Lunar New Year stalls are approaching, and the movie market is being staged. Six strong films will meet the audience at the same time on the first day of the new year.
Crosstalk master Guo Degang also came to join in the fun. The 19th Generation of Ancestors directed by him is particularly eye-catching.
We know that cross talk is not good at telling stories, but movies must tell a good story.
Moreover, this is a movie written by Guo Degang himself. What kind of story should be used to win? The story of
is about Bei Xiaobei, played by Yue Yunpeng, who wants to become a writer, but repeatedly hits a wall because of her appearance.
By chance, he unexpectedly went through a journey through and met all of his ancestors one by one.
Bei Xiaobei had an idea and decided to improve his own genes.
From the plot point of view, crossing the subject matter leads to freedom of space, just like throwing a blind man in a cross talk, one foot in the sky and one foot on the ground. This is the work of Old Guo.
But the movie market has many variables.
Guo Degang's fame has attracted a lot of attention to the film, but some people are particularly bad about the film itself because he is the director of the film.
The invisible bomb that may destroy the film’s reputation and box office is Guo Degang.
Guo Degang is not only a master of cross talk, but also a shrewd businessman. He uses almost all modern business methods available in the traditional industry of cross talk.
He knows well that this is a diversified era, and his job is not only cross talk. He said that "the era is developing, and it is a very right thing to make profits from alternate lines."
So he focused on the current rapidly changing movie market.
In fact, Guo Degang was passive when he first came into contact with movies. He has a very bad movie to test the waters.
was just because others wanted to lend his fame to the film-plated gold dress, so he was asked to come to make a cameo. I didn't expect this cameo to get a bad reputation as a "bad film professional".
Look at the movies that Lao Guo has played, and I really can’t flatter you.
Especially in 2017, he made bad films such as "Crosstalk Movie: I Want to Be Happiness" (Douban 2.9), "Happy Comedian" (Douban 2.5), and "Beautiful Girl in the Moonlight" (Douban 3.4). Although
verbally said that he didn't care about the evaluation, the speed of Guo Degang from getting wet to getting on the boat was unambiguous from a player to a movie director.
Therefore, Guo Degang as the director of "The Nineteenth Generations of Ancestor", which is about to be released, is also very enthusiastic. Even on New Year's Day, a thousand-word Weibo was posted early. The content of
Weibo is speculative. In summary, there are 4 things to say.
"It used to be a whole-person love to make a movie";
"don't care about comments, it's a happy picture";
"makes a movie is difficult, and it's harder to be a director";
"you can only say bad after seeing it, waiting for you to drive."
's words showed the master's calmness and self-confidence, especially the phrase "After a hundred years, a handful of yellow sand. Who is better than who, who is more stupid?" It is even more calm.
In fact, the matter of cross-border is not new in the entertainment industry. "Performing and excellent is to sing, sing and excellent to act, and to perform and excellent to direct" has almost become an iron rule. It's just that Guo Degang's "speaking and excellent then guiding" are still fresh.
So, can Guo Degang make a big turn in the movie circle with this work? I think it is very possible. There are three reasons for
.
1. The script of the movie was written by Guo Degang himself.
Guo Degang can take the role of the screenwriter in his busy schedule. On the one hand, he can see the importance he attaches to the film. On the other hand, it also shows that Guo Degang knows where the lung tube is when he shoots.
story. It's okay to play tickets, but if you want to play as a fairy, you must polish a good story.
Guo Degang knows exactly where the audience’s laughter is. What he needs to do is how to present a story, let the laughter be reasonably distributed in the story, and use the laughter to support the show, instead of being dismembered by the laughter. Although the
cross talk may seem broken, the master-level cross talk actors are good at paving the way for stability and the ups and downs of drama. A style like
may not be suitable for occasions like the Spring Festival Gala that needs to be lively as soon as the opening, but for the long and flowing form of the movie, it is very suitable for Guo Degang to play.
2. The only thing Guo Degang can’t do is smash his own sign
in this movie, Guo DeGang has invited 33 big names in total, including traffic stars such as Jing Boran, Zheng Kai, and Xiao Jingteng; backbone players such as Wu Jing, Huang Lei, and Wu Yue; more powerful and old drama players Zhang Guoli and Wu Xiubo.
can invite so many big names at the same time. On the one hand, Guo Degang has a wide range of communication and magical powers.
But on the other hand, these people are like human beings in the entertainment circle. It is reasonable for one or two to participate in the show for favor, but there will not be so many people who easily smashed their signs for a little favor.
must have read the script of the movie and thought it was good, so he was willing to follow the boat and did this favor.
These people don't know how, will Old Guo?
A person who has become a cross talk hero, it is impossible to make a movie just for money.
Then why?
interest, and a market opportunity.
decided that the clever Guo Degang could shirk responsibility in the dramas directed by others, but he would never excuse himself for the dramas directed by him.
But after all, the movie market is a lot of variables, bad movies never die, just make a new look.
Guo Degang's film is as horrible as ever, or is it able to make people shine, shouting the crossover of genius.
are only waiting for the first day of the new year to be clear.
(Film Rotten Tomatoes Editorial Department: Chang Jin)
