"During the two years when I stopped, my friend said, oh, Jianing, you can't work so hard, you have to come out to meet people and socialize." Actor Xue Jianing recently walked into the Shanghai Theater Academy to participate in the China Shanghai International Arts Festival During the Youth Art Creativity Week, I shared my 25 years of work experience with teachers and students, "In those two years, while others were socializing, I was probably reading a book, looking for inner growth. Success is a certain point in life, and growth is continuous. A pleasant process."
"I am an ordinary actor. I am still a little embarrassed to communicate with you. I really like chatting with young people and see you so young and happy at school. I'm very envious of living here." 46-year-old Xue Jianing was born in a family of intellectuals. At the age of 8, she hosted programs such as "Little Swan" and "Little Snowflake" on Harbin TV. Her ambition was Beijing Broadcasting Institute. When she was in her second year of high school, she went to Heilongjiang to enroll students in the STV. She was admitted to the STV, and her classmates included Lu Yi and Wang Jingchun.
When Xue Jianing was studying in the Department of Performance at Shanghai Theater Academy, she and her classmates were required to read three books a month and report on their thoughts after reading 30 books a year. "I read all the masterpieces of drama in the 1980s. Lights out in the dormitory at 11 p.m. , we turned on the emergency lights and were busy until two or three in the morning, preparing for the performance. "
In 1999, Xue Jianing graduated from the theater industry. In 2003, she played the role of Hamei in the TV series "Pink Girl" and became famous in one fell swoop. "I'm a little bit reluctant to play Ha Mei. Because the performance should be deeper and more content in my heart."
Xue Jianing always remembers the comments of her colleagues and classmates, "Xue Jianing, you have explosive power and powerful lines. But you When acting, I like to 'splash' water, and 'water' is 90 degrees. If you pour 'water' on the stage and use the power of 'splash' to infect the audience, it may be 360 degrees." Xue Jianing wanted to wake up the dreamer. Become a 360 degree actor.
"After "Pink Lady", I became a little famous and could choose roles, but not enough to choose good roles. In this situation, I chose the most difficult roles to play." In order to distinguish myself from Tian Sweet Ha Mei, Xue Jianing plays a bandit and a spy. "I want to break through myself. I have worked very hard, but no one can see it at all. I have worked hard 100%, and others can't see it. I have worked hard 1000%, and I may only be recognized." I see that only after you have worked hard and put in a lot of effort can others see your changes. Everyone thinks that I am a cute girl who is good at light comedy. "
I want to change. Many years later, in 2015, Xue Jianing encountered a career bottleneck again, "My performance had no vitality. When I was confused and doubtful, I didn't accept a script for two years and settled down to do what I wanted to do. Sometimes I closed my eyes Look into your own heart and you will know what you want as well as your strengths and weaknesses."
crossed over to challenge musicals and played Zhuang Ji in "The Orphan of Zhao", allowing Xue Jianing to grow again. "I can sing, but I still encounter many difficulties when performing in musicals, including psychological barriers."
During the first performance of "The Orphan of Zhao", Xue Jianing often thought of "Newton making a chair": The teacher saw the chair made by Newton and said, never again There is no uglier chair than this. Newton took out another chair, "Yes, teacher, this is my first chair. I made it many times before I got the current chair."
In a certain scene of "The Orphan of Zhao", Xue Jianing broke her voice, " I have been practicing for a long time, and it was supposed to be a point of applause, but the whole audience was silent." Backstage, Xue Jianing felt deeply frustrated and couldn't face the tour that would last for two years. Should she give up? "A voice said to me, isn't this what you want to do? The process is very painful, get through it, and you will be happy."
Xue Jianing persisted in acting, and her role as Zhuang Ji was recognized and she improved by leaps and bounds. To this day, when Xue Jianing hears the applause at the end of her performance, she will think, "Oh, give yourself an encouragement to not back down and complete "The Orphan of Zhao"."
Many people who have graduated from the acting department have concluded, "Actor is a passive actor. The industry is always chosen."Xue Jianing said, "Governing by doing nothing" does not tell you to do nothing, but tells you to take advantage of the situation, "If we have the opportunity, we must go all out." "In the interactive session of
, students asked about employment challenges. Xue Jianing said bluntly, "We are luckier than you. At that time, the crew was looking for actors. They first went to China National Theater and Nortel Theater to start selecting people, and now they are looking for actors online. But don’t stop trying, look for opportunities in musicals and stage plays. Teacher Yu Hewei's performance is so good, it is inseparable from his many years of hard work in the Nanjing Repertory Theater. So, don’t set a threshold for yourself. "
Xue Jianing encouraged everyone with her classmate Wang Jingchun, "Wang Jingchun won the best actor at the Berlin Film Festival. When I was in college, I particularly liked Liao Fan. Whenever Liao Fan acted, we would all go to the small theater to watch. In our class, Lu Yi was recognized early on as someone who would become famous. Wang Jingchun is many years older than us and is a warm old monitor. After so many years, there are many schools of actors from the Shanghai theater circle in my mind. Guo Jingfei and Lei Jiayin belong to one school, and Liao Fan belongs to another school. Wang Jingchun is in his own school, with life-like acting skills without any trace of performance. This is also the result of constantly paying attention to himself and letting himself grow. "
"The so-called success in life really cannot be regarded as the goal. Xue Jianing sent a message to future fellow actors, "When you regard success as your goal, and when you get it, the sense of satisfaction may not be that strong, because the next goal may appear." When you really pay attention to growth, ten years later, you will be different from those who don’t pay attention to growth. No one can take away this kind of wealth. "
During the 23rd China Shanghai International Arts Festival "Supporting Young Artists Plan" and Youth Art Creation Week held at Shanghai Theater Academy, Shanghai Theater Academy and China Shanghai International Arts Festival Center specially invited Feng Yuanzheng, President of Beijing People's Art Theater, Shanghai Professor Wang Su from the School of Drama, performing artist Xi Meijuan, and Shanghai Ballet Artistic Director Xin Lili shared their professional experience. Shao Yilei, Dean of the Shanghai School of Artificial Intelligence and Finance of East China Normal University, Fei Apple/Alexander Brandt, the founder of xenario, and Weng Shihui, the producer, focused on art and The integration of science and technology deeply explores the various possibilities of art in the era of artificial intelligence.
