Cover News Reporter Xun Chao Intern Liu Wei Talks about Art Record·Character Profile Director Xie Ze Xie Ze, director and photographer. He has served as assistant cinematographer for the movies "Big Shot", "Heroes of Heaven and Earth" and "A World Without Thieves", chief cinemato

In terms of scene restoration, "Pearl Curtain" also strives to be real, so as to shorten the distance with the audience and allow the audience to better participate in the plot. For example, in the play, the Zhunu Cave creates a cruel atmosphere, the place selling blood beads creates a prosperous atmosphere, and the jewelry store also has real scenes to enhance the atmosphere. "We gave up the underwater studio and restored the seabed of the Maldives in Hepu 1:1. We also strictly controlled the cleanliness of the water. Basically, we changed the water every two days and it was always clean to prevent the actors' eyes from getting infected. "

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Therefore, in the underwater pearl fishing scene at the beginning of the series, the mystery and magnificence of the underwater world, as well as the gloom and terror that followed, were truly presented to the audience by Xie Ze. He believes that the restoration of these scenes not only allows the audience to feel the tension and excitement of the plot, but also allows the audience to have a deeper understanding of the social background and people's living conditions of that era. "The world (created) must be real, grounded, and plotted, so that the audience can feel the reality of the characters' lives and experience the strong emotions of the characters. Without events and the three-dimensional support of the business world, it would be impossible to express "

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In addition to the underwater world, the cabins in the play must also conform to the characteristics of the era: "It is divided into two floors and three floors, which is very low and brings trouble to the staff. There was a lot of trouble, there was no place to turn on the lights, no place to get off the plane, everyone had to squeeze in when entering, but the realism was what we wanted most, because the bottom cabin where the slaves lived was very crowded, and everyone slept in the cargo. In the gap, there is a curtain in front, instead of living in a comfortable environment. "

's "upgrade" process from the bottom cabin to the upper cabin also covers the hardships and struggles of the heroine's growth process, "We use this. This expression tells the audience: If you want to succeed, you must use your heart and brain, and be able to withstand great pressure, so that you can achieve success step by step." Xie Ze hopes that the audience can feel inspired and inspired in the process of watching the drama, and think more. grow and progress.

Reporter: What is the specific connection between "Pearl Curtain and Jade Curtain" and reality?

Xie Ze: Qionghua Club, this is like a talent show in modern society. To use a realistic approach to talk about ancient business, we need to have such a real business world structure. Moreover, when talking about business and telling stories about business, it is impossible to say that this person designed this product today, it will be a big seller tomorrow, and he will be rich in the third episode. This will not convince the audience, and there is no way for the audience to feel the character's feelings. growing up. There must be a real background and real events. There must be conflicts and dilemmas in them. How to solve them must be consistent with realistic logic.

Reporter: What are your personal characteristics reflected in this drama?

Xie Ze: has a strong plot and fast pace, as if you are playing a game. I think everyone should like to watch it. However, the twists and turns of personal destiny, career switching, scene changes, the occurrence of major events and other storylines are driven by external motivations and the inner motivations of the characters. We have all given a reasonable reason, and there are large sections. The wonderful story behind. If the previous rhythm is particularly draggy, it won’t work. The audience can wait for the following plot to slowly understand these things I have laid out.

Director Xie Ze at the filming site

Reporter: Where is the growth of the heroine in the early and late stages?

Xie Ze: A person who has never seen anything, initially just wants to live, and "freedom" is what I added later. She had just survived, and she was not yet able to miss her family and country. Later, she saw a lot and experienced a lot. She saw tragic scenes in life, parting from bad things to bad, intrigues, and bad guys taking over. Only then did she become inspired. The bloody nature in her bones came out."Don't leave Yangzhou, otherwise you will be doomed." Her line is "But I am already doomed", which is the blood in her bones. Although we come from poor backgrounds, we must try our best. At that time, we can speak a little higher, for the sake of our country and for everyone. She has saved many people around her, and she will save those singers. I think it is only in the second half that she can rise to that level (feelings for family and country). The first half is about being alive and free.

Reporter: In overseas markets, "Pearl Curtain and Jade Curtain" has also attracted much attention. What is the reason?

Xie Ze: Our shooting techniques, our scenery, lighting, everything is convincing... This is a high-quality drama that can be sent overseas.

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