In this world, there are two kinds of people who are very smart. One is like leaders and managers, who can make use of others, and the other is like artists, actors, scholars, etc., who can make use of themselves.
Actor Deng Ying is undoubtedly the latter. At the age of 46, her eyes are full of gentleness and compassion. Even if she is alone, she lives an elegant and relaxed life. This just confirms the saying "Time never defeats a beauty." Although
is already a "professional mother", her refined temperament can often make her stand out, and her calm and graceful atmosphere makes people feel like spring breeze.
In the TV series "The Story of Cheng Huan", Deng Ying plays the role of Xin Jialiang's mother - Chen Dejing. As always, she has her beauty, temperament and performance just right, and portrays the character to perfection.
In a home where "gold and jade are beautiful but everything is ruined", as the hostess, she is just a showpiece and has no real power. She only keeps an empty house. Most of the time, she is indifferent, alienated and meticulous. Behind the scenes is the alienation of a woman by marriage. .
Chen Dejing and Liu Wanyu formed an extremely sharp contrast.
Different from Liu Wanyu, who is noisy, fiery, hard-spoken and soft-hearted, Chen Dejing is dignified and quiet, as if she is independent from the world, and her movements are as elegant and calm as a lady, but in fact she has a cold face. His heart is even colder, and his bones are extremely noble, proud and hypocritical.
But who is really living happily can be seen by anyone with a discerning eye. This is obvious - - Liu Wanyu turned her life into a song, and Chen Dejing turned her family into a stagnant water.
looks boring on the outside, but has no interest on the inside.
Her outfit is gorgeous, but she does not live like a human being wearing a mask. She treats herself as a tool and is trapped in the cage of marriage. Chen Dejing is a "shelf" who is not allowed to have joy, anger, sorrow, and joy. All that is needed is a good and obedient canary.
A marriage that is only superficial is like a clam that swallows Chen Dejing's grain of sand. The sand grinds the clam's flesh, and the clam's flesh grinds the sand into pearls, which are hung around her husband's neck to give him pride and dignity.
She deceived everyone except herself. When the last fig leaf of marriage was torn off, all the pretense of respectability was swept away, and the dream that Chen Dejing weaved was shattered.
This is so sad and sad. It is really unreliable for a woman to rely on a man for her life, because human nature cannot withstand the test.
There are many cases where couples start from scratch and then the husband abandons the wife who is a loser. After a successful career, the woman returns to the family and ends up with nothing, while the man enjoys the scenery alone while flying flags. This is a common tragedy.
From the appearance of "Babao Hot Sauce", it can be seen that Chen Dejing is actually quite skillful. Coincidentally, she also dealt with her husband's cheating issue neatly and neatly, which also proves that she is not a stubborn person who "cannot hold up the wall with mud" "Senior" - She was tripped up by the "love disaster".
This character is three-dimensional and complex, hateful, pathetic, and pathetic. Deng Ying's smooth performance made "Chen Dejing" stand out, and her good temperament also played an icing on the cake.
Although at the age of 46, she is still tepid and even unknown, Deng Ying was also a real beauty when she was young, and she has a glimpse of her in many works.
After so many years, Deng Ying has amazed time and softened the years.
Han family in "Fu of Yanyu";
Mrs. Li in "Yanyuntai";
Mrs. Shen in "Splendid Nange";
Bian in "The Secret of the Three Kingdoms: The Hidden Dragon in the Yuan" Madam;
Song Qingling in "Red Star Shines Over China";
Mei Ruolan in "The Killing";
Ye Aiwu in "Marriage Diagnosis";
Qiao Meimei in "Fashion Kingdom";
Xiangli Rainbow City Lin Jiuju in "In the Rain";
Ye Jiajia in "The Bottom Line of Morality";
Lin Meichun in "Third Sister Yang Complains";
Jin Yuehua in "Guanzhong Man";
Zheniang in "Great Dunhuang";
Chu Fangyu in "The Legendary Emperor Zhu Yuanzhang"; Liu Xiangyuan in "Cuckoo in Danger"; Wang Xiaoling in "Flowers Are Not Flowers"; Zhao Xiaoou in "Running to the Ocean";
"Phoenix in the Rivers and Lakes" Huang Ying in "Journey to the West"; Woodcutter's Wife in "Journey to the West Sequel" ...
