"Dancing Storm" is a song and dance/reality show film directed by Hong Xiao and starring He Jiong/Shen Peiyi/Shen Wei. It has carefully compiled some audience's film reviews from the Internet. I hope it will be helpful to everyone.
"Dancing Storm" film review (1): Overall it's not bad
don't know how these people choose, but there are powerful and general, the comparison is particularly obvious (I feel that the difference is still there for amateurs). I don't know how the judges gave it, but it must be up to my own taste. I think Li Xiang and Liu Jia are really amazing! When Li Xiang danced like a fairy, he looked lighter overall. Liu Jia's modern dance choreography is quite good, which suits my own taste, with strength, skill and emotion. Looking forward to the works after the two of them.
"Dancing Storm" Film Critic (2): Haokan
"Dancing Storm" is a top young dancer competition show launched by Hunan Satellite TV. The program selected the best and most representative dancers from professional art schools, troupes, and dance studios at home and abroad to enter the TV selection, and the dancers who led the new power of Chinese dance were born. The show is full of youthful positive energy and has a strong viewing ability. The show creatively adopts space-time condensation technology. There are 128 cameras on site for 360-degree real-time observation of all dance performances, which freezes the moment of the storm, and brings unparalleled visual confrontation to the audience. New shock.
"Dancing Storm" film review (3): The stage of pure dancers
is quite shocking, especially during the storm, to pay tribute to all dancers. From the host Mr. He to the production team to the selection of contestants, they all reflect this excellent word. After watching the first issue, I look forward to future development. I always have a respect for the dancers. It has been a lot of hard work and professional life is very limited. Even the top dancers don't seem to know their names. I once saw the words of an UP master "You dance very well, then you go to dance with you. You dance very well, then you go to dance with very good people", it is quite heartbroken. This variety show allows outstanding dancers to have a stage to show themselves and let their names be known to everyone. I think it is very meaningful.
"Dancing Storm" film review (4): The audience is too noisy
Actually the show is quite good, I also like this theme very much. It’s just that the audience in the audience is too noisy, whether it’s really amazing or not, the audience in the audience is "wow" and "ah", which completely affects the audience in front of the TV (only me) watching TV mood. So give 3 stars in the first installment. In the impression of
, there have been few pure dance variety shows in recent years. There is "Dancing Youth" ("Dancing Miracle"?) in the distance, and "This Is Hip-hop" a little closer. From "Sound into the Heart", "Singer", "The King of Masked Singer" ... all of a sudden I think of music programs. "Dance Storm" is a pure dance program, and there is no restriction on dance types. Although you may not consider the technical points of each dance type so much, you may pay more attention to whether it conveys the emotion that the dancer wants to express. Because there is no restriction on dance types, I feel that it is actually quite big. I will continue the
storm moment. At first I thought it was a few random moments to show. I saw the show last night and realized that it was an established moment of action. Personally, it’s a pity that one action cannot represent the entire dance, right?
To make up the word count, I write and write.
"Dancing Storm" film review (5): Using one action to judge the dancer's quality is an insult to dance.
As a dancer who started dancing at the age of four like Li Xiang but is not as good as his, I think this show is good "Storm Time" fully reflects the Chinese audience's superficial understanding of dance-"jump high", "hold steady" and "beautiful". No single action should be separated from a complete dance, and it cannot be the criterion for judging a dancer, and there is no need to take it out and appreciate it alone. The most touching thing about a dance is the feeling it brings to the audience. It is the dancer's mention and sink, the ups and downs of the music, the soft sound of the floor when it hits the ground, the flying of the clothes pendulum when it rotates, and the brightness of the eyes. Together, it is the complete dance. Dance is not a superb technique, a steady lift, these are so dry compared to a whole performance.
If the setting of "Storm Time" is only an evaluation of skills, then why not require everyone to jump to a combination of skills?
