Looking forward to it, the Spring Festival Gala has finally arrived. In addition to the main venue, this Spring Festival Gala also has four sub-venues. The hosts of the main venue are Nigmaiti, Long Yang, Ren Luyu, Ma Fanshu, and Sa Beining. The hosts
were professional, but when Xiao Ni performed magic tricks for Liu Qian to cooperate, he was in trouble. He was the only person in the audience who didn't get the cards right, and his expression was nowhere to be found, showing clear embarrassment. After the
magic was over, Xiao Zai still said: "Xiao Ni is the only one in the country who has not matched up." Xiao Ni's gangsters had nowhere to escape.
Xiao Sa wears the Year of the Dragon hat again, which has become a fixed program of the Spring Festival Gala.
The hosts in Shenyang, Liaoning are Yang Fan and Liu Xinyue, the hosts in Changsha, Hunan are Zhang Shuyue and He Jiong, the hosts in Xi'an, Shaanxi are Guo Ruotian and Lu Mo, and the hosts in Xinjiang Kashi branch are Zhang Tao and Dilidar Xuehere. Mention, the hosts are also wonderful.
The Spring Festival Gala in Tang Poetry
This Spring Festival Gala uses the elements of poetry vividly. The feelings of the past five thousand years are displayed in every line of poetry.
Yue Yunpeng and Sun Yue took the lead in their cross talk, using the "Feihua Ling" as an excuse to explain Chinese culture.
From Li Bai to Du Mu to Li Qingzhao, from the shepherd boy pointing to Xinghua Village, to the flowers are neither flowers nor mist, it seems casual, but every word is meaningful, which already makes people a little surprised.
"Creative New Year's Customs Show" is cleverly conceived. At first glance, it is just a program for delicious food, beautiful scenery, and happy New Year.
Hu Ge, Tang Yan and Xin Zhilei's "Flowers" crew also appeared in the middle to perform the fun of Shanghai-style snacks.
Mahjong, noodles, Yuanxiao, people, objects, light and shadow are cleverly combined to interpret three-dimensional Chinese food and folk customs on a flat surface.
But these are just the prelude.
When an ordinary piece of dough stretches infinitely in the hands of the master, and turns into a magnificent scene of "flying down three thousand feet, it seems that the Milky Way falls in the sky", the greatest romance in the Chinese people's bones is awakened. .
The climax is "Mountain and River Poetry Chang'an" performed by Zhang Ruoyun, Tang Shiyi and Zhu Tiexiong.
The sentence "You don't see the water of the Yellow River coming up from the sky," ignited the genetic code of the Chinese people. To be successful in life, you need to have all the joy, and don't let the golden bottle stand in the sky against the moon. This is the Chinese style of heroism.
Face-changing, sugar-coated people, time and space flow, from hip-hop to Peking opera, the silky cross-dressing only has one movement, time and space flow, a thousand years of time, only a poem's time.
Li Bai looked up to the sky and laughed and went out. The ladies of the Tang Dynasty were swaying on the stage in style.
Thousands of customs of thousands of miles of mountains and rivers can be described without words.
Lines of Tang poems are like pearls, stringing together the culture and history of a nation, bringing endless vitality.
Poets who came across time and space, with the memories of the prosperous Tang Dynasty, gazed at the brightly lit city that never sleeps, ancient times and modern times, ancient people and today's people, people of the old times and today, the ancients did not see the moon of the present time, and the moon of this time once illuminated the ancients.
Today's Xi'an has the poetic soul of yesterday's Chang'an, and yesterday's Chang'an has the longing for today's Xi'an. Li Bai waved his hand from the top of the city, completing a cultural handover.
This meeting across time and space, the heroic spirit of the past cannot be described in the prosperous Tang Dynasty, and today's smile cannot be described in the prosperous age of today.
What is exciting is the singing and dancing tonight, and what is touching is the moment when every Chinese person was moved by poetry.
Those poems that have been memorized since childhood may not be remembered for a long time, but as long as someone talks about them, they will blurt out. Some things are engraved in the bones of the Chinese people.
d Li Bai, sitting next to the lively Zhang Ruoyun, standing on the towering Xi'an city wall, spinning and dancing the pipa dance with Tang Shiyi, swaying freely, technology and art have never been so well combined.The person reciting the poem is Li Bai and Zhang Ruoyun, and the people who look up at the bright moon are us. The place they are in is Chang'an, Xi'an, and China.
Ye Qing Hui
The years are silent, this yearâs Spring Festival Gala is full of emotions, and there are many scenes that make people shout that Ye Qing Hui is back.
The opening song and dance brought together three generations of artists, old, middle and young, Xu Di, Liu Peiqi, and Xin Zhilei, who became famous with "Flowers".
The most talked-about one is Yang Mi, Hu Ge, and Tang Yan's Fairy Sword on the same stage. The appearance of the three of them has not changed. It has been 10 years since Fairy Sword. They stand there, singing and laughing, as if time has never gone far.
