1, "Mad Max 4: Fury Road"
To be honest, I don't really like this kind of action movie, so two-thirds of the plot in the early stage is not included, and Dune has a certain overlap with this world view. I don't know why. It wasn't copied from Sand Dune or something else. Putting all that aside, the world view and setting of this movie are excellent, such a superior imagination! The acting skills of the actors are also very good. I finally got involved in the second half. I like the ending and the emotional development without vulgarity. After reading other people's understanding of the oasis, I have to say that I really didn't think about it when I watched the movie. It turns out that the oasis they were pursuing was the matriarchal society of the past, which was not much better than Dune. The most noteworthy thing is that in the film, punk, rock, heavy metal, wasteland, desert and long legs are mixed together, making the storyline ignite all the way.
2, " Dog Eat Dog "
Zheng Baorui's masterpiece, the environmental appearance of " Wisdom Teeth " and the inner theme of "Homicide" are all from "Dog Eat Dog". The film tells the fable-like story of two hungry dogs tearing apart the facade of gentle order in modern society from different angles. Edison and Chanson used extremely intense performances to create two characters who contrasted with each other from their initial settings to their life trajectories. The character arcs were completed at the decisive double kill. In terms of visual language, the film uses a large number of hand-cranked violent shots supplemented by frame extraction, presenting a black effect that is different from the texture of Western films such as "Sin City" but has an even stronger theme expression. Therefore, even though there are still some shortcomings, overall it is still good and it is well worth a look!
3, " Kill Bill "
Quentin wrote a love letter to Hong Kong action movies or Asian action movies. It is a simple and straightforward revenge movie. The character creation is still very strong, and Quentin's other movies rely on lines and characters. Compared with interpretation, the character image depends more on the appearance and the actor's own aura. Bruce Lee color matching Uma Thurman's image in sportswear will leave a mark in film history. Lucy Liu's villain is also very good, and the Japanese part of the collision and fight where the characters' shadows are seen in the shadows is full of Hong Kong flavor. The movie looks good, the animation quality is also good, and the action scenes directed by Yuan Heping don't have too many flaws. Therefore, in general, there is no delay in the entire film, and the characters' personalities are fully demonstrated in less than two hours. The action scenes are perfectly filled with violent aesthetics.
4, "Sin City"
I would like to call it the pinnacle of American comic adaptations, wonderful, gorgeous and shocking! It's really wonderful. It seems to be about heroism but it's actually a heroine drama. The beginning of the story is a bit unacceptable. The old man and the lolita are inexplicable. But there is no need for any reason to start anything. He protects Nacy without hesitation. Women are always seen as fragile, helpless, and pitiful, reduced to the playthings of powerful men, gangs, and men. But girls can protect girls, and we can also defend our territory, learn firearms, swords, and build ourselves with men. The rules, the agreements, women are powerful. Therefore, in general, it is a high-octane film with soaring adrenaline, a crime-themed film with a black-and-white background and a strong aesthetic of violence.
5, " Pirates of Fire "
This is a very, very, very excellent literary police film with a strong sense of immersion! Every character is solid and heavy, not frivolous. The voices are all recorded live and have a very layered feel. Many plots that may seem unreasonable are adapted from reality. A different encounter between a policeman and a gangster. The two men are overt and covert. The one who understands each other best is actually the enemy and knows the nature of the other. "Two people identify with each other" is the theme of this film! Each party has his own life, a man who fully understands himself and does not deceive himself, a world only for the two of them PS: Oh my God! Robert De Niro was still a handsome uncle in 1995's The Wire, but he became a fat old man in 1997's Dangerous Liaisons. What has he experienced in the middle?
5 classic violent aesthetic movies, which ones have you seen? Coding is not easy. Welcome to follow, like, and leave a message for discussion.
