Song Yunhui, a pig-feeding boy six years ago, recited the new policy over and over again under the scorching sun, driving the gears of his own destiny, and moved audiences from all walks of life;
Song Director of the 3.0 version six years later, gave up a new job with more favorable conditions, and... He wanted to be trapped in the "small broken factory", vowed to share the joys and sorrows with Pengyang Factory, and led everyone to die in search of new life.
completely different stories, consistent charm.
It is said that one cannot step into the same river twice, but how could Song Yunhui touch us repeatedly in the same river?
, let’s talk about it.
一, a big river of living water, an old friend and a new bureau
When Song Yunhui came online, he was wearing an old man's shirt and doing brickwork on the roof. He was not as high and valuable as his previous position as the director of the Donghai Factory, but he was not depressed either.
is in a corner, but it can still gain freedom and value in "working".
A little bit of time flies when a person reaches middle age, a little bit of the down-to-earth and sincerity that is accommodating hardship and simplicity, and a little bit of Zhou Zheng's true nature, which is unfazed by favors and humiliations.
Stories are like a river that flows endlessly. Living water comes from its source. You will always meet new faces on the journey of life.
Old friends, Song Yunhui, Lei Dongbao, and Yang Xun are present throughout. The soul of people lies in the texture, and the difficulties lie in the twists and turns;
The new friends, some are old acquaintances at noon, and some are newcomers to the comedy competition, blending the old and the new. The group portraits are as brilliant as ever.
This interweaving of the old and the new is also a new method of "old in the new" for the series of dramas. It does not mean that old wine in a new bottle is used in routines, but a sense of balance that is friendly and fresh.
In the stories of several episodes, from the joy of Song Yunhui and his new partners in Pengyang Factory celebrating new achievements, to the mass poisoning incident, Song Yunhui was misunderstood, and his head was broken by the victim, to Song Yunhui and Lao Wang (played by Huang Jue) fighting for the back. There were many twists and turns along the way, until the truth finally came out and the reputation of the Pengyang Factory was cleared. Although
is not a suspense drama, it has a sense of suspense in its own style.
During this process, Lao Wang, Cao Gong (played by Liu Dan) and two young people also participated in a complicated "Bake-Back 101" trial.
's play also uses this to shake off the key point in several twists and turns: everyone worked hard to engage in scientific research, but the former leader stopped it due to the selfishness of "not wanting to be picked off by the successor". It is really embarrassing! It also makes people very worried about when bamboo amine will be produced. How to describe
? Watching "Dajiang Dahe 3", I was even planted with pesticides! (bushi)
You see, there are many new friends in "Dajiang Dahe: Cantabile". National sister Song Yunping has been offline midway through the first season, but her energy seems to have never dissipated.
Simple and profound love seems to have never gone far.
's gentle breath and tough bones are like smiling and gazing in some cloud, watching the ups and downs of the world for decades, the grass and trees withered and flourishing for many autumns, things have changed and people have changed. They are all old, but the years are like songs. Still moving.
Two, the living beings growing in the land look like each other
Song Yunhui, Lei Dongbao, and Yang Xun each have their own small territory. After the story unfolds, the group portraits are numerous and dense, but they are not chaotic or superficial. They are often clever and dramatic with just a few strokes. A scroll of the times, a picture of all living beings laughing and scolding beautiful and ugly women.
Next, let’s briefly talk about two scenes, one is Lei Dongbao’s wits against his rival in the provincial capital, and the other is Yang Xun’s encounter with his sister and Liang Sishen’s cousin in the shopping mall.
The latter is a silent contrast. The rich cousin is accompanied by people carrying things, while the poor girl works hard to pack up the large boxes scattered on the floor.
is a sharp contrast, but it does not emphasize, exaggerate, cover up or beautify. It is not a cruel and bloody mode, and it does not use it as the final judgment. It uses drama to complete a typical narrative of "more real than reality".
The water surface is calm and the waves are calm, but the undercurrent is turbulent. This may be a kind of "writing without writing".
The former is a familiar group portrait of Xiaolei's family. Dongbao's domineering and rugged style is clear-sighted, oily and energetic, bold and heroic, Sibao's living treasure posture, sincerity in his bluffs, and his bluffs in friendship, etc., are all vivid and brilliant.
The journey was difficult when they arrived, but the process of fighting wits and courage was full of laughter and warmth.
Sibao hurriedly complained that "Hongwei was detained" and asked Lei Dongbao to lead the team to fight. After hearing this, Gong Xinming was filled with indignation, "How dare you engage in underworld?"
Lei Dongbao is calm in the midst of urgency, and also has a little bit of scheming in his bravery (but not much). He pays attention to the overall situation and "can't make trouble when he goes to the provincial capital to discuss business for the first time." He understands Sibao that "the version he says is not the truth." Decided to go ahead with Si Bao to solve the problem.
On the way, Dongbao was sleeping and Sibao was chattering all the way. Before the battle, Dongbao opened the cup and took a sip himself before passing it to Sibao, "You scolded me for being thirsty all the way." Every detail is interesting.
