1. A magical movie, "Evil Does Not Suppress Righteousness" is simply the perfect irony.

Nietzsche once said that anything that can't destroy you will make you stronger. The opposite of justice is often evil, so what is evil? What is positive? Or it can be said that nothing is absolutely right or evil? One of the Beiyang trilogy directed by Jiang Wen, "The Evil Does Not Suppress Righteousness" tells the story of Peking on the eve of the outbreak of the Anti-Japanese War, revealing the influence of that special era on people with strong personal style and black humor. Gou Li's country lives and dies, how can we avoid misfortune? The plot of the film

is actually very simple. It is a revenge story that uses magical realism. Director Jiang Wen combines such a revenge story with the War of Resistance Against Japan in a special period, and satirizes the past to make the film extremely strong. Romance and critical spirit. "Evil does not suppress the right" is adapted from Zhu Beihai's original novel "Xia Ying", each character has its own shadow in history, with a personal heroism plot, full of male hormones, a lot of Beijing-flavored dialogue and satire. , Created a strong black humor and a postmodern style based on deconstruction. The director is good at using violent aesthetics, taking Li Tianran’s revenge as the main line of the story, taking the current mixed-race Peking as the background of the story, and using the big chess that Lan Qingfeng has played for more than 20 years as the reason for the story. See the big picture, tell the audience the heart of that era, and satirize some bad habits of the past and today.

is like the scene at the end of the film. Li Tianran stands on the eaves and calls to the distant Qiaohong. There is a clear sky, blue sky and white clouds on the eaves, and he can jump on the roof wantonly. And what about the bottom? It is war killings, unpredictable hearts and dark and cruel society, only endless intrigue. This is a period of the Republic of China where various forces are struggling, full of good and evil aspects of human nature, and full of complex emotions. Whether it is old or today, in fact, society is still the same, human nature has never changed. The editor is always looking for what he wants, always hesitating and shrinking. Just like director Jiang Wen’s other works, the editor still has to grow. Pursue freedom after wanton youth. Human nature is both good and evil, but the clear blue sky is what people have been looking for. Although Li Tianran, the protagonist of the

film, has a strange skill to avoid bullets, he has feared and withdrawn like ordinary people. He has no clear understanding of the world. He said to Lan Qingfeng, "You have not betrayed me, you have betrayed yourself." He is sad, because he is the only survivor, and he has to bear the blood and blood of vengeance. The dirty society has entered the youth world prematurely. in. In the era of the demise of the Qing Dynasty, the scrutiny of many countries, and social turmoil, there was a gap in education, and the children's thinking was affected. He gradually grew up under the guidance of two fathers and two women. Later, after Li Tianran lost everything and understood some truths, he started his own real life, escaped the mixed world of fish and dragons, put on a long gown and stood at the place closest to the sky. Other characters in the

film have also become tools used by the director to portray humanity. Although the director focuses on the portrayal of male characters, two female characters are also essential. Guan Qiaohong performed surgery to enlarge her feet, practiced guns, and opened a tailor shop. Like Li Tianran, she bears blood and deep hatred. She is a symbol of feminist affirmation. His advanced thinking helps Li Tianran grow up and also uses Li Tianran. In her bones, there is something rare in old women. The spirit of resistance is the humble epitome of Chinese women in the old society. There is a clear line in Tang Fengyi. At first, she was an ideal and humble woman who lived by relying on a man and made her own life a part of a man’s life. She looked for a certain kind of stable life, but her beauty became a tool. .

Later, she also wanted to escape, and committed suicide due to broken ideals. She was a representative of women in the old age. The out-and-out villain Zhu Qianlong deceived his master to destroy his ancestors, and was instructed by the master Lan Qingfeng to kill his master. In fact, he was also a tragic victim of the times and a tool used. Everything is the overall situation set by Lan Qingfeng. He insisted on resisting the Japanese and sent General Zhang to the Peace Hotel with his family and country in mind. However, he was also righteous and evil. He did not care about the consequences. He only had hatred and killing in his eyes. Victims of the times. The opening music of

has a sense of ritual, midway through the majestic atmosphere, melodious and elegant symphony and elegant opera to set off the ugly picture, such a bloody story of revenge and the romantic audio-visual style formed a sense of opposition. The film’s fast-paced narrative, dense lines of humor and wit, satirizes the Chinese people’s notion that the new and dislikes the old after the fall of the Qing Dynasty, and satirizes China’s changes in other people’s customs and habits,The place where Cao Xueqin wrote "Dream of Red Mansions" repeatedly appeared in the house where he eats, lived, and the bell tower, to explain that there is actually more than one in history, so human nature is also good and evil. The director has very personal feelings. The use of CG synthesis technology reproduces Peiping in the Republic of China, showing a very poetic and picturesque Peking. The use of audiovisual language leaves the audience with a lot of blank space and also gives the audience a good viewing experience. The

movie has a strong taste of Jiang Wen, and it clearly shows the influence of the special era on people. Such a movie reflects Jiang Wen’s self-world everywhere. He treats this simple story with pleasure and enmity while processing the complex complex. And ethereal, like a dream. It is like the rivers and lakes described by many martial arts writers, listening to the wind and rain by the building, and watching the rivers and lakes indifferently. And no longer lonely, life is like this, no regrets, no regrets.