"Spring Blossoms" is a rare new drama in which neither the male nor female protagonists are actors, but it still did not escape the judgment of original lines. It’s just that the problem is no longer the pronunciation of words and their pronunciation, but the tone of voice.

"Spring Flowers", a rare Neither the male or female protagonist is a new drama starring Bai, but he still did not escape the judgment of the original lines.

The problem is no longer the pronunciation and pronunciation, but the voice and intonation.

Wu Jinyan was accused of having a thick voice, while Liu Xueyi was funnier and was criticized for talking like a father-in-law.

It is said that the settings of the male and female protagonists of this drama are in their comfort zone. "The God of Revenge in Domestic Entertainment" is still the same, but Liu Xueyi, who is a "crazy male supporting actor" and became the male protagonist, is not comfortable this time .

Why is it that the factory is “publicized” for those who are very old?

The third prince Murong Jinghe played by him was framed and was infamous for massacre of the city, so he took advantage of the situation and stayed dormant for ten years. However, he catered to public opinion and still presented himself as a ruthless and cold-blooded libertine.

As soon as the results came up, he petted the dog and closed its eyes as if in deep thought.

It’s a pity that the shawl was not worn to give off the aura of a mountain sculpture, and the appearance with ghost paper scattered on it made the appearance even more yin.

It is said that this character should be quite yandere in the early stage, but with the hook-bar hairstyle and lazy tone of his sleepy acting, it is very easy for the audience to think of him as an eunuch.

The fist stuck to the temple is more semi-permanent than the Ju-style makeup.

Is the yandere character a bit too much for today's entertainment niche? If you are not careful, you can easily end up acting in a bad mood.

However, looking at it, there has been a general trend of "factory publicization" among ancient puppets. If we get together, we can also have a factory male star 101.

If goes back ten years, the trend of "factory publicization" has already spread in the ancient puppet market.

The first brand to gain notoriety was Zhang Han, who wore contrasting silk pajamas. Just look at the eye makeup that uses a brush as eyeliner to draw four thick eyebrows, and you can tell that this person is not Yangjian.

Let’s look at the most beautiful man in the six worlds “Killing Sister” in “A Thousand Bones of Flowers”. The most masculine temperament often only requires the simplest disheveled hair and colored contact lenses.

However, the horror style has evolved to the present, and it generally appears as a thick powdery atmosphere.

Wang Xingyue in "Mo Yu Yun Jian" wore the most exquisite eye makeup and the longest eyeliner in the whole drama, and his femininity was almost completely outlined in the eyebrows and eyes.

appeared on the stage dressed in red and shaking a fan, like a rainy field in a revenge drama.

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However, this is still in line with the exquisite character design of the male protagonist in the original work who loves to apply powder on his eyebrows. Most of the male protagonists in the current ancient puppets can be said to have oily heads and powdered faces.

Zhang Wanyi, who was putting putty on his face in "The Story of the Willow Boat", was like a female actor ready to go on stage to sing at any time.

Luo Yunxi, who was body-painted, seemed to have a whole box of earth-colored eyeshadow knocked over on his face, and his whole body was carbonized.

uses maximalist make-up on the already thin face and body. Is this... a happy scene to set off sadness?

No matter how thick (long) Luo Ge’s face is, he can’t bear to look like this.

Male stars like Liu Yuning, who have long and narrow eyes, a narrow mandible, and a feminine appearance, rely more on makeup.

put on the Feiyu suit and squinted his eyes slightly, just like a factory boss who secretly suppressed the anger of being a coward.

What’s terrible is that when it came to "One Thought Guanshan", he suddenly began to "ratify".

The tight headgear allows him to create the effect of four eyebrows without applying thick eyeliner like Zhang Han. It also makes his already narrow eyes more feminine, making him the first "white-faced mouse" in the domestic entertainment ancient puppet market. born".

Therefore, watching him and Liu Shishi filming a kiss scene was as scary as seeing Concubine Su and Zhen Huan co-starring in the large-scale ethical film "Oranges Are Green".

As for young students who look more delicate, they will not be immune once they put on heavy makeup.

is like the two sisters Cheng Lei and Tian Jiarui in "The Feather of the Cloud", who were bitten into orthopedics by many people. The same goes for

. They are all under the Xiaosi lens. How can they not be manufactured?

But why are some people ridiculed and others praised because of the same factory anger?

In fact, the factory’s public energy can be roughly equated to “feminine energy”. If you look at it separately, it is effeminate feeling and Yin energy .

First of all, the "feminine feeling" is because it is easy to associate with the image of a father-in-law with low eyebrows and lack of traditional masculine temperament. People often use the word "sissy" with a derogatory meaning to summarize it. In fact, it probably refers to a kind of appearance. On the weak side.

The appearance, makeup and demeanor that are not suitable for the character may exacerbate the appearance of weakness.