Compared to the previous dance shows where Venus was in,The show seemed amateurish, and the judges did not always give sharp comments, but exaggerated the praise. The reaction from the audience and behind the scenes was also reminiscent of the audience of "I'm a Singer". The performance time for dancers in "Dancing Storm" is a bit short, and meeting good dancers will make people feel unsatisfied, and it does not give them enough space to play.
is also about the relationship between dancers and dance idols, whether they can become each other. Faced with this level of appreciation of the general public, if professional dancers (referring to graduates from professional colleges) want to become idols, it means giving up and compromising their own aesthetics, or simply not acting or singing as dancers.
finally said something off topic. Although we have to have a tolerant psychology towards diversity, in my eyes different dance styles are different. Ballet requires more stringent basic skills than street dance, and has higher requirements for figure than street dance. It has a deeper connotation and a longer history than street dance. Then why can't it be said that ballet is a dance worthy of appreciation more than street dance?
"Dancing Storm" film review (6): The storm is coming
Hunan Satellite TV will best combine entertainment and professionalism to seek balance and produce programs. Dance Storm is such a product. Using movements to freeze frames to become the highlight moments of dancers is the way this show adapts to this era to "spread" dance. The long tail effect of
dance is much lower than that of music, so the dance must have a bright spot to capture the audience in just a few minutes. Therefore, the use of highlight moments in Dance Storm, as a promotional card for supporting dances, dancers, and programs, is very easy and effective to use a high-tech and dazzling performance technique to produce visual impact on ordinary audiences and even spread.
street dance can easily bring passionate happiness to public spaces. In recent years, as hip-hop culture has entered the public's field of vision from the underground, and the street dance culture spread by variety shows such as "This is Street Dance", street dance has become the most popular dance style among young audiences. Although hip-hop aesthetics often pursues "stage explosion", this is a very single and thin aesthetic perspective, which is very unfair to dance art, but the addition of hip-hop in the show can radiate the audience’s attention to other dance types from point to surface. Hope It can realize "be rich first drives wealth later".
In the dance categories, classical dance, modern dance, ballet, and Latin dance, these dances all have an appreciation threshold, but it does not mean that the audience has no spiritual demand for appreciation of these dances. From the most obvious level, classical dance and ballet emphasize the body curve lines to express the language of dance. The first sensory impression is the dancer's posture image. Shen Wei and Shen Peiyi also emphasize the dancer's physical condition. The vitality of masculine power expressed by Zhu Fengwei invigorated the spirit, and the agile mimicry performance of Meng Qingyang's music and dance poem "The Chicken Rooster" is fascinating. For the judges of the four groups of
, Peng Peng Dahua is to attract young audiences. As an idol factor, their votes can also be seen as the feelings of the audience outside the threshold of dance. This group of yearning brothers has a sense of variety and is a bright spot to increase the degree of interest in the show; Teacher Yang Yang mixes in dance variety shows all the year round, personal emotions will be exaggerated, inciting audience emotions to resonate, creating gimmicks in the early editing of the promotional film. I know very well what materials the lens needs to make, and can capture the lens very well. Mr. Shen Wei is respected as a professional leader. The requirements of dancers are fingertips. The audience can learn how to appreciate dance works from a professional perspective through his comments. The
judges always claim that dancers can also become idols, but idols can never become dancers. The word "Dancer" is heavy and requires hard work behind the scenes. Indulging in fame and fortune is an illusion barrier on the way to dancers. As a show dedicated to spreading dance culture,
must first ensure that its audience is large enough to further polish and cultivate the audience's aesthetic appreciation of dance. The storm is on its way.
"Dancing Storm" film review (7): Return the stage to the dance, and leave the imagination to the audience.
is very happy to see a similar variety show dedicated to dancers for the first time since "Dancing Miracle".
A top traffic platform + a group of top young dancers in the industry. It's hard to say that it will become a phenomenon-level variety show, but it must be inevitable.
judges and dancers: Let the keyboard man shut up
as a talent show, without background manipulation of the results, the judges have the absolute right to decide. Therefore, the level of judges must make the audienceThe masters are convinced, at least they have to be well-known in the industry.
Talking about the judges, the middle two belong to the rigorous group, Yang Yang can be classified as the moving group, Heng Hechang is more responsible for the active atmosphere, balance the age, and expand the audience of the program with the first three teachers. If one of the audience said, Heng Yuchang is a layman who doesn't understand dance. Don’t forget, this show is essentially a draft rather than a professional game. Needless to say, Dahua's musical attainments needless to say. Peng Yuchang's nomination of the Golden Horse actor to compete on the same stage with the old opera bones can be regarded as young and promising. Aside from the variety of performances, the language of the performers has a certain commonality.
