Copywriter | Yi Xing
Editor | Nan Feng
Zhao Hui still did not accept the bank card of his eldest brother Wu Xianlong.
This made the elder brother fall into despair again, but Xie Zhiyuan took his time, probably still waiting for the "honey trap" to work later.
is really funny. Why can’t I give away the eight million? It makes my teeth itch. Rich people are really rich.
Seeing that there is no hope of promotion, he has to be suppressed by his boss, and his house on the other side is about to be lost. It is really ridiculous that he has been in such a situation for half his life.
Zhao Hui rarely drove through a red light, but gave Xie Zhiyuan a green light in his career -
agreed to cooperate.
On the other hand, Zhou Lin’s beauty trap is also in progress.
The pattering of light rain gave her the opportunity to get closer to Zhao Hui.
Although Zhao Hui remained indifferent on the surface, he finally passed this first step. By coincidence, Su Jianren saw this scene again.
Su Jianren was furious and directly called Xie Zhiyuan.
We are all adults, and he knows very well what this is.
He once again smashed Xie Zhiyuan's plan to the point, while Xie Zhiyuan on the other end of the phone continued to explain and deny.
Back then, when Zhao Hui fought for his love, Su Jianren was so angry that he did not speak to Zhao Hui for two years.
In order to take revenge this time, his subsequent series of operations will soon unlock for everyone the vicious methods of Wu Xianlong, the most evil boss in the entire show.
Of course, after all, it is a financial drama " Yu Hewei carefully selected". The characters involved in the main plot of the drama are vivid and three-dimensional, and the dialogue between the actors is also particularly exciting.
But what I have to say is that in portraying the male protagonist Tao Wuji, "City Within a City" is still a bit lacking.
The character itself is not likable, and Bai Yufan 's acting skills are not that good in comparison. Being a "concentration point of artillery fire" is nothing new.
But in fact, the details of serving Huadao do not add points to the character design.
Even in urban dramas directed by Teng Huatao, the life of the so-called "poor" will be the envy of most young people in front of the screen.
How poor is Tao Wuji?
can only be said to be very consistent with the stereotype of urban drama screenwriters.
First of all, he has to take the subway.
Secondly, the house you live in must be shabby in the eyes of others.
That’s right, even the landlord of the room Tao Wuji rented admitted -
"Although my house is old and small..."
At the same time, after renting such a shabby house, the poor protagonist... You still have to be made difficult by the landlord.
For example, the landlady in "City Within a City" started to talk non-stop when she saw Tao Wuji buying a turtle.
The male protagonist kept explaining that this turtle is not a cat or a dog, it has no hair.
Seeing this, the intention of the screenwriter and director has been very clear. They just want to show the male protagonist's unsatisfactory life and work.
But in fact, when they signed the contract, they already stated that pets were not allowed, and the aunt was right. If the turtle didn't know where to crawl, it would easily leave a smell after drying.
In real life, young people would definitely have to apologize, but in the end, the male and female protagonists in the drama just pouted.
So, since so much ink has been spent explaining that the male protagonist does not live well, then how miserable he lives -
This is a sunny room. The lighting is very good during the day, and the whole house is bright and clean.
The spacious single bed can accommodate two people.
There is a large refrigerator as soon as you enter the door. On the left is the kitchen. It is really small but well-equipped, and all the cabinets in the room are made of wood.
Facing the bed is a desk and bookcase.
Yes, you heard it right, there is a desk in the "old and small" house that the landlord said. The computer used by the male protagonist of
is not just a laptop, the screen can be used as a small TV, and there is even a printer next to it.
No, you are just a bank teller, why do you prepare these at home? The table looks expensive at first glance.
Near the window, there is a tatami.
is filled with dolls and floor mats. The male and female protagonists sit side by side in front of the large floor-to-ceiling windows, looking at the brightly lit high-rise buildings in front of them with emotion.
No, are you the so-called "old and young"?
It has a central location, large floor-to-ceiling windows, desks and computers. I don’t know how many young office workers want to live but can’t find a place to rent.
In addition, the male and female protagonists in urban dramas really don’t know how to live.
I cry every day that I am too poor. When I open the refrigerator, all I see is drinks, not even a bottle of the cheapest mineral water. I really don’t understand your life.
Later, the heroine was paid her salary. She hesitated and said it was not much. After the hero asked several times, she said -
"It's only fifty thousand."
Although the heroine gradually became vain, At this time, she had not been promoted to manager for a long time, and she did not show any intention of disdain for the male protagonist. She said "yes" to 50,000.
Don't make me laugh too much.
Is it shameful to sit at the counter in a big bank in a first-tier city?
Such a good job was criticized by several protagonists at the beginning. For today's young people, this kind of work is on time and on time without overtime, and they are still regular employees. I don't know how happy it is.
As for the replacement part, it is not an exaggeration to move a small box of things to move the "position".
The funniest thing is that Cheng Jiayuan actually carried a small box of food, which was all food without any office supplies.
I said that I still have time to eat so many snacks. Isn’t it quite easy to work at the counter?
I really miss such poor days.
But the "poor kid" in "City Within the City" is so outrageous that the audience has even turned its back on it.
Screenwriters who have never worked before have already vaccinated the audience.
From the pampered heroine to the simple little foreign-style building, she thought in disbelief that "someone could be so poor."
Even though he is in huge debt, he still has to drive a luxury car, live in a mansion, even have a nanny, and eat four dishes at night.
Eating a fat-reducing meal and drinking coffee at the company, or letting my brother boil two eggs at home were all described as outrageous "luxuries".
Those who have money have to pretend to have no money, and those who have no money have to eat well and wear well, but they don’t know how to write the real word "poor" in the real world.
Conclusion
In fact, the quality of "City Within a City" is very good compared to most urban dramas on the market.
can be used to describe the poor, who still can only ride the subway dryly, or have a simple farmer father.
Because I don’t want to truly experience life, I can only repeatedly use other people’s words or appearances to deepen the audience’s impression of the male protagonist as “very poor”.
But in fact, it is impossible to prove it with details and gestures.
Obviously, if you don’t really understand it, just relying on assumptions will make you laugh.
The acting skills of "Old Mo", who kills people without blinking an eye, are enough to make him stand out in the industry, but he still chooses to run errands for the role.
was recognized by passers-by and took two photos together. He quickly said that he wanted to finish his work and ran off on an electric bike.
In this way, are you still worried about not being able to create a character that the audience can feel a sense of involvement with?
Poverty is obviously the easiest thing to show, but in urban dramas, it has become the most difficult problem.
Of course, if you really can't fix it, don't force it. If you try to deepen your character by making insinuations, you will only make a joke and make people laugh.
Urban dramas, don’t you just tell stories?
-end-
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