for "Send Me to the Blue Clouds", eventually stopped at the nomination and was one step away from the actress.
and her husband, Cao Yu, won the best photography trophy with "The Legend of the Demon Cat". Yao Chen under the stage of
seemed more excited than Cao Yu himself. The joy and excitement of Yao Chen at the moment when he announced the award was beyond words. After Cao Yu came on stage, Yao Chen also held a cell phone with tears to record the moment. The host of
also specially cue to Cao Yu, the son-in-law of Fujian (Yao Chen is from Fujian, and the award ceremony was held in Xiamen, Fujian). After
thanked the relevant personnel of the crew, Cao Yu specially thanked Yao Chen: "Although you are not so lucky to win the prize, you always love acting, and this love has always inspired me."
is warm and sweet, with mutual respect in career and mutual support in life .
This Golden Rooster’s "Best Dog Food Award" is your couple!
Of course, both the photography in "The Legend of the Demon Cat" and the performance of Yao Chen in "Send Me Up to the Clouds" are all worthy of a special book.
Western Horizons and Eastern Aesthetics
"The Legend of the Demon Cat" won the photography award, which has the aesthetic value of "Integration of Chinese and Western" .
Cao Yu himself mentioned that because photography is imported from the West, photography academies will use Western paintings as training materials, and "The Legend of the Demon Cat" gave him an opportunity to relearn the golden blue landscape of the East .
finally combines the traditional Chinese golden landscape with the western three-dimensional light and shadow .
The famous painter Chen Danqing has repeatedly mentioned that the three-dimensional composition from the West is very different from the more one-sided aesthetics of the East, and it is often difficult to reconcile. This is undoubtedly a huge problem for movies that set the background in ancient times.
and the nominated films such as "The Legend of the Demon Cat" and "Shadow" seem to be answering this question.
"The Legend of the Demon Cat" is magnificent in color, reproducing the flourishing age of the Tang Dynasty, with floats painted on floats, brightly lit, singing everywhere, talking and laughing, and beauty like flowers across the clouds ; while "Shadow" seeks not in the almost black and white ink expression. The same color aesthetics. Whether
is awarded or nominated, it is very inspiring to the "Oriental aesthetics" in the sound and color of the video.
A breakthrough in the dilemma of middle-aged actresses
In fact, in the nomination for Best Actress of the Golden Rooster Awards, Yao Chen also has a " invisible honor ". Also nominated for
is Ma Yili, "Find You". The scenes of Ma Yili and Yao Chen in
"Find You" are very heavy, which is the type we usually define with double heroine .
Ma Yili plays the role of a helpless and unfortunate woman at the bottom, who pays her marriage wrongly, and lives with her severely ill child alone. In extreme despair and helplessness, she hates the role played by Yao Chen. In the
play, Ma Yili’s daughter couldn’t afford the hospital fee and was kicked out of the hospital. The glamorous Yao Chen family moved in with the child. After her daughter’s death, Ma Yili entered Yao Chen’s house as a nanny with ulterior motives and abducted the child. The
film has a lot of perspectives on women's marriage, parenting, and career difficulties. The heart-to-heart and emotional performance of the two mothers is also very moving.
Ma Yili was nominated, which is also an honor for Yao Chen.
In addition, "Send Me to the Blue Clouds" Yao Chen is not only the heroine, she is also the producer of this movie .
Although some of the remarks before the film was released made the male audience feel very offensive, although the film’s box office performance was very unsatisfactory, "Send Me to the Clouds" is very appealing.
Although the degree of completion may not be so high, and although the presentation of the results does not mean the expression of the vision, the film has a very distinctive posture of asking women's identity and life value.
In the general career dilemma of middle-aged actresses, Yao Chen handed over "Everything is Good" in the TV series. In the film, he was nominated for performance awards and got involved in movies as a producer. His performance was quite remarkable.
This is a resolute rejection of the single narrow aesthetic of "girlyness".
In the past many years, Yao Chen and Ling Xiaosu's past grievances were once the focus of attention.
Now Ling Xiaosu and his wife participate in husband and wife filesIn addition to the emotional observation variety show, many old factors have been repeatedly mentioned again.
Instead of obsessing about who was right and who was wrong in the past, instead of dying "girly", it is better to be a "middle-aged" actress with more space.
is more brave, more pursuing, and more capable of becoming the next best heroine in his career.