As for the dancers, as we said at the beginning of the program, the contestants have been selected nationwide before recording, and the finalists are all online. Music audition shows can still fool the audience through late tuning. Although the live broadcast will still reveal the truth, the final result still does not affect the attention that has been generated. Here is a critique of a major factory’s music program this summer. There is no post-adjustment for dance talent show. At most, editing is used for trimming, which does not affect the audience's judgment on the dancer's performance.
dance pays attention to basic skills, and talent is second. Without two brushes, the mango station did not dare to directly use it to feed the audience. The cost was too high. Therefore, the level of participating dancers guarantees the competitive nature of the show. The specialization and diversity of the judges can also bring more chemical reactions.
storm moment: compromise and helplessness
dance and singing competitions are close to homogeneity; no matter how fancy and innovative the form is, it still has to return to the performance of the contestants themselves. The so-called "Punchline", whether arranged or choreographed, must serve the performers. The innovative "Punchline" of "Dance Storm", that is, "Storm Time", is more of a micro-innovation for TV audiences, rather than a performance for dancers. It is difficult for
not to associate the freeze-frame moment of the storm with the sponsor’s flagship model. The program group has to do it right, the placement of advertisements is understandable.
Innovation is certainly a good thing, but the effect shown is a bit trivial. I myself have reservations.
Of course, there are a thousand Hamlet for one thousand readers. "Storm moment" can be understood as, for example, emotional outbursts, skill display, physical breakthroughs, and so on. It is "Punchline", and it can only be the former.
Audience interaction: the biggest failure
cinema to watch movies, before the start of Longbiao, in addition to cinema advertisements, there are movie-watching tips, such as banning shooting, making loud noises, making calls and other bad behaviors. Those who violate it are all pretending to be ignorant. This is a quality issue. In the program, the experience of watching live is completely different from the experience of recording and broadcasting. Those who don’t know have no intention, and cannot be kidnapped morally. But when the live audience can watch a complete episode online, they will definitely be thinking about the live audience, damn it! **!
So, when the entire episode was finished, when the online audience was just getting ready to watch a performance, the offline audiences repeatedly shouted at intervals, destroying the integrity of the work and the audiovisual experience. The audience under the stage of
was a failure, but the root of the problem was recording the radio.
National Comprehensive Production: There is no essential difference between just being the narrator
forcing input values and imposing prejudice with others.
The common problem of most national comprehensives is that they express their desires too directly and ignore the possibility of the audience's self-discovery and imagination.
only tells stories, not storytelling. The former is completed by the creator, and the latter is refined and explored by the audience.
When the creator begins to explain his creation, the audience "no longer exists".
Therefore, leave the stage to the dance and the imagination to the audience. In order to show the vitality of creation.
"Dancing Storm" Film Critic (8): Dance variety show, but also to develop the level of dance appreciation.
Mango Channel definitely has a set of variety shows, so I will take a look at new shows, worrying about missing good shows, and I am very much looking forward to a show that will give me a sense of surprise by accident, such as "Sound into the Heart" The first season of the Meixi Lake stirring meeting.
"Dancing Storm" is a variety show about dance. In fact, I am looking forward to it. I hope that it will open a door to ordinary audiences to appreciate dance, like "Sound into the Heart", to meet professional dancers and learn about different things. The charm of dance.
The first stage of the competition system is 50 dancers to compete for 36 promotion places, there are threeA professional judge and two non-professional judges. The three professional judges are well-known international choreographer Shen Wei, Chinese dance drama performance education leader Shen Peiyi, senior dance television program producers Yang Yang, Liu Xianhua and Peng Yuchang. Among them, Liu Xianhua and Peng Yuchang represent one vote, so the contestant needs to get 3 votes out of 4 votes to qualify for success. In the first issue, the attitude and personality of the five judges were very clear. Teacher Shen Wei is very strict and professional. He has strict requirements on the details of the dancers. Because the basic skills of the dancers are not solid and the movements are leaky, he generally does not give votes. He is the strict teacher of the professional judges. .
Teacher Yang Yang is as excited as a young man. Basically all dancers (shown on the current show) will give votes, and then use various modifiers to praise and encourage the dancers. She is the professional judges who are good old people.
