The mountain that Li Rengang cannot climb, Wu Jingjing will reach the top. When the first trailer of "The Climber" appeared in the pre-screening commercial, I already knew what I would expect this fall. From that moment on, I waited. At the end of the world’s top, I saw Wu Jing and once again fixed the pride of the Chinese in the light and shadow that will not be mottled by time.
Unexpectedly, when the film was released, the negative reviews of "The Climber" were overwhelming. The focus of questioning is concentrated on the two abrupt lines of emotion that director Li Rengang does not understand national conditions and imposes on the main line of the film. In the context of such a grand narrative, the bluntly inserted emotional clues are like moving flowers and trees on a cliff, hardly sending charcoal in the snow and icing on the cake, putting together an embarrassing flower arrangement in the snow.
I really want to say to the director: not all emotions require love to sublimate. Sometimes, a group of men with iron bones will bring tears and blood to the country. You have conquered this world, but this world is unknown. This is heroic and loneliness that belongs only to heroes. Wu Jing and Zhang Yi insisted on the helplessness and stubbornness behind the heroes, portraying them as if it were their own lives.
In thirteen years, some people have missed their beloved ones, and some people are used to waiting. When the opportunity to prove themselves came again, fortunately, they did not give up. This time, there is no reason to miss it, regret it, and be questioned again. The ancients said: one blast, then decay, and exhaustion. But in front of Wu Jing, as long as the mountain is there, he can, once, twice, three times, forward, forward, forward. Climber, this is a role that only Wu Jing can play, because in the ice and snow, only wolves can survive.
Wu Jing once again interprets the Chinese people's stubbornness and indomitableness with his unique fortitude and tenacity; once again, with actions that only he can complete, he completes the only possibility among all impossible. A friend said that this is a film with a low content of Beijing, but I want to say that he has used his own power to support a film with inherent flaws to the maximum extent of the character interpretation, and it is enough to be acquired. Masculine. Remove unnecessary lines of emotion. The
film has many remarkable points: Zhang Yi’s emotional tension makes people always have a kind of gushing catharsis waiting, as if every look and every line can be just right to become an emotional release point; Wu Jing demonstrated to the players The training moves are easy to do, which makes people feel at ease, as if the wolf is here, and will surely fulfill the mission; Zhang Ziyi, in the face of the glory and love of the motherland, chooses to fulfill her lover at the cost of death and serve the country, although the plot arrangement is sensational. , But it is also moving; there is also Jing Boran's sacrifice to become a benevolence, and Hu Ge's unforgettable original intention, which makes people respectful!
Maybe the director didn't give a 100-point story, but please believe that every actor gave a 120-point role! I believe that they have all used their most sincere attitude and professional spirit to complete their tribute: salute to the hero! Tribute to history! Tribute to the motherland! At the end of the film, when the Chinese climbers headed by Wu Jing erected the world's highest five-star red flag, the daughter sitting next to me suddenly said to me in a surprised voice: Dad, that uncle, is a wolf! Yes, child, it is the wolf!
