"The True Colors of Heroes", "Blood Two Heroes", "Ultimate Target", "Broken Arrows", "Changing Faces", the films once directed by Wu Yusen are full of hormonal flavors of brutality, violence, killing and fishy, all kinds of flesh and blood, All kinds of violent killings make people's hearts beat faster. Since 2002, Wu Yusen has been experimenting with war epic films, such as "The Wind Whisperer", "Red Cliff" and "Tai Ping Wheel", and "The Hunt", which is currently being screened nationwide, has once again returned to his best violence Aesthetics, I have to say that Mr. Wu Yusen is not old.
Tong Dawei once said that everyone before 1985 owed director Wu Yusen a movie ticket, and in my opinion, everyone who loves movies owes director Wu Yusen a movie ticket. "The Manhunt" is a great work for everyone to make up for this movie ticket. The film is based on the Japanese novel "Walking the River of Rage" and tells the story of the upright lawyer Du Qiu. After being falsely accused, he evades chase and pursues him. The twists and turns of the truth. Zhang Hanyu and Masaharu Fukuyama are two tough guys with CP, Ha Jiyuan, Qi Wei and both beauty are on fire, and Kurata Yasuaki joined a wave of memories. Such a fantastic combination can only be achieved by Director Wu Yusen.
After watching "The Hunt", it has a taste of "Rabbit Hero". The tough guys at the end and the justice police face each other with Shuangfeng. It is stupid to tell who is the ruffian and who is the hero, but I can only say that it is directed by Wu Yusen. "The Hunt" has a bigger picture. The film maintains Wu Yusen's relatively unique personal style, expressing his thoughts on society and human nature. The style is cold and solemn, and the plot is full of dramatic tension. The progress of the plot is completed in one go, thrilling and exciting. Whether it is a gunfight or action scene, or a headshot and suicide scene, it is full of Wu Yusen's violent aesthetics. Although there are many cruel aspects in the film, there is always some warmth in the release.
In addition to the super visual impact of violent aesthetics, the emotional lines in the film are also handled very delicately by director Wu Yusen, especially the tragic love story between Mayumi (played by Qi Wei) and her fiance (played by Kei Tanaka) in a scene At a wedding that should have been very happy, Mayumi's fiance died at the wedding scene. Mayumi's white wedding dress was stained with blood. It is hard to imagine that the scene of blood splashing could be so poetic. And police detective Satoshi Yamura (Fukuyama Masaharu) misses his dead wife very moving. Three times in the film, the photos that have been placed on the police officer's card are shown. Although there is not much rendering, the emotional expression is very good.
After watching "The Manhunt" while holding urine, the biggest emotion is that it's just that the times have changed. Wu Yusen is still the same Wu Yusen, and Wu Yusen's violent aesthetics, which has been prosperous for nearly 20 years, is still very important in the arena. The violent plots and scenes in "The Manhunt" not only don't make people feel horrible and nauseous, but there is a pleasure of being released from long-term depression. Wu Yusen's violence is not sensational or pretentious, purely for the audience to enjoy it. Other people's movies can be described as classics, but Wu Yusen's movies can only be described as great. There are many masters of film violence aesthetics in the world, but Wu Yusen has only one.
"Hunting" needs to be beautiful, tough guys and tough guys, and most importantly, director Wu Yusen's violent aesthetics, five-star recommendation!