Teacher Shen Peiyi is between Shen Wei and Yangyang. Sometimes she is as idiotic and excited like Teacher Yangyang, and sometimes she sees the flaws of dancers dancing. She is not sure, it is a swing ticket among professional dancers.
Liu Xianhua and Peng Yuchang, like most of the audience, are laymen, so they adhere to the principle of "watching the dance and watching the excitement", and they must give votes to everybody, because they have no standpoint and do not give votes. As laymen, they can see good or bad. However, it is easy to be attracted by external things, and it is also difficult to accurately express what is good and what is bad. For dancers, their evaluations are not convincing, and it is the same for audiences. Liu Xianhua's role is to gag, and sometimes play a violin; Pengpeng basically has no right to speak, not as good as the presence of the audience on the sidelines. In the first episode of
, the whole story was strung together by teacher He’s monologue, creating a documentary atmosphere, very awkward! Teacher He’s voice is too familiar to everyone, and it is very easy to play, but in fact, the show team is making up for the lack of transition, a kind of uninnovative performance. This is like a one-man show by Mr. He. In the show, Mr. He was given a lot of reaction shots, exaggerated expressions, like Mr. He as a bystander, watching the dancers' performance, and finally concluded, is it a kind of film? sense? ? The biggest problem with
is that the laymen have too many reaction shots, even depriving the audience of their reaction. The loud shouts and applause of the female audience at the scene, the overreactions of Liu Xianhua and Peng Yuchang, the exaggerated reactions of Mr. He, and even the reactions of some dancers are all overlapping!! These reactions should have been left to the audience in front of the screen. Let us feel and applaud. When the reaction of the people on the screen is ahead of the reaction off the screen, it basically steals the reaction of the audience off the screen. I can only feel no waves in my heart, and it is very numb. The above four reactions are all very consistent. They are all "good", "wow" and "excellent". In fact, what I want to hear most is the mutual comments between professional dancers, how do they evaluate from a professional perspective, etc. They can There are compliments and derogations, as long as they explain the reasons, they can accept it, so that the audience will know more about dance and will be more interested in watching the show. The problem of overreaction of
is the same as the problem of which program! "Singer", Hong Xiao Studio is really unexpected. So far, not much information has been collected, and it is not clear whether the program team has hired professionals as consultants, because the feeling of the first period is very hodgepodge, and basically very little professional knowledge of dance, or science popularization Row. These connotations are the beginning of the audience's respect for the dancers and their understanding of dance, and they are also a shortcut for the entire program to be forced to improve. The professional output of the entire program can only be achieved through the words of Teacher Shen Wei and our simple feelings about dance. For a beautiful art, of course, the more you understand it, the more you like it, and the better you are. It is very sad that the program team is concerned about the lack of this aspect. Currently there are three favorite performances:
1, Zhang Yifan and Fu Hongyi's "Light Chaser" is as shallow as me, the little girl is so beautiful. There is a gentle temperament, and there are wizard-like jumps. Especially when he stretched his head out at the beginning, and then turned around the shoulders and necks of the male dancer, this action was a bit shy and innocent. This action design is awesome!
2, Li Xiang's "Walker": Classical dance Li Xiang's dance is so beautiful, light and powerful, moving clouds and flowing water, like a dynamic painting. I was watching him repeatedly for a minute, but in fact, there were a lot of technical moves on the side of the show. It feels that other dancers may not have so much professional skills and didn't pay much attention to the technical tips next to them.
3, Zhu Fengwei's "Don't Be Afraid": Modern and contemporary dance His dance has a wild atmosphere, and this work has a sense of story, it is especially easy for the audience to feel what he is expressing, it is a different kind of temperament. like very much. I like it because it's special.
Everyone likes the dancers very much, but I hope that the program group will better present more dancers, more beautiful dances, and not overwhelm the guests. Looking forward to the next issue.
Jumping Fish Notes:
"Dancing Storm" Film Review (9): Nine points are scheduled, as long as the program group is in trouble
Since its popularity, Hunan Station seems to have found such a niche art promotion + selection of variety shows. After watching the first episode of Li Xiang's hot search on Weibo, I booked it in nine minutes. It feels like it will become a topical variety show like the sound into people's hearts. The biggest highlight is that the contestants are not only well-versed, but also very professional. People who don't know much about dance can also intuitively feel the beauty of dance. But there are many shortcomings. Simply put, it is not enough to balance professionalism and draft topics, and forcibly add chicken soup to preach away from the variety show.