Sisters Ju Ping, Xiaolu, Yue and other generations of sisters brought "We Grow Up Watching Cartoons".
From the age of 5 to 50, generations of people have grown up watching their programs. The deep affection in their songs is their love for children and the childhood of countless children.
During the "Xinjiang Song and Dance" segment, after the camera passed by the brightly lit stage, "Lift Your Hijab" slowly played. This ditty that almost everyone can hum a few lines is extremely friendly.
Dilireba sings and dances, her beauty has reached a new level, and her beauty search has gone crazy.
"Preface to the Etiquette" Su Youpeng and Gu Juji are on the same stage, and they are instantly transported back to the past.
Liu Qian, who has been away from the Spring Festival Gala for many years, is back and brings the magic "Staying New Year's Eve and Sharing this Time".
This time Song Yi went to work as a trustee. Song Yi, who was dressed in red, was pretty and bright, and was more attractive than the magic trick. Although Xiao Ni was cheating, it did not affect the effect of the magic trick.
But the most attractive thing about Liu Qian is not his exquisite technique, but his phrase "The time has come to witness the miracle." The last time I heard this phrase at the Spring Festival Gala was many years ago.
Traditional culture is rich in brilliance
"Nian Brocade" performed by Liu Tao, Liu Shishi, Li Qin and Guan Xiaotong fully demonstrated the beauty of the Chinese cultural tapestry. Liu Tao is gorgeous but not vulgar, and Guan Xiaotong is elegant, just like the person in the painting.
Liu Shishi, an ancient man chosen by heaven, is dressed in luxury and grace, making people dream back to the Tang Dynasty.
Li Qin is dressed in pure brocade, with a strong scholarly aura coming to her face.
Fish patterns, auspicious clouds, precious flowers and standing phoenix patterns, peony laurel patterns, each pattern in the brocade is given a beautiful meaning, revealing the pursuit of beauty and love for life, and every name is as beautiful as poetry.
Chinese romance is not about writing poems specifically for you, but letting poetry flow in ordinary days.
The dance "Koi" is full of aura, sometimes like a fish in the water, sometimes like a wave of joy.
The actors swim like koi fish, with their tails swaying and their postures so graceful and light that the viewers cannot bear to make a sound, as if the sound will cause ripples and scare them away.
Every frame of the entire dance is a beautiful Chinese painting. The singer
has a classic song "Friends Like You" by
713 on the same stage. The song is about friendship and friendship, and it is also about their situation over the years.
We met Qing Cong when we were teenagers. When we reach middle age, we can see that our friends are still there, which is enough to make people proud.
"If You Want to Write a New Year" co-starred by Mao Buyi, Li Bolin and Hui "Field Poetry Troupe".
The whole song does not say a word "Celebrate the New Year", nor does it mention any homesickness, but every word is full of longing. Returning home during the New Year is a journey that wanderers will never give up.
Mao Buyi's singing voice is warm and mellow. The children in school uniforms are innocent and cute, laughing and playing, singing the simplest emotions, which properly comforts the homesickness.
Liu Yuning finally stood on the Spring Festival Gala stage, "Share" with Da Zhangwei, and sang his youth back.
cross-border mashup released the hit
Huang Bo's song "Pinyin" sang about the life-long love of parents and children, and sang it into people's hearts.
Behind the singing, there are many stories of fathers and sons. This song is also a gift from him to his father, even though his father no longer remembers him because of Alzheimer's.
He sang so emotionally that the audience's eyes were red. The bond between parents and children is always the deepest. Huang Bo, who sang into the hearts of the audience this time, may create a new hit.
Wang Kai, Chen Weiting, and Zhu Yilong sang "Youth" in unison. Chen Weiting was full of energy, Zhu Yilong was gentle, and Wang Kai was calm. The three styles, like spring breeze and autumn rain, are different, but equally fascinating.
Bai Jingting, Wei Daxun, and Wei Chen's "Shangchun Mountain" is full of vitality, and Daxunhua is indeed promising.
The most unexpected combination of this Spring Festival Gala is "Warm Sun in Winter", Lang Lang's piano, Sun Mingchuan's suona, a breakthrough collaboration
large flower cotton-padded jacket and black and white piano, ballet under the snowflakes and Northeast industry Coarse ore at the base.
Gemsâ northeastern rap and Zhang Qiâs lyrical rock are in extraordinary harmony. Jike Junyi and Zhang Tianai, two roses, one black and one white, bloom on the same stage. It is a feast for the eyes and ears.
But for the Northeast, the will and desire to revitalize the hometown behind the songs and dances are even more moving.
Shen Tengâs sketch is the highlight
Shen Teng and Ma Liâs sketch is still a guarantee of quality.
Relaxed tacit understanding is Shen Teng and Ma Li's trump card.
The story doesnât have too many gimmicks, and the plot in the middle actually kept people from running away for more than 10 minutes.
I have to say that Shen Teng and Ma Li are still in the first echelon of comedy sketches.
The annual Spring Festival Gala is over. Which program do you like? Please leave a message.
