On the evening of September 20, the TV series "Female SWAT" was launched on Tencent Video with episode 5, officially starting the premiere mode. This TV series stars Bao Jianfeng, Wang Jinsong, Yi Ran and other actors. It tells the story of the formation and training of female sp

In the first few episodes of "Female SWAT", the problem of routines is very obvious. I guess this is why it lost more of its general audience. This type of content, because of the routine, the audience is very clear about the development trend of its plot. It can even be said that everyone can guess the ending of a big plot as soon as it shows the beginning. Let’s take the opening plot and give a few examples.

For example, the first female special police officer came out to cause trouble and chase a motorcycle. The audience can clearly see this routine narrative and know that it wants to shape the heroine's character and give the male protagonist a highlight moment. Therefore, no matter how thrilling or bloody it is, the ending of this big plot must be that the male protagonist captures the thieves neatly, and the female special police officer must show her cowardice and win some laughs. .

For another example, after the second female special police officer came out, she followed the comrades who greeted her to the scene. The audience was very clear about the scriptwriter's narrative path. It must be that the female special police officer showed her personal heroism and took her dog to show off. Moreover, you have to succeed. Therefore, no matter how many fights and killings occur in the middle part of this big plot, the final outcome must be that the female special police officer succeeds. The routineization of these stories undoubtedly makes this TV series lose its basic storytelling.

Even in the main line, it is also a typical routine. The female special police officers are not favored, but gradually prove themselves. Then, during the mission, they realize themselves and prove that the female special police officers are powerful. Just such a line, from the beginning, let the audience see the finale. Screenwriters who pursue quality would disdain to write such routine scripts.

The plot at the beginning of "Female Police" shows that it is the content of a magical drama. It can be said that within a few minutes, there will be major flaws, and small flaws will appear one after another. Take the content of the first episode as an example. After the first female special police officer appeared, chasing a motorcycle on a shared bicycle, it was difficult for the screenwriter to create such a bloody plot. Anyone who has ridden a shared bicycle knows whether this thing can catch up with a motorcycle. In other words, using a shared bicycle to chase is not as good as a female special police officer running and chasing on her own. What's more, during this chase, public and personal property was often destroyed in order to capture the excitement. By the way, how brainless is the female special police officer to do this? If you chase a motorcycle in a downtown area and kill someone in a car accident, who is to blame?

Similar mindless plots will appear one after another in this drama. After the first female SWAT show was over, the second one came. This special policewoman came out of the airport (train station) with her dog without even a leash. When faced with questions, she still made strong excuses. By the way, is this the quality of a female special police officer who can walk her dog without a leash? Next, she was not qualified to perform the task, but rushed in, causing the gas tank to explode. She jumped from the third floor with her dog, but she survived. By the way, is this female special police officer Jackie Chan ? It's a miracle that they messed around, caused damage to residents' property, and caused explosions, but they were not held accountable in the aftermath.

In fact, these routines, dramas, brainlessness, constant flaws, etc. are all the general demerits of "Female SWAT". Its biggest demerit is the "pampering" of the female SWAT. . This type of TV series is, at first glance, produced by male screenwriters with little knowledge or accomplishments. They like to talk about women from the perspective of what they call a straight man, and they like to talk about women in a very "pampering" way. Even if a policewoman is not supposed to act coquettishly, the drama still allows the heroines to appear in various scenes that resemble coquettishness.

For example, when the first female special police officer comes to report, the male protagonist does not want it, and the dialogue between the two is a typical pampering style. The male protagonist is in a strong position, and the female special police officer is in a weak position. During the dialogue between the two, the woman really uses all the so-called women's advantages and methods. Especially when he stood at the door and refused to leave. He was angry at first, and then got excited after learning that he was hired. This kind of shaping still changes the face of a woman.

A knowledgeable and knowledgeable screenwriter would not portray a female special police officer in such a shameless manner. On the contrary, in a society where men and women are equal, female special police officers will not be treated or shaped differently. Let’s not talk too far, let’s just talk about Hong Kong dramas. In recent years, the portrayal of female special police officers no longer has any male glasses. It will not be just because they are women. On the contrary, the screenwriters will treat them as special police officers. To shape, not the "female" of the female SWAT officer.

Based on this, I think that the screenwriter and director of the TV series "Female SWAT" are not only seriously lacking in technique, but also seriously behind in creative consciousness. This TV series is a very low-quality work in recent times and can be called a divine drama.(Text/Ma Qingyun)