The energy of Dongbao annoying Sibao, the hard work of being busy all day long with so many things to do, the disgusting and disgusting, and the feeling of "we have grown up since childhood" is still there, it is funny and warm.
Hongwei’s appearance this time is also interesting. In the first scene, he squatted against the wall, wiping his nosebleeds with paper, and was filled with sadness. The iconic "squatting" of his identity, the warmth of seeing his own person quickly cleaning up the traces and not wanting the other person to worry, and the difficulty of being in a difficult situation, all of which are captured in every scene. in place.
But after he stood up, his style changed instantly. Hahaha, this style of clothes is quite trendy! With just one blow, she immediately changed from a model team in the village to a trendy model!
Dongbao's domineering words "go in and sleep", Hongwei's pitiful "it's expensive here", Dongbao's "dominance" is completely suppressed. The humor that is interrupted on the surface and the difficulty of life on the inside are all vivid and intuitive.
The dinner scene on the second day was also interesting. Dongbao and his opponent were arguing, and the Hongmen Banquet was full of déjà vu;
Dongbao talked about "my brother was beaten", and the opponent called the brother who was really beaten up, and the scene was again It’s funny! On the surface,
is a threat from Lei Dongbao, but on the deeper level, it is a return to a competitive environment with institutional systems and legal restrictions. A confrontation is quite interesting.
After that, Lei Xinming came online in a hurry with bricks in his briefcase, and Lao Wu's understanding and perfect timing of "my, my, my", hahaha, I can watch the story of Xiao Lei's family in One Thousand and One Nights!
describes them as being "grown from the earth", not because of their earthy makeup and clothes;
but because the characters are presented in a vivid, sincere and delicate way, thin but not broken, and numerous but not superficial.
seems to grow out of the soil, and exists in form and spirit.
Three, a large emotional network with roots, branches and flowers
Previously, the Pengyang factory was deeply involved in a highly toxic scandal, and everyone felt unjust that their scientific research achievements had been cut in half. Everyone's spirit of sacrifice and strong emotions "striving to be the scapegoat", It's all very clear;
Now Song Yunhui is naturally reluctant to leave when everyone is in trouble;
can't bear to let the factory be shut down, let their talents and hard work go to waste, and the lives of more than a hundred people become a hidden worry.
The scene before Song Yunhui left was a very conventional part about not leaving the old place. There was not a single line, but every scene and every look made people feel the same feeling of "nostalgia and struggle".
The couplets in every household are old and faded. The washed red color silently corresponds to the old and outdated Pengyang factory, which is about to be eliminated. The rain blows and the wind blows away, and there is a sense of loneliness and aging.
The small courtyard is quiet and silent, and has the beauty of pastoral retreat, the warmth of human fireworks, and the emotion that although the sparrows are small, they can still fight together.
The sun is bright, the farewell is cold, and the sound is unbearable.
After the farewell meal, the four elders were halfway through the meal when a group of young people came and nervously said that they would invite the factory director to dinner. Director Wei joked, "Only the factory director is invited." Lao Wang arranged for everyone to eat together and told his son to "get two more bottles of wine." ", Director Cao Gongwei and his wife told them together to "get two more benches."
These seemingly unimportant details jointly build a group portrait that is plump, three-dimensional, not dry and stiff, and a warm, touching and real relationship.
said "Only the factory director", which is very familiar to the tone of friendly elders teasing children;
said "get two more benches", even this needs to be explained? The first is that there are indeed a few benches at home, which is in line with the age background; the second is to point out the character of the two elders, who worry about everything and explain everything to the children in detail.
A few lines that are not even considered "serious and important lines" have stirred up a lively cauldron of human feelings.
In the next shot, Song Yunhui lowered his head and smiled, pleased that the young people came to see him off. You see, from the young Song Yunhui to the factory director Song Yunhui, decades of growth and life inheritance are all there with a smile.
On the occasion of parting after that, Cao Gong entrusted all the scientific research materials to Song Yunhui. That scene really poked me.
That was the hard work of her and her team for more than ten years, with endless years of ups and downs and hardships;
It was also the future of her and hundreds of people in the factory, with gray hair on her temples and endless sadness in her eyes.
You knew that Song Yunhui would definitely turn back, but his appearance in a small broken tricycle was still touching;
Song Yunhui and Cao Gong Lao Wang had explained things before, and they were obviously right, but they didn't dare to look up and couldn't face it seriously. They were full of apologies. Now he finally finally We can hold our heads high and say, "We still have hope."
The relationship between Song Yunhui and his old friends in the factory is touching.
The relationship between master and apprentice, colleague, comrade-in-arms, etc., it is not important how to name and define it. What is important is the emotional essence of sharing the wind and rain hand in hand, walking through adversity side by side, and then creating miracles together.
Yang Xun’s confession was unsuccessful and he said, “Don’t worry about it.”
He knew clearly that the love Liang Sishen said was not what he wanted, and he could not suppress the smile at the corner of his mouth;
The love he could not ask for, Liang's friendship with him, it was not necessary to lock up cp before he could eat, and every kind of person and person The sincere emotions are moving.