During the Creative Week, many works attracted the attention of the audience with their youthful aesthetics, depicting the young Zhang Wentian in the "Awakening Age". The journey of pursuing truth and faith. "The Last Shotgun" shows the complex story of the herdsman and the wolf. "Toward the Beautiful Country Covered with Sunflowers" tells the fantasy adventure of an orphan through six poetic spaces. Embodying the philosophical thought of "the unity of man and nature", "On the Island of Time" explores the relationship between individuals, society, and time and space through the stories of seven dancers. "Fire" leads the audience back through time and space to the ancient tribal era
The Creative Week also launched the art installation "Photosynthesis". Role" and the special event "Creating Silent Dances to Break Boundaries".
The "One Belt, One Road" special promotion section was created and presented by young artists from China, France, Romania, Serbia, Russia and Armenia. Romania's Sibiu National Theater drama. "Romeo and Juliet" is an innovative adaptation of Shakespeare's classic work using film montage and surrealism. "Hugo and the Oriental Spirits Musical Journey", a collaboration between Chinese and French artists, combines percussion, electronic music and video multimedia. Combination. In "The Sound of All Things", Shanghai nursery rhymes, Jiangsu guqin, Shanxi gongs and drums and Xinjiang folk music are combined with electronic music and digital images to bring the audience into the wonderful world of harmonious coexistence of nature and technology.
"During the two years when I stopped, my friend said, oh, Jianing, you can't work so hard, you have to come out to meet people and socialize." Actor Xue Jianing recently walked into the Shanghai Theater Academy to participate in the China Shanghai International Arts Festival During the Youth Art Creativity Week, I shared my 25 years of work experience with teachers and students, "In those two years, while others were socializing, I was probably reading a book, looking for inner growth. Success is a certain point in life, and growth is continuous. A pleasant process."
"I am an ordinary actor. I am still a little embarrassed to communicate with you. I really like chatting with young people and see you so young and happy at school. I'm very envious of living here." 46-year-old Xue Jianing was born in a family of intellectuals. At the age of 8, she hosted programs such as "Little Swan" and "Little Snowflake" on Harbin TV. Her ambition was Beijing Broadcasting Institute. When she was in her second year of high school, she went to Heilongjiang to enroll students in the STV. She was admitted to the STV, and her classmates included Lu Yi and Wang Jingchun.
When Xue Jianing was studying in the Department of Performance at Shanghai Theater Academy, she and her classmates were required to read three books a month and report on their thoughts after reading 30 books a year. "I read all the masterpieces of drama in the 1980s. Lights out in the dormitory at 11 p.m. , we turned on the emergency lights and were busy until two or three in the morning, preparing for the performance. "
In 1999, Xue Jianing graduated from the theater industry. In 2003, she played the role of Hamei in the TV series "Pink Girl" and became famous in one fell swoop. "I'm a little bit reluctant to play Ha Mei. Because the performance should be deeper and more content in my heart."
Xue Jianing always remembers the comments of her colleagues and classmates, "Xue Jianing, you have explosive power and powerful lines. But you When acting, I like to 'splash' water, and 'water' is 90 degrees. If you pour 'water' on the stage and use the power of 'splash' to infect the audience, it may be 360 degrees." Xue Jianing wanted to wake up the dreamer. Become a 360 degree actor.
"After "Pink Lady", I became a little famous and could choose roles, but not enough to choose good roles. In this situation, I chose the most difficult roles to play." In order to distinguish myself from Tian Sweet Ha Mei, Xue Jianing plays a bandit and a spy. "I want to break through myself. I have worked very hard, but no one can see it at all. I have worked hard 100%, and others can't see it. I have worked hard 1000%, and I may only be recognized." I see that only after you have worked hard and put in a lot of effort can others see your changes. Everyone thinks that I am a cute girl who is good at light comedy. "
I want to change. Many years later, in 2015, Xue Jianing encountered a career bottleneck again, "My performance had no vitality. When I was confused and doubtful, I didn't accept a script for two years and settled down to do what I wanted to do. Sometimes I closed my eyes Look into your own heart and you will know what you want as well as your strengths and weaknesses."
crossed over to challenge musicals and played Zhuang Ji in "The Orphan of Zhao", allowing Xue Jianing to grow again. "I can sing, but I still encounter many difficulties when performing in musicals, including psychological barriers."