1 Player
must first praise the player. The core competitiveness of
in professional variety shows lies in the strength of the players. If the audience feels "Awesome!" after watching an episode, and can remember the names of several of the players, then the selection of this show is considered a success. The
dance storm did exactly that. The most impressive in the first episode are the full score players Li Xiang, Liu Jia and Zhu Fengwei. They have their own characteristics, but they are all exciting. I have already made up the script for these three people as the protagonists. The three martial arts masters fell in love and killed each other. It was very exciting to think about it.
First talk about the classical dance "Walker" by Mr. Li Xiang. It looks like wind wandering through the clouds without rush, like water gurgling in the mountains and forests, and finally like the silently flowing sand in the vast desert. The whole person is like a young man in white clothes who is astonished and graceful as a dragon. He clearly possesses special skills, like a cold and cold immortal, but there is a trace of sadness in his eyebrows, which makes people want to approach.
clearly has such a fairy air, even the name is "ideal" such a big and fluttering feeling, but the attitude towards dance is exceptionally down to earth, modest and rigorous, which is really admirable. People can't help but feel that the smooth and light beauty on the stage is caused by the pain and sweat behind them. You can gain as much as you pay. Efforts cannot deceive people. This is true for a person in any industry. Perhaps because of this, I can become a Grand Slam at a young age and lead the Spring Festival Gala.
Li Xiang’s former pick
Teacher Li Xiang looks really like Korean actor Lee Soo Hyuk. Dancing is so good and looks so handsome, I can be tired of saying three words.
Left: Li Xiang, Right: Li Soo Hyuk
If Li Xiang is the son of Pianran, then Liu Jia must be a suave, spiritual and wanton prince in the city. He appeared in a whirlwind accompanied by the sky petals raised by horseshoes, and his face was bright. There was still a wicked smile at the corner of his mouth. From time to time, she did some pranks but couldn't hide her aura. It caused the girls to shake their hearts. Then they shook their fans and laughed and rode away on the big black horse. Teacher Jia Haoyue simply expressed my heart, Teacher Liu Jia will stop exuding your charm, I am a little bit up. The essence of
man is all on the side. Teacher Jia Haoyue’s expression is myself.
Zhu Fengwei’s style is undoubtedly the kind of primordial power that comes to his face, full of raging vitality. It's like an eagle-like man from the grassland. His whole person is full of pride and simplicity, but still has the agility and sharpness of a beast, just like a hurricane can destroy your common sense and logic. When he played, my mind automatically sounded the battle drums of Prairie Humai and Lei Lei, the cold north wind and hot spirits.
has a really good figure.
and other contestants are also impressive, like Zhang Yifan, who is a fairy descended to the world, Meng Qingyang, who completed the chicken rooster on one foot, and two teenagers Hou Li and Zou Kaiyi, the funny and professional street dance group HiZam . Watching them gleaming on the stage naturally made us feel that the dance is really good. It is not only a kind of beauty, but also an expression and transmission of emotion. When the dancers and the audience resonate, the momentary beauty is enough to make us remember for a long time.
2 competition system and judges
competition system and judges part, I am about to start complaining. In the
overall competition system, all dance types are compared together, and the fate of the dancers is determined by the judges. Suddenly I thought of the dance talent variety show on NBC TV, World of Dance. Divided into children’s group, adult group and Qi dance group, each group has different dance players to compete together.Three mentors scored and finally selected a champion, giving 1 million US dollars. Look at the round stage that surrounds the audience, and the entering scenes of the players running out of the channel, the similarity is 90%. I don't believe in saying that there is no reference.
WOD's stage, Mango stage, WOD players enter the stage, Mango stage players enter the stage
So the whole dance storm gives me the feeling that WOD plus the distortion of Chinese sound (putting), the storm moment is probably their original, so repeat Emphasis is the highlight of the show.
Let's talk about this stormy moment of Mango Taiwan. From the perspective of the entire competition process, it doesn't really matter whether there is or not. The judges don't need this freeze frame to evaluate the dance. Because dance itself is a smooth process, it depends not only on the movement technique, but also on the emotional expression. Only after you have watched a piece of work can you have an overall artistic perception.
