First of all, in the whole play, from beginning to end, there is not a complete bad guy, and there is no one in the whole play, who is upright and good. The beginning of the movie was quite joyful. Accompanied by an Indian song that I used to dance on Children’s Day when I was in elementary school, I hummed a few words along with it. Immediately afterwards, the scene shifted to a shop full of Indian sacred oils. The movie's protagonist Cheng Yong was sitting on a chair with his hair unwashed for weeks. Later I learned that he had just divorced and his ex-wife wanted to take the child and the current man to move abroad because he could not give his son the best life.
Although he doesn't think so, his own father needs someone to take care of him, and the landlord urges the rent every day, so his life seems to be in a mess. The reason for all this is that he has no money now. From the detail point of view, at the breaking point of each key plot, the protagonists showed extraordinary and true reflections, perfectly interpreted the inner activities of the characters, and added a strong sense of substitution to the film. Xu Zheng and Wang Chuanjun It also contributed to the most touching performance I have seen on the big screen this year.
In addition, most of the characters in the film are portrayed by the screenwriter as typical and not flat, full and authentic, as if they are ordinary people living around us, which undoubtedly shortens the psychological distance between the film and the audience, so We easily resonate emotionally. The actor Cheng Yong was just an ordinary citizen living at the bottom of the society. His life was awful and sloppy, completely inconsistent with the moral model setting of smuggling drugs only to save people, but in the end it happened to be such a dark side. Vanity but also empathic people harvested a wave of tears from the audience.
My social experience is still shallow, and I still can’t resonate well to the brilliance of the true and complex human nature making choices after struggling, but the love and hope in the film make me unable to control my overflowing emotions in my memories. The honest people in movies always give people an unexpected pain. The portrayal of the characters is not limited to templates, each has its own helplessness, and each has its own reason. In particular, the ending of Huang Mao looks very reasonable and heart-wrenching, but I cannot accurately describe what kind of personality Huang Mao is. Probably what the director wants to tell us is that this is a tragic character. In the
film, Cheng Yong, in the spirit of seeking profit, provides leukemia patients with cheap and effective Indian imitation Gleevec. People without personal experience will not realize that in the eyes of those patients, Cheng Yong is the god of medicine. The medicine god who saves lives, the medicine god who brings hope! Although Cheng Yong himself never thought so, the true gods were not self-appointed. Cheng Yong is a very real person, he is kind, and later he is willing to lose hundreds of thousands of dollars a month, in order to allow those leukemia patients to take the same medicine but the price is ten times lower, so that they can continue their lives.
But he is also selfish. His purpose at the beginning was not to help these people. Just like the Indian drug-buying boss said, "Do you want to be the savior?" "No, I just want to make money." He didn't. After thinking about so many things, he needs money, because his father also needs a lot of money for surgery. At this time, his ex-wife will also take her son to move to the United States because she feels that he cannot give her son a superior living condition. This is human, human nature, it is very complicated, it is difficult for you to tell the real purpose of doing something, but Cheng Yong is just like his name, he is brave.
