A few days ago, the 32nd Golden Rooster and Hundred Flowers Film Festival officially kicked off, and the organizing committee officially announced that starting this year, the Golden Rooster Award will resume its annual selection. This has been 15 years since the 2005 Golden Rooster Award was changed to two years.
In addition, the "Star Ocean Actor Project" proposed by the Golden Rooster Award has attracted the attention of the audience. The program is recommended by senior domestic filmmakers, agents, and experts, and 32 young Chinese filmmakers with the most potential are selected, aiming to support Some outstanding young actors and young actors who can be shortlisted will naturally also enjoy better resources.
"The sea of stars, dreams have the power of their own dreams. Looking up at the imagination of the galaxy, we set sail."
, a passionate tune of "The Sea of Stars", sang the new journey of Chinese movies.
also announced the 32-person list that night. The counterparts to the list of recommended actors are recommenders. Most of them are well-known insiders, which is equivalent to the model of seniors supporting younger generations. The starting point of the plan
is a good one, in order to enhance the rising star in the show business and enhance the cultural appeal.
Then why are these actors recommended to enter this "preferred" project? The
plan has several features that make people wonder, I can understand after the post-90s election. But it can be seen from the list that this plan attaches great importance to the academic school, but the wild school or natural school is not favored?
and it can be seen from the list that this plan attaches great importance to the network. The finalists are not all selected by acting and popularity, but they are more or less "relationships" with the recommender, some are cooperative, some The other is the relationship between the boss and the employee.
For example, the post-90s star Zhou Dongyu, who has the highest achievement in the film field, has become the C position in this plan, and her recommender is Zhang Yimou, who made her popular.
and Chen Xuedong, who has been criticized for his acting "facial paralysis", was recommended by the great director Liu Weiqiang, and they co-operated in the movie "Wulin Monster".
Chen Duling was recommended by Su Youpeng. It is necessary to know that the heroine of "Left Ear" that Su Youpeng made for the first time as a director was Chen Duling. The two have deep connections.
Chen Feiyu is the son of Chen Kaige. His recommender Tian Zhuangzhuang and Chen Kaige have a good relationship, and the three of them also collaborated on the "Day Meteor" segment in "My Motherland and Me".
Dong Zijian's own acting skills are good, and his mother is the gold medal agent Wang Jinghua in the circle, his recommender Jia Zhangke is a well-known director in the circle, plus Dong Zijian and Jia Zhangke have cooperated in several movies, so it seems reasonable to be recommended? !
However, those recognized acting schools such as Zhang Zifeng, Yang Zi, Wenqi, Chunxia, and Peng Yuchang seem to have been selectively forgotten.
has even forgotten the powerful and well-known top players like Xiao Zhan, Wang Yibo, Li Xian, Deng Lun, etc. who have been popular in the past two years.
and the three TFBOYS Wang Junkai and Yi Yang Qianxi have all been recommended, so why not see Wang Yuan alone?
But just as news of Wang Junkai and Yi Qianxi’s recommendation came, Wang Yuan would go to the United Nations and attend a high-level meeting of the United Nations General Assembly to speak for children’s rights. As a member of TFBOYS, Wang Yuan's achievements in film and television works may not be as high as the other two, but Wang Yuan is definitely the most predictable in his contribution to social welfare.
I also wrote this about the charity contribution of Wang Yuan and Wang Yuan fans to the society, and it is in the article that fans should support. Those who are interested can go and see. These lists of
clearly tell the audience that these are resource coffees. Of course, some of them are also powerful, but more of them are unknown and do not comment. I am not going to evaluate the future. But as an ordinary audience, they only care about the results. If these people have eaten good resources but have not achieved success, it is estimated that the audience-
, in short, the future belongs to young people. The power of young filmmakers is increasingly manifested, and the future of Chinese film is looking forward to the participation of young filmmakers. And these people are still young, each in their teens and twenties, and they are flourishing, and the future is promising. Everything depends on acting and works!