In my opinion, the moment of the storm is entirely for the effect of the program and the audience in front of the screen. The moment of the storm is equivalent to taking the technically difficult highlight to take a 360 panoramic screenshot. At the same time, it can also let the professional judges explain the action to the static picture and do science popularization (but I didn't find a lot of popular science). It is equivalent to simply and rudely putting difficult moves in front of your eyes, telling you directly, look, awesome! For audiences who have not reached the professional appreciation ability, this operation still has a certain effect. At the moment of the storm of
Li Xiang, the teacher was so kind to see that the setting of the four judges of
was reasonable, two professional teachers, one producer, and two traffic staff. The two professional teachers are very professional, and their positioning is to strictly require players, professional comments, and knowledge of popular science dance. Producer judges most of the time take on the role of moderator and conduct intercourse. But sometimes the judges are too much talking. The producer judges and Teacher Shen occasionally use too much force, which makes people feel a little deliberate, and the script is too heavy. Another strong feeling is that what I said is very similar to a high school Chinese composition. It is fake and empty. From time to time, I will come up with a sublimation sentence with a little question. It is not very grounded. Who wrote the table for the judges. I really want to tell TA my high school Chinese teacher. A word to us, composition should not be sublimated by force.
For example, after a scene of Zhu Fengwei’s stormy moment came out, the producer judges said, “Why is the stormy moment of our show a highlight? It is actually a test of whether our dancers are careful when designing a one-minute work.” I I only feel that the program group is telling the audience through the mouth of the judges: Our program group is very careful in designing this link, and it is for this purpose. Why do we use this stormy moment, can't our audience see it? And even if the fortress gave us a link to set the goal, it’s okay to make it more realistic. You do not use 360 surround cameras to show the dancer’s technical difficulty and degree of completion in detail, just to examine people’s carelessness? Can a camera shoot this kind of thing? Do something practical and don't come to this kind of illusory flicker, can you?
Zhu Fengwei’s storm moments
The most impressive thing is that when the Unqi Dance Troupe finally ended, the producer judges said, "Although you can’t shine on this small stage, I believe you can make more people feel you in the world. For your enthusiasm, I stand up and pay tribute to you. "I just told them that you are good, although you have been eliminated, I will continue to shoot videos in Chongqing when I go back. But this term, shine? Between heaven and earth? Stand up to show respect?
sums it up in one sentence, yes, but not necessary. I think
Henry and Peng Peng are very good on the contrary. Variety show is very conscious, easy and funny. When I see a good performance, I first look at the winks of the professional teachers and judges next to me. I push the ones I like, and I don't pretend to know them well. The people eating melons look very much like me in front of the screen. The most uncomfortable thing about
program editing is that when the audience performs a dance performance, as long as they make a little more powerful action, they will inevitably make a "wow" sigh, which is really annoying and affects the perception. Secondly, when the judges are considering whether to put or not, the audience will inevitably shout "push, push, push", just like a large-scale proposal scene forcing girls to agree to the crowd.
can create an atmosphere, but don't mess around. The last point of
is that the program group seems to always add some values and preaching to the interviews of the players and the comments of the judges. The chicken soup is too strong and embarrassing. . The competitor’s love for dance is reflected in the works and stories. It is necessary to pass on the spirit of ten years on stage for one minute and offstage. You can introduce the behind-the-scenes process of preparing the works for the contestants. There are so many judges.Saliva talk and preaching can be replaced by popular science on various dance styles and dance knowledge. If you want to reflect the personality of the contestants, edit more real-looking clips such as Miss Jia Haoyue’s fan performance, instead of letting the contestants say Some words that sound like scripts like he is great and I love dancing. What
variety shows do is to present and guide. You only need to present good stories and good art, and then believe that the audience has the ability to obtain information from the content. Rather than just telling you that the central idea of this paragraph is this, like high school Chinese reading, this part of our program group wants to express that. Good articles have become boring.
Tucao finished. Although there are so many problems with
, this variety show is still flawed. Or because the players are really gods.
are these dancers, and I think dance is really an art that more people love. It also made me discover how handsome people are who work hard for what I love.
