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reported on December 5 that was introduced by China Film Group, distributed by China Film Co., Ltd., produced by Northwest France, and translated by Shanghai Film (Group) Company Shanghai Film Studio. "Di Lido's Fantasy Paris" has been officially announced to be released nationwide on December 21. Recently, there has been good news that excited movie fans. The director of the film, Michel Oslow, will visit China with his works. What kind of French romantic feelings and surprises this animation master, known as the French national treasure-level animation master, will bring to Chinese fans has become a topic of expectations and hot discussions among audiences.
Passing joy in cultural differences
Michel Oslow spent most of his childhood in Guinea, West Africa, where he completed elementary school. After returning to France for a few years of practice, he made his debut when he launched his first animated series "Gideon", and then successively created "Legend of the Poor Hunchback", "Four Wishes", "Kirigu and the Beast", "Azul and Ah". Classic animation masterpieces such as "Smar" and "Night Story", and have won some major international film awards such as the Cannes Film Festival, the French Caesars Award, and the Berlin Film Festival, establishing his status in the international animation industry in one fell swoop. This time, he brought "Di Lili's Fantasy Paris" during his exclusive visit to China. He also won the Best Animation Award at the 44th Caesar Film Festival and was shortlisted for the Best Animation at the 22nd Shanghai International Film Festival Golden Goblet Award.
may be due to the influence of living in a foreign country during his childhood. Master Oslow’s animation works are always full of tolerance and praise for the integration and symbiosis of different ethnic groups and the diverse cultures. The presentation of the African style in the "Chirigu" series of animations, the transnational friendship between French and North African youths in "Azur and Asmar", and the Paris of the mixed-blood girl Dilili in "Dililly's Fantasy Paris" Adventures and so on are all his reflections and reproductions of the interaction and collision of foreign cultures. In this kind of fusion and collision, he uses his keen and innocent eyes to find emotional resonance in the differences in customs, and builds a bridge of soul in the cultural gap, thereby bringing the audiences around the world the touch and thinking about truth, goodness and beauty, and also convey Everyone can empathize with the happy news.
in the style of innovation in the same frequency French romantic
master Oslow's animation style, has always been unique. Today, when animation technology is becoming more mature and major commercial animation works are becoming more physical, he has always insisted on using purer and uniform colors to draw character images, and using color collisions and contrasts to create more intuitive personality characteristics and emotional conflicts. , It is breathtaking. In his new work "Di Lili's Fantasy Paris", color magic is once again applied to the extreme. The character "color cards" are all available, which can present a rich character map to the audience. On top of the
style, he has never stopped expanding the boundaries of his imagination. "I can finally make a movie with Paris as the background!" This is his eager anticipation for "Dilly's Fantasy Paris"! In order to present the grand scene of Paris in the golden age, he uniquely used a large number of real scenes to present the architecture, scenery and art scenes of Paris, supplemented by the two-dimensional characters under the three-dimensional design, presenting a special environmental atmosphere. Let the audience walk between the virtual of animation and the reality of Paris, and truly experience a magical animation effect. In addition to technical innovation,
has continuously enriched his ideas in the presentation of stories. "Di Lili's Fantasy Paris" is full of his childlike innocent imagination: the insistence on justice and courage, the emphasis on gender and racial equality, and the yearning for the golden age of Paris are all eased in his elaborate plot. Slowly laid out, one can't help but be immersed in it. During this visit to China, he will also bring more details and ideas about the film.
(responsible editor: Du Jiayue_NK6020)
