's most young filmmaker, Fan Wei has always been an artist I like very much. From the early comic dialogues to the short drama with Zhao Benshan on the Spring Festival Gala, to the later stage of the film and television dramas, every role he has played has been It is deeply rooted in the hearts of the people. In terms of film and television dramas, whether it is Yaoxiazi, Fan Debiao in TV dramas, robbers, priests, fruit farmers, drama actors in supporting films, or Kong Lingxue and Wang Kangmei in the protagonist movies, they all accurately represent the characters. On the basis of the movie, it leaves the audience with memory points that even exceed the movie itself
, but after more than 20 years of filming, if the name Fan Wei is suddenly mentioned, the concept in everyone’s mind will still remain on the stalk of the comedian, 2016 After Nian Fan Wei won the Golden Horse actor for "The Problem That Isn’t A Problem", the media and netizens realized that the big-headed and thick-necked Fan Wei could also act. In fact, Fan Wei’s achievements are far more than just the Golden Horse Award selected in the Chinese language range. As early as 15 years ago, he captured the artistic career of Fan Wei, the actor of the Montreal Film Festival
. It can be used as a rough atmosphere drama sketch, TV series and film. Fan Wei enters the film industry, just like TV series, he has the same person. This person is not Zhao Benshan, but Zhang Huizhong, a famous actor in Liaoning at that time. Many classic sketches of Zhao Benshan and Fan Wei in the Spring Evening are all screenwriters made by Zhang Huizhong. Zhang Huizhong invited Zhao Benshan to be the director when he filmed "The Director of Men and Women" in 1999. Leading actor, Fan Wei served as a supporting role. This is his first time making a movie, so Fan Wei has become popular all over the country in the true sense. It should be after "Selling Kidnapping" that his increasing influence also led the film circle to really have a good script to find He, in 2001, he took over the filming of the famous director Zhang Yibai’s Virgo "Metro to Spring", in which he still appeared as a supporting role. He played with Geng Le and Xu Jinglei at the same time. Fan Wei, who did not have much experience, was at this time. There are also very big sketch patterns in the performances, which will make people feel that they are too hard and not enough for life. 2003 is an important year on the road of Fan Wei's film. Two things happened in this year. The first is to meet Feng Xiaogang. In his later film career, the two have cooperated many times, and Fan Wei also seized a lot of opportunities Feng Xiaogang gave to make himself shine in just a few minutes of play every time, the second major event He starred in "July of the Car Watcher". Because of his shy personality, Fan Wei has a deep understanding of the psychology of the characters. For the first time as the protagonist, Fan Wei won the Montreal International Film by acting in a movie. The best actor of the festival
After this, we also witnessed Fan Wei's deep cultivation attitude and acting skills in the film industry. In 2004, Feng Xiaogang found Fan Wei and let him play a robber. From today's point of view , Is still a classic. It was also in 2004 that Fan Wei starred in "Please Praise Me". This movie is not too realistic and explicit, but it has a lot of metaphors inserted
. In the next seven years, Fan Wei's fire dragon is clear. The road of supporting roles has never stopped. In 2007, "Nanjing Nanjing The director used his mouth to convey the spirit of neither humiliation nor arrogance. In 2008, he played If You Are the One, and later played Guo Bencai and Li Yuanhong, who looks surprisingly similar in "The Great Cause of Founding a Country" and "The Great Cause of Party Building". The priest who served as the turning point of the plot in "The Case", etc.
began in Nanjing, and Fan Wei’s role has gradually evolved from an honest person to a diversified development. Every supporting role he played can gracefully grab the protagonist's scenery, and even many big names and Fan Weibiao’s drama has been reduced to a sense of existence, and in the past seven years, he has also served as the starring role in several films, in 2005's "Aromatic Journey" in 2007, "Ears Are Blessed" in 2008, and "Starting Now" in 2008 "" and "Tracking Confucianism" in 11 years are both small-cost masterpieces
. In 2012, Feng Xiaogang filmed "1942" as a judge. In 2013, "Private Order" Fan Wei played a dramatist who wanted to be an official. Now read the lines. It is really embarrassing. In 2014, "Taoist Going Down the Mountain" in 2016, "I am not Pan Jinlian" Fan Wei still inherited the style of the previous Feng's movies and continued to be an atmosphere mediator
. I have to say that Fan Wei has now reached that point. There is a realm of drama at one stop
