's new drama "We Are Not Kind Enough", Ariel Lin finally met Tiffany Hsu. She called him her dear friend and showed her care before her death. The two seemed to have cleared up their past feud, but the process went back and forth, good and bad, and the most heartwarming and most vicious words could be switched at any time within a minute. The two of them are like a pair of resentful couples. The man He Junxiang they loved together is almost as if he does not exist at this time. It is two women who are close to each other, naked and life-threatening. It can even be said that all the foreshadowing in the early stage of the series is... All for this final meeting.
You think it is an urban story taking place in the present, but in fact it is still about unsolved issues left over from the past. For example, He Ruizhi, played by He Junxiang, is always subject to his mother's extremely unstable emotional ups and downs. No matter before or after marriage, he submits to everything. No matter who he marries in the end, he just lets the woman take over. This is simply like a horror game in which you are invited to enter the urn. His wife Jian Qingfen, played by Ariel Ariel, thought she had snatched the perfect husband from her love rival, but she never knew that she would have to face an extremely difficult relationship between mother-in-law and daughter-in-law. This is a protracted war between two women that is more difficult to deal with than the relationship between husband and wife. This war ended with the mother-in-law passing away from a disability and the daughter-in-law being exhausted physically and mentally. Of course, the other heroine is not much better. Zhang Yijing, played by Tiffany Hsu, is equivalent to the Taipei version of Fan Shengmei. The unsatisfactory brother is always causing trouble. The women in this drama thought they were facing various issues of new women, but they still couldn't get rid of the eternal fate of their original families changing the soup without changing the medicine. They are both enemies and allies.
The triangle is the most stable. If you look at the relationship between two women and one man, you will find that this story is a variant of "Red Roses and White Roses". What is slightly different is that the narrative perspective of this drama is not the male protagonist, nor the red rose, but the white rose - Jian Qingfen, who has entered the siege of marriage. She can better allow female audiences to immerse themselves in it. According to this setting, those plot doubts are easily solved: the white rose was ignored by her husband, and she once cheated on her husband during the psychological conflict, and the same was true for Jian Qingfen; the unobtainable red rose became a cinnabar mole in the heart of a man, and Zhang Yijing in the play repeatedly Being mentioned will become the tears in the other person's heart, or the eternal smile in his heart.
The white rose finally came to her before the red rose withered, and living under the same roof for a short time also turned their past and present lives upside down. Regarding their relationship, the creators used too many settings to try to explain, such as birth dates, clothing preferences, parallel universes, quantum entanglement, Schrödinger's cat... Each explanation is full of golden sentences, but it is also artificially set up. There are layers of confusion, and telling too much about it would make people suspicious: is the heroine deceiving herself, or is it the main creator's deliberate decision to introduce so many theoretical labels to make them fit in, or is it simple and direct to reveal the truth of life at the last moment? , and cruel.
The meaning of the enemy's existence is to keep people motivated at all times and use it as a coordinate to measure their own success or failure. This is also the meaning of Zhang Yijing to Jian Qingfen. However, in the end, Jian Qingfen even needed Zhang Yijing to awaken her husband's love for her, which was too far-fetched. Marriage is riddled with problems, including those that are careless, careless, and cold and violent. The parties concerned know whether they are good or bad. Bystanders can completely overturn it with just one text message, which only shows that this enemy also spoke well before retreating. This good intention can be regarded as a little mercy she left to her opponent.