During the first performance of "The Orphan of Zhao", Xue Jianing often thought of "Newton making a chair": The teacher saw the chair made by Newton and said, never again There is no uglier chair than this. Newton took out another chair, "Yes, teacher, this is my first chair. I made it many times before I got the current chair."
In a certain scene of "The Orphan of Zhao", Xue Jianing broke her voice, " I have been practicing for a long time, and it was supposed to be a point of applause, but the whole audience was silent." Backstage, Xue Jianing felt deeply frustrated and couldn't face the tour that would last for two years. Should she give up? "A voice said to me, isn't this what you want to do? The process is very painful, get through it, and you will be happy."
Xue Jianing persisted in acting, and her role as Zhuang Ji was recognized and she improved by leaps and bounds. To this day, when Xue Jianing hears the applause at the end of her performance, she will think, "Oh, give yourself an encouragement to not back down and complete "The Orphan of Zhao"."
Many people who have graduated from the acting department have concluded, "Actor is a passive actor. The industry is always chosen."Xue Jianing said, "Governing by doing nothing" does not tell you to do nothing, but tells you to take advantage of the situation, "If we have the opportunity, we must go all out." "In the interactive session of
, students asked about employment challenges. Xue Jianing said bluntly, "We are luckier than you. At that time, the crew was looking for actors. They first went to China National Theater and Nortel Theater to start selecting people, and now they are looking for actors online. But don’t stop trying, look for opportunities in musicals and stage plays. Teacher Yu Hewei's performance is so good, it is inseparable from his many years of hard work in the Nanjing Repertory Theater. So, don’t set a threshold for yourself. "
Xue Jianing encouraged everyone with her classmate Wang Jingchun, "Wang Jingchun won the best actor at the Berlin Film Festival. When I was in college, I particularly liked Liao Fan. Whenever Liao Fan acted, we would all go to the small theater to watch. In our class, Lu Yi was recognized early on as someone who would become famous. Wang Jingchun is many years older than us and is a warm old monitor. After so many years, there are many schools of actors from the Shanghai theater circle in my mind. Guo Jingfei and Lei Jiayin belong to one school, and Liao Fan belongs to another school. Wang Jingchun is in his own school, with life-like acting skills without any trace of performance. This is also the result of constantly paying attention to himself and letting himself grow. "
"The so-called success in life really cannot be regarded as the goal. Xue Jianing sent a message to future fellow actors, "When you regard success as your goal, and when you get it, the sense of satisfaction may not be that strong, because the next goal may appear." When you really pay attention to growth, ten years later, you will be different from those who don’t pay attention to growth. No one can take away this kind of wealth. "
During the 23rd China Shanghai International Arts Festival "Supporting Young Artists Plan" and Youth Art Creation Week held at Shanghai Theater Academy, Shanghai Theater Academy and China Shanghai International Arts Festival Center specially invited Feng Yuanzheng, President of Beijing People's Art Theater, Shanghai Professor Wang Su from the School of Drama, performing artist Xi Meijuan, and Shanghai Ballet Artistic Director Xin Lili shared their professional experience. Shao Yilei, Dean of the Shanghai School of Artificial Intelligence and Finance of East China Normal University, Fei Apple/Alexander Brandt, the founder of xenario, and Weng Shihui, the producer, focused on art and The integration of science and technology deeply explores the various possibilities of art in the era of artificial intelligence.
During the Creative Week, many works attracted the attention of the audience with their youthful aesthetics, depicting the young Zhang Wentian in the "Awakening Age". The journey of pursuing truth and faith. "The Last Shotgun" shows the complex story of the herdsman and the wolf. "Toward the Beautiful Country Covered with Sunflowers" tells the fantasy adventure of an orphan through six poetic spaces. Embodying the philosophical thought of "the unity of man and nature", "On the Island of Time" explores the relationship between individuals, society, and time and space through the stories of seven dancers. "Fire" leads the audience back through time and space to the ancient tribal era
The Creative Week also launched the art installation "Photosynthesis". Role" and the special event "Creating Silent Dances to Break Boundaries".
The "One Belt, One Road" special promotion section was created and presented by young artists from China, France, Romania, Serbia, Russia and Armenia. Romania's Sibiu National Theater drama. "Romeo and Juliet" is an innovative adaptation of Shakespeare's classic work using film montage and surrealism. "Hugo and the Oriental Spirits Musical Journey", a collaboration between Chinese and French artists, combines percussion, electronic music and video multimedia. Combination. In "The Sound of All Things", Shanghai nursery rhymes, Jiangsu guqin, Shanxi gongs and drums and Xinjiang folk music are combined with electronic music and digital images to bring the audience into the wonderful world of harmonious coexistence of nature and technology.
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