Which of "The Wandering Earth", "Nezha", or "Shanghai Fortress" is more meaningful to Chinese movies?

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For someone who has watched "Shanghai Fortress" twice due to work reasons and under the pressure of capital, it can be said that no one is more miserable than me. What is even more miserable is that he paid out a movie ticket and a Member's money. I also submitted my review of "Shanghai Fortress" at that time. Although it didn't cause much response, but the boss didn't watch it himself, so he barely paid his homework. For which of these three movies is of greater significance to Chinese movies,

must be "Shanghai Fortress" that has completed the other two.

Although "Shanghai Fortress" disillusioned the vision of the rise of Chinese science fiction movies, we also learned not to label our works with a hot label and rub traffic. I also know that movie audiences are becoming more and more rational, and their tolerance is limited. The audience supports domestic films, especially the themes that China is more criticized, but it is not a bargaining chip for the production of the related products to be messy!

The failure of "Shanghai Fortress" is a blow to those commercial capitals whose flow is king. No matter how good the subject matter and the flow of actors are, it must not forget that the quality of the film is the key. The audience of polished works will not be stingy with them. Supported! For actors, they should all use this part to reflect on themselves. No matter how big the traffic is, don't consume yourself endlessly. Only with acting skills and strength can go further. Polishing acting skills is the right way. If you really like acting, you should treat your identity as an actor with your heart, don't look back, only infamy behind you. I want to say to fans: Spoiling is not love, whipping can make idols better! So from these perspectives, "Shanghai Fortress" was successful. At that time,

attacked mainly from these aspects. But when I saw the comparison with "Nezha", I found that there was another angle to demonstrate that "Shanghai Fortress" is more meaningful for Chinese film and television.

"Shanghai Fortress" and "Nezha", as science fiction and animation themes, can be said to have always been a heart disease in the hearts of Chinese people. People who are eager to see the rise of these two themes will certainly not be stingy with such works. . Therefore, the flow-based movies and televisions represented by "Shanghai Fortress" finally appeared in the box office of word of mouth. Will the capital favor those animation themes with more controllable actors' own factors? I think the success of "Nezha" and the "Shanghai Fortress" hit the street, capital should be more consider the themes of animation in the future.

Although the production cost and difficulty of animation are greater than that of real people, is it more cost-effective than the potential risks brought by the uncertainty of real people's own qualities? Because the characters of the animation can be said to have absolute control, at this time, just consider the level of the production team.

When capital is poured into this field, I believe it will cultivate a large number of technical talents related to the animation industry chain, and these technologies can also be used in the production of live action movies, which will make the production level of domestic movies more rich and delicate. Moreover, the consumption power of the current animation industry is not inferior to the live-action film and television market, and the animation audience has a higher consumption level.

However, if capital continues to pour into the real-life film and television field, it may even push up the actors' fees. Although the radio and television regulations stipulate the actors' remuneration, no one knows this space that can be manipulated.

And because the technological fortress of animation is relatively high, it is difficult for the capital side to bring capital into the market, act in disorder, and arrange in disorder. Both the capital and the production side can save a lot of worry. The capital side only needs to see whether it burns or looks good or not. The special effects are not good, and it is over. If you want to arrange a secretary to act, there is no chance.

"Shanghai Fortress" can not only awaken those who are only trafficist, but also promote the better development of domestic animation. These two important meanings are

that "The Wandering Earth" and "Nezha: The Devil Child Comes into the World" do not have. So which one is more important to Chinese movies, and the other two are not qualified to compare with "Shanghai Fortress".

Which of 'The Wandering Earth', 'Nezha', or 'Shanghai Fortress' is more meaningful to Chinese movies? - Lujuba
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