Text|Wake up from a big dream: is a craftsman who dreams of being a salted fish.
"Nezha", which has been popular for a few months, has been released on the Internet these days, and the editor only watched this explosive box office miracle today.
From the plot to the character setting, to the pictures and lines, the editor feels that such a box office also deserves its name, and it is even more desirable that it will be among the top three in Chinese movies.
But the only editor can't agree with is that the values output behind the explosions and the value orientation of the audience are becoming more and more "social" and "cater to". This is the saddest part of the editor. This is a movie that is not suitable for children to watch, but it can trigger adult thinking. The editor of
thinks that human value orientation should not follow the development of the times and cater to changes in order to conform to the trend of the times. Since the development of
society, the editor feels that good and evil have been clearly distinguished. Although there has never been a utopian kind of good and evil, we should always work in that direction.
Good is good and evil is evil. Praise for doing good things, and punishing for bad things. This is the most basic law of good and evil.
Nezha yelled at my fate. I couldn't help but provoke mischief everywhere, causing everyone to jump around, burn houses and beat the villagers, which is also considered a big bully in Chentangguan.
Some people say that Nezha has been treated unfairly since he was a child, and it is understandable. The editor of
wants to say that being unfairly treated is to prove one's existence through extreme means. Is it too rough? I remember a sentence from Shen Gongbao in the
movie: stereotypes are like a mountain in people's hearts, insurmountable.
Villagers are afraid of Nezha because Nezha was not a human being when he was born, and the villagers’ deep-rooted notion of the immutability of demons and monsters is the fundamental reason why the villagers do not wait to see him.
but ended up being recognized and grateful because Nezha saved the people.
This will make me feel that it doesn't matter if bad guys do bad things, as long as they get better in the end.
theory is such a theory, but when you think about it carefully, the people's ideas behind it are creepy.
Regardless of why the bad guys become bad, the fact that bad guys do not receive the punishment they deserve makes me feel very nonsense. In the end, the bad guys will be respected by everyone when they get better.
is like a bad person becoming better and more easily respected, and a good person becoming bad is more likely to be spurned by others.
Adults can ignore this truth, but for children, it is inevitable that children will be planted with a view of life that it does not matter if they do bad things, as long as they become better in the end. But can children know exactly when this "final" is?
can't.
Children’s thoughts are not mature enough, they are still in the process of growing up, and they need more correct guidance.
is like many years ago in the popular cartoons, there are always bridges that children take to reality to implement. This is the accident caused by incorrect guidance and failure to explain in time afterwards. Although the story of
Nezha is well-known, the scenes in the movie have changed a lot from the character setting to the plot development. It can be said to be a new two-dimensional story about Nezha. And animation will undoubtedly give children a deeper impression. The values behind
catering to "society" will inevitably mislead innocent children. The last time
visited my cousin, she was a seven-year-old girl. She secretly asked if I had ever seen Little Nezha.
I said no. The little mouth of my cousin
was Barabara, who was very interested in talking about it, and finally asked me: Isn't he a bad boy?
But I haven't read it, nor can I extract any meaningful information from the cousin's narration. But thinking that his reputation is so good, he is not a good boy, and will there be so many people watching, so he vowed that he is a good boy of course.
My cousin frowned at the time, muttering what I couldn't hear, and seemed to say: He was a bad boy, so I don't want to follow him.
Until today, after the editor finished reading, I suddenly thought of my cousin, and hurriedly went to pick up my cousin from school, and explained on the way. The
cousin is a little ghost. She looked at me and said: Brother, you are so stupid. I have known it for a long time. It is always wrong to solve the problem in extreme ways, and the punishment is the same as the wrong thing.The teacher taught us, do you only know now? For a while, I was speechless.
Children and adults see things from different angles. If you don’t want your child to say something wrong afterwards: I can’t help it. If I just do my own defense, please pay attention to it. Children should communicate and guide adequately.
Nezha can have the current box office is not without a target, of course it has its strength and a group of viewers who love it.
That's why the editor feels that the values output behind the explosions and the value orientation of the audience are becoming more and more "social" and "catering."
People nowadays are in a state of high pressure all the time, Nezha said: I can't help but my fate, who I am, no need for others to approve. It was also as a climax, roaring out the helplessness and resignation of modern adults.
But after reading what to do and what to do, there are a few who think about the current life, jump out of fate, and resist life.
Today’s modern people’s circle never lacks these alarming chicken soups, but it uses images to express that a prejudiced person receives the teasing and arrangement of fate, and shouts loudly: My life is up to me. No need to be recognized, I live more like a person. The pictures and lines like
have a strong sense of substitution for the audience. Everyone feels that they are talking about who they are now, and they seem to roar their own voices. The editor of
thinks that a good movie is to let the audience have a strong sense of substitution, to find a trajectory that overlaps with themselves, and to trigger thinking about life.
is written at the end:
The good and evil we understand, the life and setbacks we experience, should be closer to the ideal, rather than blindly following the trend, otherwise sooner or later we will lose our judgment and become The slave of the era
