, like "On the Balcony", "Risk the Danger" will inevitably lead to a dualistic comment with strong contrast. In the final analysis, some people can accept this kind of "mutual harm", while others don't agree with it. They don't think that escaping from the class should be built on some kind of "harming chain for the weak."
"Cross Risk" is an action crime film produced by Black Ant (Shanghai) Pictures Co., Ltd., supervised by Cao Baoping, directed by Gan Jianyu, and starring Dong Chengpeng, Ou Hao and Li Meng. The film was released in mainland China on August 30, 2019. The film tells the story of Liu Xiaojun, a car repairer, who owes debts due to gambling and resells a black car in order to repay the money. He was accidentally involved in a child kidnapping case.
"Let’s Take Risks" is a typical academic film. Whether in terms of script layout, film structure, or image aesthetics, it embodies a distinctive academic style, which makes the film extremely "stable". The cause of the incident, The development, climax, turning point, and ending are all just right, the calculation is extremely accurate, and there are time division points visible to the naked eye. For academic audiences, "Let’s Take Risks" is definitely a perfect teaching film. The director’s use of the usual routines of crime films is also handy. The excellent structure of the film makes the film’s narrative process very smooth. On the look and feel, it is extremely refreshing and dripping, without procrastination.
However, for online film critics, "Risk" is too stable, lacking a sense of surprise, and the ultimate direction of the story lacks a sense of mystery, which can be easily penetrated. This is also one of the shortcomings criticized by contemporary domestic academic films. Most of the young directors come from academies, and they have done a good job of handling the structure of the film, but there are quite a lot of routine plots. For an extremely individual online film critic, they can guess the ending of a film. It is a great honor, a thing worthy of boasting, and it is also the "point of deduction" for a movie. Therefore, if a crime film wants to get a high score on the Internet, it must do the following: the turn is bizarre, the brain is open, the details are perfect, and it can withstand "multiple scrutiny."
In fact, there is no difference in the logical processing of "Risk". The details have been laid in place, and the "Mountain City" Chongqing has been used to complete the three-dimensional space of the film. The many chase scenes in the film are properly used. The natural topography makes the chasing space of the film expand. It is no longer monotonous one after another on the plane, but two more dimensions. On the other hand, this three-dimensional feeling is also reflected in the shaping of the characters. The characters appearing in the film are perfect in character shaping. Except for the police, there is no absolute distinction between good and evil. The protagonist can save a girl for "goodness", but at the same time he will fall into the abyss of greed because of evil thoughts. Yes, the two villains are full of evil, but in the mutual affection, they also reflect the kindness in human nature. Therefore, it can be said that good and evil are not important in "Going Dangerously". What is important is why you do it, for whom or why you are fighting for your life.
As mentioned above, every character in "Going Dangerously" is struggling for life, and each of their actions is based on their own goals. These goals are entangled and entangled with each other. In the end, everyone's throat was strangled, and only by fighting hard to get rid of this deadlock. And these people have a common characteristic. They are all small people at the bottom of the society. In other words, this is an elimination struggle within the class and a fight between the marginalized people in society. Maybe the director thinks Through this setting, the words of the two brothers in the film are expressed: "This society does not follow the rules, and the rich are the people." This adds a trace of sadness to the film and more or less reflects part of the social reality.
The protagonist steals the car first, then kidnaps it for money, and finally goes to jail. The second-hand car dealer for the money has eaten black gangsters twice, and is eventually shot. , The two desperado brothers murdered and set fire for money, and finally lost their lives. Until the end, everyone was unable to get rid of the "lower level" space. The film set up reasonable logical motives for everyone on the outside, or was out of greed. Mind, or out of the psychology of saving people, but in fact, through this layer of appearance, we can clearly understand that all this originates from their marginal identity: everyone is for money, everyone is for getting rid of In this cursed low-level space, everyone is to accumulate wealth and obtain the "key" to the upper class. Of course, everyone has failed. This is mourning, but it is also very realistic.
"Going Risky" this movieThe highlight of the film is that it creates a simple, crude and direct collision of fate. It uses multi-line narrative reasonably on the premise of laying out details and preset motives, and gradually converges all characters to various points in time. On the above, choose the means (character purpose) with strong appeal and make the appropriate combination to fill the symbolicity of the visual image and the logic of the inner meaning, and finally cause an emotional outburst. This outburst stems from the fact that this article brings everyone In the “weak chain of injury” of scars, the “2 million” in the film can only belong to one party, but everyone wants it. No one can abandon this desire, so inevitable, contradictions will arise from this, “the weak chain of injury” "It will become stronger on this foundation, and will eventually evolve into a life-and-death struggle. When money becomes a sign of social recognition, then naturally, the struggle to escape from class will become extremely absurd and bloody.
A shadow of a story, the world is fictitious and real
are all overwhelming winds and rains, books and words can be used to deal with worries
