After 5 years of polishing, the original author Xueman Liangyuan served as the screenwriter of "Crane Huating" on Double 11 on Youku. In recent years, costume dramas have all moved closer to the beauty of etiquette, but on the surface they are costume dramas, but in fact they are modern cool dramas. But "Crane Huating" is different. Whether it's serving Huadao, the actors' every move, or the core of promoting the plot, the "li" has been throughout the whole drama.
It can be said that "li" is the externalization of the spiritual core of "Crane Huating". At the beginning of the TV series, Qi Wang Xiao Dingtang (played by Jin Han) designed and framed the prince Xiao Dingquan (played by Luo Jin). In the first three episodes, the plot continued to reverse. Turning around, Xiao Dingquan was subjected to the suspicion of the emperor's father, who was oppressed until he had nowhere to go before he resorted to a unique move to counterattack, leaving the guilty King Qi only to show his fox tail. This segment left fans with lingering fears, but some people think that the screenwriter is suspected of "reversing for the sake of reversal".
In fact, Xiao Dingquan used defensive as offensive in this contest not only to protect himself, but also to abide by Confucius' famous saying of "the monarch, the minister, the father and the son". And this kind of plot is not only designed to increase the sense of suspense and drama, but also in line with Xiao Dingquan's logic of not only fighting fate but also eager for father's love under the thought of "monarch, minister, father and son". The audience can also see the character meaning of "Crane is actually a bird of prey and can fight an eagle".
As a historical costume drama, "Crane Huating" has spent a lot of effort on the study of traditional culture. The modeling, etiquette, and soundtrack in the drama are well documented. According to director Yang Wenjun, the ritual system of the whole play is based on the regulations of the Five Dynasties and Song Dynasty. The crew did a multi-angle research, excavation and restoration of Song Li, and tried their best to create a Song Dynasty aesthetic characterized by elegance, low-key, and refinement. The aesthetics of the Song Dynasty can be seen in the details of the play. Robes, crowns, belts, quilts, boots, and even patterns and accessories not only follow the aesthetics of “simple, elegant, and refined” clothing of the Song Dynasty, but also conform to the identity and identity of the characters. Character characteristics.
If you say that "Crane Huating" only embodies Song Li in the costume, it would be too small to look down on it. Costume drama can not only be embodied in the "dress", it also penetrates the essence of Song Li into the plot. The tone of the beginning of the play is very forbearing, using ritual system to render the atmosphere of self-denial and return to courtesy, and assisted in the construction of the film's implicit, restrained, and invisibility tones of monarchs, fathers and sons, masters and disciples, and even lovers. The emperor and Xiao Dingquan were both suspicion and defensive monarchs and ministers, and a father and son who wanted to get closer.
Lu Shangshu and Xiao Dingquan were also masters and fathers, but when Xiao Dingquan was in the most painful time, Lu Shangshu refused to do anything that was inconsistent with his status.
Xiao Dingquan and Lu Wenxi agree, but they must abide by the etiquette and speak through the screen. Without these rituals that go deep into the whole play, such behavior and psychology will seem strange to the audience.
If you have already seen the prosperity of the Tang Dynasty in "The Twelve Hours of Chang'an" on Youku, it is better to come here to appreciate the beauty of the elegant Song rituals of "Crane Huating" and feel what it is like to be influenced by Chinese culture.
"Crane Huating" is directed by Yang Wenjun, led by Luo Jin, Li Yitong, Huang Zhizhong, Zhang Zhijian, Miaopu, Jin Han, Zheng Yecheng, Wang Yu, Cheng Xiaomeng, Qiu Xinzhi, Bao Dazhi, Wang Jianguo, Feng Bo, Guo Peng, etc., starring Wang Jinsong, Hao Lei , Liu Dekai, Wang Yuanke, and Wang Ruizi starring in costume dramas.
The play is adapted from Xueman Liangyuan’s novel of the same name. It tells the story of the prince Xiao Dingquan, who committed danger alone for the country, and handed over the power to the country and died under the infamy.
