The story of "The Torn Man" started when the actor was rejected on the bed. After being rejected, he went to the bar to drink and met a woman who liked him, but when he went to the woods, he rejected the woman’s kindness. It seems that this bald head He's still a serious man...but because of this, he was caught by alien creatures, and the story fell into a cliché. On the contrary, the deepest feeling is that the woman is terrible. I shudder when I saw the heroine thrust a plank into the throat of the living dead, especially the determination that finally said to the husband of the opposite sex that I love you but suddenly pulled out the awl and poked it over. So the conclusion is: please don't believe in eternal love. When the environment or situation changes, your partner may kill you!
"Invasion of Darkness" can be called the "Horror Movie of the Year" in 2005, because it is full of new power for the old horror movies, although it follows the old "space of despair" that is most common in American horror movies. Mode, but it is not like ordinary horror movies, only using horror bursts to connect the whole movie. It respects the narrative tradition of melodrama, so that the whole story is distributed with dense suspense and details. The horror movie is made like a female thriller version of "Saving Private Ryan" (joke). It tries to stimulate the fear and survival instinct of several ordinary people to the greatest extent in the desperate situation, and the bold actions of all the protagonists of the female line strengthen this effect.
"Van Helsing" as a vampire movie introduces the oldest vampire Count Dracula. The appearance is not handsome and beautiful, but it uses the combination of the most vampire-like bats and people to make the vampires fly. Reasonable explanation. Although it doesn't look so beautiful, it fits the shape it has positioned itself. The scene design of the whole film is very suspenseful, the Gothic style castle and the vampire style are in harmony. It is said that vampires have actually added many elements. The origin of vampires, werewolves, hunters, religions, Frankenstein, resurrection, love, fantasy, suspense, etc., will tell the story more abundantly, and add key tips at critical moments to attract the audience to follow. It is not blindly speaking, little by little. It seems that the story has a lot of content but it doesn't give people the feeling of filling. Judging from the central content, this film focuses on the theme of resurrection. Van Helsing’s restart, a new understanding of werewolves, the exploration of the essence of vampires, the completion of the mission of the family... From the perspective of the film’s style, mainly fighting, the protagonists are a bit Chinese and European in their clothes and living environment. Age, in line with the background time of the story. The fight is the highlight.
The opening of the film "Underworld" is full of expectations for those familiar images: old castles, authentic, gorgeous evening clothes and bursting brutality. Combining the charming nobility of vampires and the unruly primitiveness of werewolves, the film is destined to be a pure Gothic movie. The director did not let us down. The basic structure of "Romeo and Juliet" is more in line with the melancholy and deep atmosphere in the film. The emotional development of the heroes and heroines Michael and Selene is like the wheel of history. It is cycled and has substantial progress: following the plot in the transformation of discovery/valuation, conspiracy/betrayal, and unveil the final curtain. I personally feel that most of the Gothic movies have more form than content, and there are not many good works that are truly fascinating in terms of plot. The audience is easily dazzled by the rich atmosphere. Sometimes even because of the atmosphere, the interpretation of the plot itself is diluted and included in the process of recreating the audience in charge. The biggest highlight of this film is: being able to tell a self-justified story in a full atmosphere. It is precisely because of this that the narration of the story in Gothic style has a philosophical significance.
