunned to see the people, and he drove Jerry off the ship and drove back to the United States.
This time he let the whole world know that he is a genius. The way a genius enjoys music never passes competition. He is lonely because he has no rivals no matter what he compares or not.
-2-Except for Max, he has no friends. At the end of the movie, many people have questions why Max didn’t stun 1900 and take it away. After all, I’m not afraid of no firewood, but this may be why we are just ordinary People, and only Max can be his friend.
Although Max didn’t until his death in 1900He really understood why he refused to disembark, but even if he had more questions, he never asked why. He knew that 1900 did not envy or even understood those ordinary people like him. 1900 once said: "People on land like I wasted a lot of time after searching for the roots. Winter worries about the late arrival of summer, and summer worries about the coming of winter. So they keep walking around in pursuit of a place that is out of reach and like summer in all seasons—I don’t envy "Everyone is chasing fame and fortune, and eager for a better life, but geniuses are always alone.
Do you think there will be a lack of different kinds of interesting people around him? In 1912, the Titanic sank, he was twelve years old; in 1918, World War I ended, he was eighteen years old; the Great Depression of the United States in 1929 , He was twenty-nine years old; World War II officially broke out in 1939, he was thirty-nine years old; when the war ended in 1945, the USS Virginia was blown up, and he was 45 years old. He has seen Einstein and Freud, experienced the rise of jazz, and witnessed the breaking of the American dream, but he still chose to stay by the piano. No matter who he has touched and what he has experienced, the Virginia is like It's a continent that belongs only to him, but it's never marked on the map. People come and go, but geniuses are always alone.
How lonely he is. In his spare time, he goes to the third-class cabin to play the music they want to listen to for the poor, but no one desires to be immersed in it like him, and no one is concerned about his life experience, bitterness, and music. For them, it’s just a pastime to spend time, until they saw the Statue of Liberty, and then someone shouted: "America!" The crowd dispersed, and no one cares about what they have just heard or what they have seen. Under 1900, the lonely figure looked at the scattered people, the prosperity was gone, but the genius was always alone.
In fact, for 1900, it is enough to have a minority Max, and it is enough to have a girl who is willing to give him a kiss and leave her address. Perhaps for him, the smile that appeared when he waltzed with the piano on the boat was like the smile of Shawshank leaning on the balcony. It was freedom, joy, and determination to life. In 1900, even if he didn't seem to have anything, even if he never existed in his life, as long as he had a piano, he could proudly raise his two right hands in front of God, saying that his epitaph was loneliness. -3-Except for the sea, he has no destination.
1900 The closest distance to that piece of land is only half of the gangway. Standing on the gangway watching the opaque city buildings, he just took off his hat and let it float. Into the sea, passing by the world. He once said: "The endless city has everything, except for the end, there is no end." He lived on the big ship carrying people and dreams, from birth to death, except for the sea, there is no destination. He said goodbye to so many people in the foreseeable future, so many times he longed to get off the boat and listen to the sound of the sea, but he succumbed to infinite fear beyond his destination. Some people say that he is severely frightened, and some people say that he just likes to escape, maybe it's all right, but I saw us in him. Perhaps in the director’s mind, there is no difference between 1900 and Max. In other words, Max is 1900 after he got off the ship, and 1900 is Max who is still immersed in his dream, the whole legendary story, It's all from Max's self-report. And they are the true portrayal of our dreams and reality respectively. Our dream is like those 88 piano keys. It is so fearful that it will be laughed at for fear of appearing. It also likes to escape, and it may end up rotten in its heart. But in it, we can clearly see every goal, every end, but we are not geniuses, we can’t play the infinite possibilities of dreams, and finally we can only embarrassedly set foot on the land and fall into an endless life. Go in. We walked on the road arranged by others and fell into a strange city. We married, married, had children, and godchildren. We were expected to have a beautiful house. There should be a beautiful garden behind the house. There will be parties on weekends, and every period of life seems hopeful but there is no way to start. We have too many choices, and too many choices, too complicated judgments, and mental breakdown. Then we tell our children these experiences and let them imitate it, just like a grind donkey, and its offspring are caught in a kind of "industrial warmth", spinning around the grinding disc one after another, watching When we go to a donkey who refuses to grind to be free, we will say to our child: "Look, don’t follow him, he is just running awayAvoid life. "But they can't imitate it either. Perhaps in a sense, the one outside the door and the group inside the door have long distinguished the difference between species.
Or we can also try to choose loneliness, at least loneliness is better than drifting with the crowd. Come more comfortably, even if not everyone can become a captain of ecstasy, but at least you can set sail for your dreams. Geniuses must be lonely, and the road to realize their dreams is destined to be unaccompanied. Isn’t it good to set foot on land? Good, but we are still willing to choose our own way to go through a long and gorgeous life. If
is not long enough, it is at least gorgeous enough.
