cover news reporter Xun Chao's photo report
"The little ink marks Su Dongpo left on the paper with a soft brush are all his inner world that cannot be expressed in other forms, especially emotions and thoughts. He is still living in In our parallel universe, as long as we read and interpret these little ink marks, we can achieve spiritual and emotional dialogue! "
html On the afternoon of April 22, the "Dongpo Everyone Talks" lecture hall at the Meishan Sansu Temple Museum ushered in A special planning for "World Book Day" - Jidi Maga, a famous poet, director of the Poetry Committee of the Chinese Writers Association, and former vice chairman of the Chinese Writers Association, and Liu Zhengcheng, editor-in-chief of "The Complete Collection of Chinese Calligraphy", former executive director and deputy secretary-general of the Chinese Calligraphers Association , gave a lecture entitled "Reading Su Dongpo's Life: Literature and Calligraphy". The two led the audience to understand Su Shi's philosophy of life and emotions from the two dimensions of Su Shi's literary works and calligraphy works respectively.
At the lecture of Li Boqing
, the audience was fascinated and deeply touched. Among them is Li Boqing, a famous Sanda storytelling artist and Bashu comedian. He sighed: "The root of calligraphy lies in Chinese characters. Chinese characters are the root of calligraphy, and only with Chinese characters can calligraphy be formed. If we completely break away from Chinese characters, we will not even be able to identify any characters. This will undoubtedly deviate from the essence of calligraphy." In Li Boqing's view, "Whether it is a method of calligraphy or a change, at least the structure of the characters cannot be changed beyond recognition. If the written characters cannot be recognized, they will have no meaning, and they will simply lose their identity."
Li Boqing highly agreed with the views of "the integration of poetry and literature" and "the integration of poetry and literature" proposed by the two guest speakers. "Actually, many people have mentioned these statements on some occasions, but few people follow them. Generally speaking, they just write some Tang poetry and Song lyrics, and write some things from the ancients. But this question should be divided into two : Or it’s the admiration for the predecessors, and I feel that my own things cannot surpass the predecessors; the other angle is that I am lazy, why should I use my brain, I followed the writing of "Chaoci Baidi Caiyunjian", (anyway) there is someone Go read it and see it.”
While listening to the lecture, Li Boqing also began to reflect on his calligraphy creation: “Many people have mentioned it to me before, but I didn’t pay much attention to it after I went back. I can write my own feelings, not just Tang poems and Song lyrics, but also express my own emotions. For example, if Su Dongpo had not been demoted to Huangzhou, he would not have written "Han Shi Tie" when he first became an official. This also extends Li Boqing's views on film, television and artistic creation.
"The reason why many film and television works and articles are not touching is that they are too far away from reality. Some artists feel that they have no market and cannot easily capture young audiences. The reason is that they are too far away from real life. To be honest, after so many years of work Until now, I haven't completely stopped, and there is still a certain market. The fundamental reason is that I basically follow the times. If I didn't follow the times, I would have been eliminated long ago. "
In Li Boqing's view. , whether it is calligraphy or other art forms, we should advance with the times and keep up with the pace of the times. He explained: "Whether it is calligraphy, poetry or other art forms, we must first clarify who they serve? The most basic thing is to serve people. If it is separated from the person's ontology and the structure of society, everything will be useless. It will be empty talk." He hopes that more lectures will reach the public in the future, so that more people can understand and fall in love with the excellent traditional Chinese culture.
Liu Zhengxing
In the lecture that day, a special audience, the famous painter Liu Zhengxing, also shared what he heard and felt: "In the lecture, they all talked about their understanding of Su Dongpo. People who saw Su Dongpo's calligraphy, looked at him The form of his words is actually reading his life. If the two are separated, it will not be the whole story of Su Dongpo. "
Liu Zhengxing believes that Su Dongpo's poetry and calligraphy are closely connected. Demonstrate its unique value. “When we read his poems, we need to understand his life, feel his heart, and feel his life journey.Whether you read his poems or read his words, they are his life and his thoughts. "Therefore, when appreciating Su Dongpo's calligraphy or poetry, we should deeply understand its inherent meaning and value, and feel the emotions and thoughts contained in it.
