The Thai movie is big enough, the coat of horror film, the core of comedy film, the ending is moved to tears

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has forgotten since when I fell in love with Thai horror movies. The overall style of Thai horror movies belongs to oriental horror movies. The difference is that Thai horror movies integrate their own religious beliefs and folk customs background, and the teaching meaning is more concentrated than simply seeking spiritual fantasy. Japanese and Korean horror series. Next, I will introduce a Thai funny horror movie "Ghost Man" with a less intense horror atmosphere.

looks at the name, a horror film that is properly done, and director Banjung Bisindana has directed the famous Thai horror film "Ghost". But less than five minutes after watching it, I was amused by the movie, but at the end I was moved to tears by the love between the male and female protagonists. It seems that Thailand is not only a big brain in advertising, but also in movies.

The Thai movie is big enough, the coat of horror film, the core of comedy film, the ending is moved to tears - Lujuba

On June 8th, 2013, "Ghost Husband" was officially released. The film was adapted from the Thai folktale "Ghost Wife". The starring role is Mario Maurier, Mr. Aliang from Thailand, and the heroine is my favorite Actress Devika Horne, to be honest, one of the important reasons I watched this movie is because of her.

is a Thai horror movie, "Ghost Man" continues the usual thriller and horror atmosphere, and incorporates funny and love elements, making the movie the top box office in Thailand horror movie. The beginning of the

The Thai movie is big enough, the coat of horror film, the core of comedy film, the ending is moved to tears - Lujuba

movie is described by the Bangkok Dynasty War, the beginning of the story. There have been a few actors who kill Matt. My God, this makes me admire the look of Thai movies. It seems that this kind of "shaking the world and crying ghosts" looks like only Thai directors.

saw the roar of artillery fire all around, broken walls, trees burned to charcoal, corpses all over the field, and the surface of the war was very realistic.

The Thai movie is big enough, the coat of horror film, the core of comedy film, the ending is moved to tears - Lujuba

just watched for three minutes and was poked into a laugh by the milky cry of the male protagonist. In addition, the four-person group of hilarious four was so shocking that Xiao Bian Sandy sighed, and the fashionable hairstyle really laughed in a second. As soon as the few people returned to the village, there was no one in the village where the group was posted. The director used the environment to render a horrible atmosphere, giving people a feeling of depression. After

returned to the village, Mai's eyes never left Xiao Nai. Coupled with the eyes of love dripping water, he likes to get into his wife's arms to find warmth. This is obviously a little milk dog who begs to be petted.

starts from the horror and gloomy, to the funny and humorous in the middle, until the end is warm and touching. The director handles the details very well, especially the storyline, logical clues, and characterization. It will let you watch the complete film and think that the ending should be like this, and they should be together.

Maiben has always firmly believed that after the war, he can live happily with his wife and children. However, there are always people in the village who say that his wife Xiao Nai is a ghost. Mai always refuses to believe it, but his partner has gradually discovered that Xiao Nai is wrong.

They finally confirmed that Xiao Nai was a ghost. They always believed that people and ghosts had different ways. They wanted to tell Mai the truth and let him leave Xiao Nai, but they were always blocked.

I feel that this is the difference between Chinese and Thai people's concept of love. In Chinese thinking, humans and ghosts are two opposite angles. Most horror films must end up in artificial costumes.

The Thai director Banjung Bisindanagang has given us a different definition: as long as there is love, whether it is a ghost or a human, it can break the worldly conventions and embrace each other through the vast sea of ​​people.

is like a sentence I saw on the Internet many years ago: I love you not because of who you are, but because of you in front of me, the person I love deeply. Mai Mai said: "I am afraid of ghosts, but I am more afraid of not being with you." The climax of the

movie is in a temple. When Xiao Nai knows that he can't be with the person she loves, Xiao Nai has Since we can't love each other in the world, then we will be a ghost couple together, and then when we pinched a pair of pale, long hands to wheat, when she saw the teardrops on wheat cheeks, she was still softhearted, she did not want to see herself My lover is sad, "Honey, don't cry. I just want to be with you all the time."

In addition, through watching this movie, I feel that the biggest inspiration for me is about the concept of love and marriage in my heart.

I feel that the environment we live in today is full of impetuous, noisy, and full of pursuit and loss of reality. Those who have reached the age to talk about marriage, but for various reasons, some have no boyfriend or girlfriend, some just Holding hands, not familiar with each other, some are not yet married, some are even married. In fact, we all know in our hearts that we still want to have a home, no matter how hard and tired.

But for various reasons, the two never got together.

​​Looking back at the heroes and heroines in the movie, one person and one ghost, they all came together because of their love. I think the purpose of the director of this movie is not only for the high box office, but also to make more young people. People can see clearly that in the current environment, there are still some people who insist on love and are persistent for love.

We should not pursue too much external material conditions. We should pursue all kinds of external constraints. In fact, if two people are together, just love each other. The marriage view that the director wants to teach us, or to advocate, is an obsession with freedom, romance, and conflict with the world. I am afraid of ghosts, but I am even more afraid of losing you.

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