The National Day hit "Me and My Motherland", the calligraphy in the poster has a great background!

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"My Motherland and Me" released by

yesterday is based on the countless historical and classic moments experienced by the motherland since the 70th anniversary of the founding of the People’s Republic of China by the seven directors. It tells the touching and inseparable stories between ordinary people and the country. Chinese people all over the world remember it together.

If I want to ask which clip poke my tears, I can’t even answer it. It seems that I cried from the beginning to the end of the film. After watching it, I can’t calm down for a long time. I don’t know what to say about the choking. Be strong, behind that kind of strength is the hard work of hundreds of millions of people. The presentation of the name of the movie

The National Day hit 'Me and My Motherland', the calligraphy in the poster has a great background! - Lujuba

on the poster is very important. Therefore, many movie posters require calligraphers to inscription to highlight the style of the movie and bring appeal to the audience.

The National Day hit 'Me and My Motherland', the calligraphy in the poster has a great background! - Lujuba

movie can also be said to be on the poster before the first fire. The words “My Motherland and I” are unique and unrestrained, giving people a strong visual impact. According to the editor’s collection, I initially believe that the poster font is "Cuanbaozi Stele", but I still haven’t clearly verified it. I hope that the calligraphers will brainstorm and express their opinions. Which monument do you think the calligraphy in the poster should be used for?

The National Day hit 'Me and My Motherland', the calligraphy in the poster has a great background! - Lujuba

Today we will follow the editor to see that the calligraphy in the movie posters all come from... The title of the poster of "The Legend of the Demon Cat", which was screened at the end of the previous year, was inscribed by Zeng Laide, the vice president of the National Academy of Painting. His works were shocking the world. The use of pen and ink and composition to break through the conventions has a strong visual impact and aesthetic tension, and its calligraphy is in line with the fantasy color of the movie "The Legend of the Demon Cat"

"The Legend of the Demon Cat" Zeng Laide

The title of the "Golden Heist" Yang Zhongliang, a distinguished researcher of the Art Creation Institute of the Chinese Academy of Arts, writes that his book contains both the gentleness and elegance of the post school and the strength of the stele school. His calligraphy shows a kind of upright feelings and a frank and easy style. And this comedy and action film is positive Matching

"Golden Robbery" Yang Zhongliang

Lao Mouzi attaches great importance to the calligraphy art of the title, so he invited Ren Ping, a researcher of the Chinese Academy of Art, to write it. Ren Ping feels that the writing in seal script is more consistent with the theme of the movie. I have never used this font before. This is a bold attempt.

"Thirteen Hairpins in Jinling" Ren Ping

Chen Kaige and Jia Pingwa have been friends for many years. It is said that Jia Pingwa wrote twice before and after. The first time Chen Kaige felt that the writing was a bit too hard, so Jia Pingwa wrote it again. Although the word "Wuji" floods the screen, Jia Pingwa's original characters are only as big as a child's fist

"Promise" Jia Pingwa

The five words "Going a Thousand Miles Alone" are very heavy and simple, and fit the theme of the movie. The author Wang Delong, a veteran of movie poster inscriptions, "Hero", "Ambush on Ten Sides", "Taihang Mountain" and other movie titles are all inscribed by him:

"A Thousand Miles Riding Alone" Wang Delong

The words "Martial Arts" look dripping with ink. It's so heroic and chivalrous. It's hard to imagine that this is a woman written by the creator named Xu Jing. She has loved calligraphy since she was a child and loves lower case and running script

"Martial Arts" Xu Jing

Liu Dong respects Xuanzang very much, so he adopts The rubbing form of the epitaph is used to express the title of the film. The rubbings are created by the face of the regular script. The copy of the ancients highlights the heavy history and connotation of the movie theme

"Datang Xuanzang" Liu Dong

Lao Mouzi's "Red Sorghum" Wu San His ink momentum is like the King of Qin sweeps Liuhe, like a philosopher, and the ancient and modern are different. The "Red Lantern" and "The City Full of Golden Armor" are also inscribed by him

"Red Sorghum" Wu San

Japanese director Kurosawa Akira The title of "Chaos" was inscribed by the famous Japanese calligrapher Imai Lingxue. He learned the book from Ouyang Xun when he was a child and learned the strict rules of Tang Kai. Then he transferred to the Northern Wei Dynasty. The monuments were carved in strange, simple and romantic. Then Zhao Mengfu changed to eliminate the Northern Wei Dynasty. Xi made it return to peace and mellowness, and then broadened the divisions in the late Ming and early Qing dynasties

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"Chaos" Imai Lingxue

"Living" written by Wang Tianren, Associate Professor of Tsinghua Academy of Fine Arts, Qiu Caizhen, commented on the word "alive" on the poster. The pen is heavy and clumsy, simple and dignified, which matches the meaning of the film

It seems to have nothing to do with it, but art is interlinked. The aesthetics of art are everywhere. Good movies.The title of the film needs the art of calligraphy and the interest of the film to complement each other, through the external image, directly reach the inner soul and spirit

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