Just like Luo Yunxi, who was praised for his ballet skills to add a fairy spirit to his costume , and then later became a morbid pursuit of fairy spirit.

in "Long Moon Ember" is specifically shown as loving to spin in circles.

and White Deer have to spin in circles during a snowball fight. was played by netizens as "Time Cooks the Rain" as a BGM hot comment: sisters playing.

Even if you jump into the sea, you have to get up and turn into a small top, using inertia to spin yourself into the sea.

Some netizens commented: Looking at Luo Yunxi walking, it seems like seeing Yue Buqun finishing practicing "Sunflower Collection".

was obviously the God of War, but she wore an elegant embroidered gauze skirt. She could only lift the hem of the skirt with both hands and waltzed like a young lady shyly walking out of the boudoir.

Look at Zhao Hongfei, who was praised as a textbook for ancient costume and manners. He walked up the steps and swung his skirt. No matter how fast his steps were, he did not lose his momentum.

Actually, is not to say that the male character’s temperament is not feminine, but a matter of acting logic.

If it is too "soft", sometimes you don't know whether you are looking at bg, gl or bl.

In "You Junge", Cheng Yi plays a puppet young emperor who suddenly discovers that the heroine accidentally broke into the forest while hunting. The reaction here should be full of vigilance and majesty, and even some anger at being disturbed.

But his whole posture was too weak and coquettish, which completely destroyed the majesty of the emperor.

raised his head nonchalantly, looking up and down as if he was comparing her beauty with the heroine.

In "Spring Flowers", the third prince played by Liu Xueyi pretends to be a libertine who has no intention of seizing power, and the concubine prince played by Chen Chuhe engages in intrigues, but it turns out to be "Brokeback Mountain".

One is flirting, the other is smiling knowingly... The plot doesn't say that brothers will become orthopedists.

The masters exchanged moves, with drawn eyes

holding hands and acting coquettishly with the elder brother, with the intention of letting him take off his guard.

As a result, the disguised city turned into an ambiguous seduction, and the eldest brother was about to lose control.

Luo Yunxi’s performance as a yandere and crazy person also made people wonder about the “sequelae of delayed reform”.

Tantai Jin was originally a poor proton who was bullied as a child because of the devil's fetus. He was thin and broken. He originally thought that he could reproduce the beautiful and powerful aura of Runyu back then.

But looking at the look in his eyes when he was bullied, it was more like acting out self-pity than acting out grievances.

The charm of beauty, strength and misery makes the audience pity me, but indulging in self-pity has an inexplicable smell of hypocrisy.

The bully crushed the pastry and asked him to pick it up and eat it, which happened to fall into his trap, but why did his strategizing eyes look so ambiguous?

It was as if the person opposite him was his sweetheart, sending him a handmade cake made with love, and he ate it willingly even after it dropped on the floor.

I also saw this flash of emotion in the eyes of the female goblin when she looked at Tang Monk when I was a child.

It seems that "everything you look at is affectionate" is really not a good marketing term for domestic entertainment niche students, and it is really easy to cause misunderstandings.

Secondly, the aura of the factory has the "sinister" aura of the eunuch who has a certain power and force value. It represents the city, is ruthless, and deceitful, and brings a sense of oppression to high-level players.

has a deadly but charming aura of danger.

However, some of them are not very smart in their acting.

is like Zhang Linghe, who pretends to be sinister in "Ning'an is Like a Dream". He plays the lead actor who is crazy and criticizes like a successful eunuch.

Some people play Yin Qi into the frivolous Oil King.

In "Long Moon Ember", after the heroine was recognized while dancing, Luo Yunxi's reaction of her mouth and hands not knowing who was busier for a moment was really obscene and unbearable.

Even Zheng Yecheng, who was born as a martial arts student, instantly turned into oil when his eyes showed "Girl, I can't hold you down" in "Hello Qing".

Do you think Yin Qi is due to too much femininity and insufficient masculinity?

Quite the opposite, due to the excess of toxic masculinity.

Before Liu Yuning became a "rat", he played a service-oriented role in "Long Song Xing", the bodyguard Haodu, and he has a sense of CP with Zhao Lusi.

is a cold and unsmiling killer in front of others. Only when facing the princess will he show his loyal dog eyes.

carefully suppresses his thoughts, a bit clumsy, but his overall temperament is sincere and clean.

instead plays a high-profile role, especially a handsome man who is coveted by Liu Shishi, and his temperament begins to become turbid.

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‍The first sister’s expression of disgust to the point of closing her eyes is not like the

beautiful man The character's character gave him a burden, and he began to "take it seriously", and his acting skills became cunning.

While others acted with their mouths, he moved his eyebrows randomly, matching each word with an expression, and turned flirting into sexual harassment.

This sense of inconsistency is actually a bluff of not being smart enough but pretending to be smart. One is really strong, the other is pretending to be strong, and the opponent can't even create tension in the scene.