However, although she is in the entertainment industry, Deng Ying, who is "as pale as a chrysanthemum", seems out of place and out of place. It seems to come gently and go away gently, as if not leaving a single cloud behind.
She is not very ambitious and has little desire for fame or fame. Others say that she does not want to live in the world, but Deng Ying does not comment, but she is very dedicated to acting.
is from Quzhou City, Jiangsu Province. She has been good at singing and dancing since she was a child. In 1988, she almost entered the Hangzhou Xiaobaihua Yue Opera Troupe. However, later, Deng Ying was admitted to the Jinhua Wu Opera School and used it as a springboard to enter the Central University for Nationalities Arts. Tie.
Performance is an indispensable and important part of her academic journey.
So Deng Ying used her beauty as a stepping stone to join the crew of "Journey to the West". She made her official debut by playing the role of a woodcutter's wife who was raped by a leopard.
What is not consistent with the large circle environment of Jiji Yingying is that she seems to have a state of mind like a wandering cloud and a wild crane.
was a career fanatic when she was young, and she maximized her beauty.
Her eyebrows are picturesque and graceful, which is pleasing to the eye. There is no shortage of pure appearance and bright color. Especially the mole between her eyebrows is like the finishing touch, adding to her recognition and a touch of uniqueness. style.
Unfortunately, before the audience could remember her, Deng Ying seemed to have gone into seclusion, greatly reducing her exposure, her filming volume dropped sharply , and her career fortune was gone just like the mole she removed. Returned.
Frequent and intensive filming work will make her body feel tired, and this is second to none. Deng Ying is afraid that her too impetuous utilitarianism will swallow up her love for acting, causing her to feel tired of it, and thus lose her Got the original intention.
As a result, Deng Ying consciously reduced her workload.
Performance is a kind of creation, and whether it is too tight or too loose is not conducive to the generation of inspiration, she adjusted her own rhythm in an orderly manner.
seems to have seen through life. The two words "casual and free" and "calm and calm" have always been with Deng Ying.
Of course, you can’t have your cake and eat it too. There are two groups of people in the entertainment industry. One group is to make quick money, and the other group is to engage in creation. Making money is not allowed to stop, and creation has to stop to recharge. After all, there must be input to have a steady flow of energy. Output.
Deng Ying is not an ambitious person, she just lives casually as she takes things as they come.
Her life is not complicated, and even seems "uninteresting and boring". She does not set too much pressure on herself. In her spare time, Deng Ying just stays at home drinking tea and looking at flowers. She can't wait to look at them for hours. Flowers, or staring at the air in a daze.
"Happiness is a state of mind. For example, when you wake up in the morning and find that there is no work today, you can do what you want to do all day, and you will feel very happy inside. It is very cold when filming, and suddenly there is a little sun, which is also very happy. "
Deng Ying will only release the pressure when she receives a new script, because this kind of pressure is healthy and positive, and it is the source of motivation that allows her to interpret the role to the fullest.
"Every time I get a new script and come into contact with a new character, the excitement and the feeling of blood flow will never change, because I love this profession and experiencing the life of the character is What a charming thing. ”
Deng Ying’s aloof temperament is a combination of calmness and calmness.
The performance he loves gives him the capital to become financially independent, and the life he enjoys revitalizes his spiritual independence.
At the age of 46, she is still alone, but she has not missed happiness. After all, happiness does not necessarily equate to marriage.
As long as one person lives comfortably, it doesn't matter whether he or she is married.
For people who live more casually and love themselves more, the ideal state of marriage must be "stay together for a long time and chat without getting tired".
But the reality is always cruel. When a person becomes spiritually richer and lives more and more self-consistently, marriage is no longer a necessity, but just a choice.
After all, everyone's tolerance for others other than themselves is always limited. The so-called love is not "Holding hands and growing old together" , but often "Love at first sight, never see you again." Xing, the three views have become tired, and the four views have become invisible."
For a person like Deng Ying, who is not only mentally independent but also financially independent, love is just the icing on the cake, and marriage is dispensable. Therefore, with the mentality of "it's better to have less than to have more", she is also free and comfortable.
At the age of 46, Deng Ying had long been looking down upon it.
Love this thing, just like a certain smell we like. When we realize it, we have already consumed it, and we cannot rely on that memory for a lifetime.
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