The guys from Xiaolei's family next door have a real brotherhood that is touching (not the double quotation marks kind, real brothers).
The industrial assembly line produces hard-coated plastic CP, which is no more than a small dry plastic flower at most.
In an excellent drama like "Dajiang Dahe", emotions are alive and come alive from the relationship between the characters.
is a lush tree with thousands of branches, gorgeous flowers, and birds building nests. It carries all kinds of different fragrances and reflects many different possibilities.
4. The mode of overcoming hardship by looking at it head-on: Burning is the texture, toughness is the backbone
Whether it is Song Yunhui or Lei Dongbao and Yang Xun, life has always been in the hard mode.
Every level is difficult and every step is difficult. Once you pass a level, there will always be new difficulties.
But they are fearless climbers.
Song Yunhui's tenacity is one-third white, three-point aloofness, and three-part soaring spirit, which is the human ideal that would rather break than bend;
Lei Dongbao is three-point domineering, three-point oily, and three-point wild, he is arrogant but delicate, and underneath the "fake bandit appearance" is true Cadres dig deep into their hearts.
The two sides of Yang Xun are clever/slick, tough/unspeakable, he has nothing and a heavy burden, he is helpless in the business world, and he has to be naughty and flattering to survive; he makes his mother borrow money again and again, and in the end he can only cry and regret it. Farewell to my mother, I will always be left with the lifelong regret of "I want to support my son but my mother is not here", and I will always have to bear the guilt of "my mother has carried heavy burdens for me and worked hard for me".
It is difficult for all three of them. They are all difficult for children from poor backgrounds to dream big. However, Song Yunhui more often reflects the uncompromising idealism of absolute idealism, while Lei Dongbao is deeply involved in the new and old iterations of policy changes in different periods, and Yang Xun It also points to the complicated suffering in the dilemma of "original intention and interests" and "individual and family". Although
has different focuses, all three of them are in pass-through mode. From a typological perspective, whether starting a business or fighting monsters, the clearance mode provides counterattack or growth-style excitement and excitement.
But "Dajiang Dahe" is obviously more than that. The depth of burning is not only the excitement of counterattack, but also the courage and tenacity to face difficulties head-on;
It is very difficult, but it does not show misery or exaggerate despair. , and we do not advocate rolling for the sake of rolling. We should always have the courage to stay upright and the tenacity to be upright in the face of difficult situations.
There is a kind of annoying "righteousness", which is disguised as "righteousness", perfunctory and old-fashioned;
uses the name of righteousness to practice ineffective routines, or uses the danger of righteousness to spread the old and bad, which is obvious at noon. Not this.
Their integrity, on the surface, is a neat story and correct appearance, while on the inside, it is simple and correct in terms of value.
Why does their "The Time Cantabile of the Great River" make people feel friendly?
On the one hand, it is the companionship of watching dramas all year round.
It seems that there is a sense of sadness in the time of "witnessing Song Yunhui's growth", as if Xiao Yang's smile when he traveled across the mountains and ridges to sell steamed buns was just yesterday. At certain times, there is even a sense of relief of "Look! My child is going to be successful". Rounding it all off, I can count it. Is Cyber an elder? (bushi)
On the other hand, there is this familiar "positive" character.
Although I jokingly called myself cyber elders (bushi) (I dare not), in fact, Song Yunhui and his others are so tenacious, simple, hard-working, and familiar;
On the micro level, they may remind people of familiar elders, but on the macro level, they may It is reminiscent of the ancient excellent character of this nation.
Newspeak is always being iterated, and now the word "hardship" must be carefully explained: it does not mean to agree with the boss PUA, to take advantage of the pie, and does not mean to be flat (working hard and being worked by PUA are completely different things). Under the new wave, telling about ancient and excellent qualities seems outdated and boring; but whether it is the "Big River" series or "Mountains and Seas", it has been proven time and time again that we will always be moved by the weight of this tough land.
You see, their sincerity and touchingness seems not only to exist in the play, but also a group of old friends walking towards them. Time flies and the years are like songs.
Comfortable Conclusion
Popular culture iterates quickly and public trends change frequently. "Dajiang Dahe" is obviously filming an old "rustic" story, but it seems to be at the core of the trend and even ahead of it.
Because in a sense, the essence of popularity is to be widely accepted; this is not necessarily the right time on the surface, copying what others say and following the trend, but the core of empathy in bones.
From the boy who fed pigs to the current factory director, from the little Yang Xun who bought steamed buns in the mountains to the current boss Yang, from Qiong Dongbao to the current manager Lei, they have traveled a long way over mountains and ridges and built bridges to cross the sea. .
The journey was windy and muddy, but it was upright and moving.
has bones that are poor but not cold, a backbone that is poor but not sore, and a breath that can be searched up and down through thousands of rivers and mountains.
They were at the forefront of the storm, their sweat turned into amber, and their tears turned into rivers, writing about the years like a song.
