In the song, the audience can travel to the south of the Yangtze River and the north of Saibei, see the three mountains and five mountains, and feel the fireworks of the four seasons in the world revealed by dozens of intangible cultural heritage skills, the secrets of the universe that are inherited from the skills and Taoism, and the unique charm of oriental aesthetics. .
The Guizhou chapter of the large-scale cultural program "China in Intangible Cultural Heritage" jointly produced by China Central Radio and Television and the Ministry of Culture and Tourism was broadcast on the CCTV Comprehensive Channel (cctv-1) at 20:00 on August 17. All CCTV Exclusively premiered online.
Guizhou ranks first in the country in terms of the number of world natural heritage sites, with mountains and rivers rising one after another and waterways crisscrossing it. It is known as "eight mountains, one water, and one farmland". In this episode, host Long Yang, director of the Expert Committee of the Chinese Cultural Relics Society and director of the Academic Committee of the Palace Museum Shan Jixiang , and singer Zhou Shen came to Taijiang County, Qiandongnan Miao and Dong Autonomous Prefecture, Guizhou Province, where they met 30 The remaining distinctive intangible cultural heritage projects allow you to fully experience the unique charm of Guizhou’s intangible cultural heritage through interactive experiences, cultural interpretations, performances and other forms.
Miao embroidery shows its splendor and beauty, and the embroidery patterns reflect the mountains and rivers. Miao embroidery does not just stay in the exhibition hall, but also injects emotions into the fingertips and inherits the craftsmanship with context in every stitch and thread passed down by the Miao embroiderers from generation to generation. This is the migration mark left by the Miao ancestors and the Miao people. Emotional bonds passed down from generation to generation. Today, we not only have a lot of innovative Miao embroidery, but also realize the digital protection of Miao embroidery patterns with the help of technology. When ancient skills meet new designs that conform to contemporary aesthetics, this is the intertwining of mountains and fashion, and a dialogue between tradition and trends.
Great singing voice, outstanding people. Polyphony of multiple voices, Dong tone for thousands of years. The Dong song is the core symbol of Dong people's life. The beautiful melody, free rhythm and natural harmony are the unique musical form, aesthetic consciousness and way of thinking and cognition of the East. Its discovery broke the international misunderstanding that "China does not have polyphonic music". Singers are particularly important in Dong folk songs. They are not only singers, but also cultural inheritors. It is precisely because of the unreserved teachings of devout singers that the sound of Dong folk songs has come from far away. Recently, from ancient times to the present, it has harmonized with world music to create the vitality of the new era.
Master Huaqiao is in Sanjiang, and Master Gulou is in Jitang. The construction of the Drum Tower adopts the special construction technique of bucket-shaped wooden structure and mortise and tenon joints. It not only has strong stability and close connection, but also shows the unique aesthetic art and spiritual pursuit of Dong craftsmen. What the Chinese Sky Eye lineage inherits is not only traditional Chinese construction wisdom, but also a kind of "skill" that sums up experience in life. Counting each architectural miracle and delving into its construction code, they are all imprinted with the imprint of Chinese construction skills. Demonstrate outstanding achievements in learning from the past and understanding the present.
As soon as the drums sounded, the dance jumped up. Oriental disco, dance for thousands of years. History is immersed in every drum beat and dance step, which is a rhythm unique to the hot Guizhou. When the reverse Miao wood drum meets the energetic "Miao Di", it turns out that the millennium heritage is not only protected by generations, but also inseparable from the exploration of the times.
One color enters the kiln, and many colors emerge from the kiln. "Kiln change" requires experience and coincidence, and it also requires a mentality. This natural characteristic of pottery that is born from mud and changes from mud gives Yazhou pottery an advantage that cannot be matched by mechanized mass production, witnessing the mottled and splendor of this land over the past six hundred years. The Yazhou pottery with peacock blue as the main tone embodies the indigo of Guizhou mountains and the green of the streams, and is imbued with the hard work and sweat of generations of Yazhou pottery craftsmen deep in the mountains. The craftsmanship never ceases, and the fire in the kiln never goes out. When the Yazhou pottery firing technique reborn from fission meets modern dental technology, the innovative combination of traditional craftsmanship and modern technology complements each other.
Text/Beijing Youth Daily reporter Xiao Yang
editor/Cui Wei
