As more and more literary and artistic workers step onto the stage of the new performing arts space, they use their works as a carrier to tell Chinese stories, show the spirit of the times, and use high-quality works to cultivate a highly sticky audience for the new performing arts space. , promoting the growth of new business formats through innovation and breakthroughs.
Beijing, which not only carries the profound cultural heritage of the Chinese nation, but also is full of the vitality and vitality of a modern international metropolis, relies on its advantages in artistic resources to continue to provide the audience with a rich and colorful "cultural feast". As the new performing arts space gradually becomes a popular choice for people's leisure and entertainment, while driving the continued growth of the box office of performances, it also continues to contribute to stimulating innovation and breakthroughs in content and production in the performing arts industry. For young literary and art workers, the new performing arts space is not only a stage to display their talents, but also a cradle for them to draw inspiration, hone their skills, and realize their artistic dreams.
Youth forces are deeply involved in
Since the 18th National Congress of the Communist Party of China, Beijing has placed the construction of the National Cultural Center in a prominent position in the development of the capital in the new era. It adheres to the people-centered approach and actively creates high-quality performing arts to satisfy the citizens' yearning for a better life and let them Citizens enjoy high-quality cultural supply, and Beijing’s performance market is heating up at an accelerated pace.
As the audience's requirements for performance experience and immersion are increasing, the performing arts industry has ushered in a new development opportunity. The new performing arts space has gradually grown into a new consumption hotspot that combines culture and tourism, giving the audience more participation and experience. At the same time, it also provides a new stage for performing arts talents to experience and grow.
According to the China Performance Industry Association, new performing arts formats and new small theater spaces with multiple art categories, multiple forms of expression, enriched performance product supply, and stimulating comprehensive consumption as the main directions have become particularly active market factors in the performance field, showing great improvement .
In an interview with a Beijing Business Daily reporter, young actor Wang Ruiyu said that during performances in the New Performing Arts Space, he felt an unprecedented sense of closeness and interaction with the audience. This kind of instant feedback and in-depth participation made every performance Full of life and unpredictability, it tests the actors' acting skills and reaction abilities.
"The new performing arts space provides me with a stage to showcase my talents, and it also makes me cherish the unique tacit understanding and connection with the audience even more." Wang Ruiyu added.
Duan Siming, general manager of Jixiang Grand Theater, said that the theater troupe’s ability to absorb actors is limited. Compared with traditional theaters, the new performing arts space is more flexible and open, and can respond quickly to market changes and audience needs. Not only It is the source of creativity, the cradle for the growth of young artistic talents and the incubator of art.
The works are "careful" and cater to all ages
In recent years, Beijing has strived to become a "city of performing arts" and continued to promote the cultural brands of "watching Beijing for big plays" and "playing in halls". New performing arts spaces have gradually emerged, growing into a performing arts industry and diversified business formats One of the representatives of integrated development. Expand a richer range of performance types, break the "fourth wall" between you and the audience, and in the process of "trying" more possibilities in the new performing arts space, a group of "small but exquisite", "small but beautiful" and "small but beautiful" "Ya" performance works have also found radiant new scenes.
director Zhao Xia said that the continued warming of new performing arts spaces has led to an increase in the number of audiences entering theaters. Some plays have attracted audiences of all ages due to their appeal to all ages and their strong social attributes. The diversity and breadth of the audience group also further demonstrates the openness and inclusiveness of the new performing arts space format.
The 300-year-old Zhengyici Theater has witnessed the dedication and inheritance of generations of artists over the past century. Now, through the process of revitalization, innovation and exploration, it has grown into a new space for the contemporary presentation of traditional Chinese culture.
“For the ‘immersive’ performance experience, the ancients had more say than we do.Zhang Peng, the manager of the Zhengyi Temple Theater, is also a "post-80s" opera actor. In his opinion, watching a play up close in a theater hall with three sides of the theater is an early form of "immersion." Zhengyi Temple is now What needs to be done is based on the characteristics of the space, while adhering to the aesthetics of traditional opera, supplemented by innovative content, to give the audience an "authentic" theater experience. In addition to revitalizing the space of the ancient theater building, it also integrates "black technologies" such as sound, light and electricity In addition to creating a sense of integration of time and space, Zhang Peng and his team also planned a series of works called "Viewing the Restoration". By visiting scholars from the Forbidden City and opera experts, they strived to restore the shapes and performances of the works to a more primitive state, further enhancing the appreciation of the ancient theater. Duan Siming pointed out that if the performance market wants to prosper, it must continue to innovate and provide novel content and experiences to cater to the ever-changing needs of the audience. This requires the performance industry to deeply explore the audience's psychology, so as to create marketable Lu's works and services.
Zhang Peng said that consistent high-quality performances, high-standard venues, and high-level artists can naturally attract highly sticky audiences. This positive cycle not only satisfies the audience's desire for art. The high pursuit of traditional opera audience portraits has led to the "breaking of the circle" of traditional opera audiences, which in turn has continued to inject impetus into the development of the performing arts market.
performance industry analyst Li Xinyu pointed out that by strengthening collaboration among theaters and troupes, optimizing the talent structure and inspiring To create vitality, improve performance venue conditions, and shape and promote unique performing arts brands, Beijing is building a competitive and influential performing arts industry cluster and supply system.
Li Xinyu further pointed out that the new performing arts space not only brings benefits to the performing arts industry It has created new development opportunities, given full play to the role of the performance industry in driving cultural tourism consumption, and created favorable conditions for the realization and improvement of talent value. It also provides a new performing arts space that pays more attention to individualization and diversified expression, and also provides literary and artistic workers. It provides more opportunities to show one's own style and innovative thinking. At the same time, the communication channels of the new performing arts space are also more diversified and efficient, providing strong support for the promotion of talents and performing arts brands.
Beijing Business Daily reporter Lu Yang Han Xinyuan
