's domestic dramas is getting more and more serious, and competing products of various themes are chasing after each other under the promotion of the platform, but whether it is the star effect or the blessing of popularity, they cannot resist the dividends brought by good word-of-mouth dramas to TV dramas.
's " Freeland Jue ", which has no big traffic fans, and " Punishment ", which has almost no hot search promotion during the broadcast, are the best proofs. Domestic dramas occupy the market, depending on their ability, but today, with the continuous flow of new dramas, audiences will still miss the scene presented by domestic dramas ten years ago.
But then again, if you really put old dramas in the current market environment, the audience may not be able to pay the bill. No, "August Osmanthus Blossom", which has been backlogged for 11 years, is finally online, but this old drama not only failed to bring the audience back to the memories of the retro era, but also persuaded the audience in just two episodes.
It is reported that the TV series "Osmanthus Blossoms in August" is a realist drama produced in 2011. Now 11 years have passed. From the point of view of the down-to-earth style of painting, "Osmanthus Blossoms in August" is dominant, but it is a pity that it is so The advantages of the company have not been brought into play, but instead it has aroused hot comments from netizens.
started the broadcast and the word of mouth overturned. The plot of "Osmanthus Blossoms in August" was flawed.
can actually be seen from the audience's evaluation of "Osmanthus Blossoms in August". The shortcomings of this show are obvious. It has always been too exaggerated, saying the lines is like reciting the text.” Some netizens felt that “the actors are all good actors, and the level of screenwriters and directors is poor...”
And as netizens said, “Osmanthus Blossom in August” is the most persuasive to the audience. The place is the plot. You must know that the screenwriter of this drama is Liang Xiaosheng teacher who created this year's popular " world ". Even if this is a work he wrote 11 years ago, it should have some advantages of high standards and strict requirements.
But obviously, "Osmanthus Blossoms in August" is not the subject matter that Liang Xiaosheng is good at. Judging from the character setting of the male protagonist, the male protagonist played by Yin Xiaotian is a career-oriented man who lacks skills at work.
And the way the writer highlights his busy work is the old fashioned way. I don't have time to spend with my wife and children, and I don't have the energy to deal with class reunions. But in fact, these old-fashioned audiences are tired of watching, and there is no particularly intentional design.
Besides, the same character setting can also be applied to female characters, but most domestic dramas put women at a higher starting point, and it is natural to have a successful career and a happy family. So, seeing the role of the male protagonist who neglects his family and squeezes his life because of his career, the author's first reaction is "This is it?" The character setting and plot development are full of routines. All characters are heavily facebook , tagged. Moreover, this drama is also filled with a large number of narrations, an assembly line of reportage works, and only four words - "formalism" are highlighted over and over again.
For feature films and documentaries, narration is necessary, but for TV dramas, if the plot needs to be narrated to make it clear, it means that the screenwriter and director are not good enough.
Now it seems that many viewers are persuaded to quit after watching two episodes of "Osmanthus Blossom in August", which is also a matter of course. It's just that in addition to the flaws in the plot, the actor's shaping also makes it difficult for the audience to swallow.
Fu Jing Yin Xiaotian can't hold back the drama, the drama style performance is not suitable for TV dramas
Most good actors can shine in the field of drama, but not every drama actor can become a good actor recognized by the audience. Yin Xiaotian is a typical example. If you look at Yin Xiaotian's resume, you will find that he is a professional, graduated from Central Academy of Drama , and is also an actor of China National Theater .
On the screen, the audience is not very impressed with Yin Xiaotian, and his performance direction has always been mainly drama. On the stage of the drama, there are no close-up shots, no sound-receiving equipment, and all performances depend on the explosive power of the actors.
Therefore, the performance of the drama is often performed in an external way, and the voice of the actors should be loud and clear, The expression should be obvious, so that the audience in the last row can enter the play. But when it comes to TV dramas, the performance form of the drama becomes superfluous.
's overly eloquent lines are very similar to reciting texts, and the overly exaggerated expressions make the characters fake. In "Osmanthus Blossoms in August", Yin Xiaotian's shaping gives the audience a feeling of being fake and empty.
Moreover, in the relaxed state of the character in "Osmanthus Blossoms in August", Yin Xiaotian also gave the audience a tense feeling. His brows were always frowning, and he had an inexplicable fierce look. The more he watched, the more cautious he became.
As for the heroine Fu Jing, who partnered with Yin Xiaotian, she couldn't hold back the drama either. The character she created made the audience feel like scumbags as soon as she went online. Facing the sudden relocation of classics, she was completely unaware. So, he negotiated with the male owner on the phone, saying that the relocation was not completed, and only 1 of the 12 households signed a contract. The so-called celebrations have bypassed her from planning to organization.
Logically speaking, according to the character setting of the heroine, she should be quite capable and means, but in the play, in addition to pushing and shoving with the organizer of the event, she complained and complained on the phone with the hero. There is no way to deal with it, no coping strategy, and such a character obviously hits the audience's point of complaining.
Of course, this is also a common problem in many domestic dramas. Women in the workplace are always portrayed as emotional animals, and male protagonists are always needed to save them when they encounter situations. This kind of labelled female role may have been acceptable to the audience 11 years ago, but today, the audience is definitely not willing to buy it.
Of course, Fu Jing couldn't hold back the drama, mainly because the character was not likable. She herself acts as an actress naturally, and her image is also very good. Like " fox hunting " and " living in ", they are her outstanding masterpieces. It can only be said that this time Fu Jing was severely dragged down by the character setting.
However, Fu Jing and Yin Xiaotian are also old partners. Their rivalry is very natural, and the sense of picture in the same frame is also very good. It's just that the tacit understanding of the actors can't support the routine plot and labelled roles, and this is not backlogged. "August Osmanthus Blossom" in 2011 is destined to be difficult to perform well in terms of ratings and discussion.
Now, "August Osmanthus Blossom" has just been launched, but the market's hot feedback and public opinion are not conducive to the fermentation of the topic of TV dramas. This also proves that the themes and styles that were popular 11 years ago are outdated today. In general, the problem of "Osmanthus Blossom in August" is not only too great, but also suffers from the loss of time.
However, in the past two years, the development of domestic dramas has become more and more pursuit of quality. Every year, popular dramas bloom in various genres, especially for entertainment-oriented themes such as ancient puppets, the audience's requirements are also rising. I just hope that all the carefully produced dramas can be launched smoothly, and the backlog will be rushed. It is not metaphysical, but has a theoretical basis.
