Every episode of "Infinite Transcendence Class 2" seems to have all kinds of problems. But after reading it carefully, I found that there is still a lot to learn from it.
As long as the actor remembers these details when using snacks, it will be enough for future acting sessions. Especially this time in the "Golden Branch Desire" group, I completely felt the difference between acting in appearance and in spirit.
This time we were divided into two groups and filmed the finale of "The Golden Branch". Sun Baiyang and Erchun went to rescue Yuying, but Yuying gave up her escape and was burned to death with Sun Baiyang.
Kong Wu fled with Rufei and Anqian. When they were desperate during the escape, Rufei went back to find fault with the queen in order to buy them time.
This scene can be said to be the climax of the play, pushing all the emotions to the peak. Now in variety shows, it is very important to film this plot separately and how to film it well.
Sun Baiyang is played by Yan Xujia, Er Chun is played by Zheng Hehuizi, Yuying is played by Wang Ziwei, Ru Fei is played by Gao Haining, and An Qian is played by Jin Sha. Kong Wu is Ji Lingchen, and the queen is Xu Ruohan.
The biggest problem with the combination of Sun Baiyang, Er Chun and Yuying is Sun Baiyang. Yan Xujia is too young and lacks aura. Sun Baiyang in the original version of
is like this. When facing the hopeless Yuying, he would also show his strong side, but when facing Er Chun, he would speak so calmly and gently.
Sun Baiyang is an imperial physician who has been immersed in the harem for many years, which requires a very important old Jianghu temperament. What appears to be a gentle and gentle appearance is actually a firm temper.
From the beginning, Yan Xujia couldn't suppress Wang Ziwei's Yuying at all, she just read her lines. There is no trace of Sun Baiyang's temperament at all.
It can be said that Ye Tong's "brutal energy" was inspired by the pointers shot by shot. This kind of ruthlessness does not mean the fierce expression, but the more sophisticated temperament.
The difference is obvious between the scenes where Yan Xujia acted by himself and the scenes where Ye Tong made some comments. When speaking your lines, you must keep your expression open.
In the scene where he was burned to death, Yan Xujia's acting was also very careful, and he leaned upright next to Wang Ziwei.
may be a small detail, but if Ye Tong is used to demonstrate, the effect is completely different. On the verge of despair, Sun Baiyang and Yuying no longer need to hide their feelings.
kept staring at Yuying, then slowly sat down and leaned next to him, with a despair that was like accepting her fate, not wanting to die like this with Yuying.
Although Ye Tong has gray hair, he does not have any clothing to help him. But her actions fit the entire character's personality very well. Under his adjustment, these two people performed better.
Looking at Hao Lei again, the contrast is even stronger. First, we filmed the scene where Kong Wu, Ru Fei and An Qian escape. When they played it themselves, they couldn't tell at all that Gao Haining was playing Rufei.
Hao Lei came out and pointed out the details, and then she understood what was going on. Because Gao Haining was completely dragged away by Ji Lingchen. After a change of posture, Gao Haining was holding Ji Lingchen's arm, and the status was reversed. In the original version of
, there is only the scene of Kong Wu dragging two concubines and running away. But here, there have been many plot explanations before, and everyone knows what Rufei's condition is.
In the variety show, no one knows here. To express Rufei’s aura, you have to use these small designs. Then after speaking the lines about the refugee, Gao Haining turned around and completely made the scene perfect. Although
had the opportunity to escape, she still gave up and chose to use her own sacrifice to complete the escape of the other two people, and regarded death as home.
In the scene of confrontation with the queen, Gao Haining's performance was still timid, and Xu Ruohan's performance was not a star either. The first shot of the two of them acting together looked like this, and it seemed like there was nothing wrong with it.
However, if you look at the shot after Hao Lei pointed it out, you will know the difference. The first is a physical resemblance, and the second is a real spiritual resemblance.
The queen is not the home court in this scene, the home court is Rufei. She wants to express her rampant side and continue to fight the queen to the death. Her aura cannot be weak, it must be fierce enough.
When Gao Haining performed by himself, his eyes were almost blinded. He was very close and acted very reluctantly, and the problems were visible to the naked eye.
Hao Lei asked her to move her body but not her eyes. The body moves because it is necessary to perform a show. But when the eyes are fixed on one point, the aura appears.
The scene where Gao Haining acted like this suddenly seemed like he had returned to the scene in "The Golden Branch", where the concubine provokes the queen.
Rufei is a beloved concubine of noble birth, so she is arrogant. But she won't be like a shrew, quarreling or fighting with others, and easily crushing the whole situation. This is Rufei's home court.
Concubine Hua in "The Legend of Zhen Huan" is arrogant enough, but her manners are definitely the best. Although he is crazy, he never acts recklessly.
strode up to the queen, a perfunctory bow and salute, coupled with a casual look in her eyes, were enough to show her identity.
Why are so many people complaining about "Ruyi's Royal Love in the Palace" now? In fact, this is also the reason. Every time a character advances in status, it's always a direct descendant. Or, I am the queen and cannot overstep my authority.
The more lines like this but without enough performance, the more and more the characters will appear to be insubstantial. It's like shouting slogans. The less they say, the more they shout. Since
are all in a position of superiority, or are putting themselves in a position of superiority, why do they still shout slogans? Shouldn't it be the case? Do you deserve such a gesture?
Also facing the low-ranking concubines, Concubine Gao Guifei faced Bai Ruiji angrily and shouted for the eunuch to beat her. In comparison, Concubine Hua was neat and tidy.
If the maple leaves are not red enough, give them one foot red. Then the servant would explain what Yi Zhanghong meant. With a single word, she established her fierce image.
Getting back to the topic, Hao Lei has been questioned since she participated in "Infinite Transcendence Class 2" and took the position of mentor.
Generally speaking, she has not won any mainstream awards. When it comes to her works, she is just the queen of "The Young Emperor", so why should she give advice?
The reality is that she can sit in this position only because of her own strength. When instructing Gao Haining, she also demonstrated it herself.
There is no clothing modification, it is just a shot of turning around, contemptuous, arrogant, and the extremely rampant feeling of being beaten suddenly appeared.
Whether it is Hao Lei or Ye Tong, their guidance focuses on the actor's expression. As long as the expression is in place, it will actually be fine. If the expression is not in place, if there are more small movements, it will be very embarrassing.
Yuying, played by Wang Ziwei, just happened to hit this point. The original version of Hou Jiayuying was a arrogant person even when she died.
But when Wang Ziwei was acting, others were saying her lines and waiting for her part, but her eyes were flickering back and forth, not firm at all.
Wang Ziwei’s question was raised by Hao Lei before and was demonstrated. Such darting eyes will become particularly ridiculous in the camera.
It’s still what Wu Zhenyu said. This kind of acting loses the breath of life and sense of substitution. Just act casually with your hair hanging, and the audience can’t judge it.
This is also a common problem in many dramas nowadays. Liveliness means not sitting or standing, and there are many small movements. Ao Leng just has a wooden face, and all his acting skills only pursue a physical resemblance, ignoring the spiritual resemblance.
Finally, I still enjoy the food as before!