And the Yin Qi itself that is determined to win is not terrible, and not all Yin Qi is so vicious.

is like Wang Xingyue's debut work, Su Guogong in "Mo Yu Yun Jian", his corporate atmosphere makes his wife-stealing character more interesting.

has exquisite makeup and a well-toned speech, but he always thinks of himself as a superior, and his Yin energy adds to the hidden mysterious and dangerous atmosphere.

was handling the case impartially but was approached by his family members. He responded calmly, but revealed a sense of oppression from a high position.

When he was threatened by the other party with his identity as a meritorious figure in two dynasties, his eyelids trembled slightly when he raised his eyes, and there was a trace of anger in his eyes as his authority was challenged.

Facing the heroine, even though he admired her status as a talented woman, his eyes still exposed his superior attitude.

But because of the affectionate pampering, Su Gan developed.

is arrogant about everything except her.

In "Long Music", Ding Yuxi plays a frightening "Bai Wuchang", and his feminine demeanor also adds a ruthless intensity to his moody and careless character.

The second prince Li Chengze with alpaca hair in "Celebrating More Than Years" is obviously a powerful careerist, but because of his "pre-Qin lady steps", he has attracted a lot of walking fans, and he is also nicknamed "Second Sister" by netizens. .

But the feminine aura also adds to his calm and crazy feeling, and unexpectedly makes him a tsundere villain with a sense of joy.

The femininity of these characters is hidden. They all have the majesty of being superiors. This kind of spiritual masculinity is enough to cover up the weakness of the appearance, and the contrast is full.

According to intuition, excessive factory spirit seems to weaken the sexual charm of the character.

Because it reminds people of either the traditional servile temperament of a father-in-law who despises himself, or even a eunuch and factory father with a certain degree of power is often not treated as a complete male.

But in fact, publicity and sexual charm are not mutually exclusive.

The feminine temperament of male stars is not a disadvantage.

Even if you are playing a real factory official without male sexual characteristics, its charm can be "de-gendered".

For example, Wei Yanwan’s neutered loyal dog, , is the loyal father-in-law.

It is hard to imagine that a father-in-law can also become the god in charge of sexual tension and CP in the Forbidden City.

Although he is a eunuch, his servility is not strong. As long as he is not in front of his master, he will straighten his waist immediately.

He has the ambition to rise to the top. Before helping Wei Yanwan to rise to the top, there was an unconcealable desire to conquer in his eyes.

Even after he helped Wei Yanwan ascend to the throne, he still dared to do something inappropriate to her.

In this relationship, he did not regard himself as a slave at all, but as a complete man.

The charm of this character does not lie in his masculine temperament, but in his ambition, desire, and charisma.

Another charming factory owner is the "Xichang Factory Flower" Yu Huatian, who is elegant in manner but ruthless in his methods.

looks feminine, but in fact there is still a father living inside, and he acts according to his father's logic.

is in power and still ambitious.

‍ His femininity gives him a strong sense of animality, full of danger and wildness.

Even if he is a real factory man, he has a strong aura and sense of strength, and is not weak due to physical defects.

will find that in the past two years, the feminine bking male protagonist is more likely to explode.

In domestic entertainment, the factory atmosphere of many niches has become a new era aesthetic that combines masculine and masculine temperaments. Instead, many characters need to rely on this temperament of both strength and softness.

In addition to the Wang Xingyue of Xiaobao mentioned earlier, there was also Gong Jun’s Wen Kexing earlier.

is a male character, but many people express their love for it and often call it "crazy beauty".

When it comes to Tu Shanjing in "Sauvignon Blanc", a phenomenon we are more happy to see is the perfect fusion of femininity in a male character.

, this ideal male character, has little traditional masculinity about him.

In addition to having the hardware advantages of being handsome, wealthy, and powerful, what impresses the female audience even more is his attributes of a spoiled man: he is dedicated and gentle, and he also has the sense of security that he is like a real Siri who responds to every request.

Traditional men’s strength can easily become aggressive and lethal. However, the strength that women currently favor is a kind of strength that will not hurt others, but will only protect you.

And Deng Wei’s non-aggressive femininity is exactly what adds color to his character.

When people are not ashamed of the femininity of men and do not feel awkward about it, then the femininity of male stars is nothing to laugh at.

To put it bluntly, femininity must serve the needs of the character.

The male temperament that can be added to the character has no masculine or feminine temperament at all, but is just a neutral temperament that combines the advantages of both genders.

It is said that great souls are androgynous, and so are charming characters.

So for male celebrities, whoever can grasp this feminine energy can quickly rise to the top.

If you can play a feminine role without being feminine, that is plastic surgery; if you are not feminine but perform a feminine role, it is disfigurement acting.

It’s a pity that nowadays there are more disfigurements and less plastic surgery.

Domestic entertainment boys should stop abusing their femininity. This is the greatest respect for the male protagonist of the ancient puppet.