On the evening of November 13, our TV series "The Soil of Hometown" produced in Hebei premiered on the CCTV TV Drama Channel. This TV series tells the story of the development of our rural area in Wuji, Hebei, and the Hutuo River Basin. Logically speaking, I, the editor, have already helped to promote it without any principles. However, the responsibility and conscience of a drama critic tells me that we should not avoid relatives when promoting talents, nor should we avoid relatives when criticizing. If the play is good, it is good, and if it is not good, it is not good.
At present, "The Soil of My Hometown" is not good. Its main problem is that the script is too old. In the past two days, there has been a joke on the Internet. A certain female screenwriter named Zhao was said by the management that the script was too old. Director Gao offended the management because of this female screenwriter and was kicked out. However, the female screenwriter was kicked out because she was not kicked out. Post a special Weibo post to celebrate. The issue of "the script is too old" is very noteworthy in the industry. This oldness is mainly reflected in outdated routines. This is also reflected in "The Soil of My Hometown" written by Tian Yunzhang.
The screenwriter Tian Yunzhang is from Wuji, Hebei Province. Writing Wuji stories is of course easy. In "The Soil of My Hometown", the villagers demand household quotas, and the male and female protagonists resist arranged marriages and want free love, etc., which all have the characteristics of the time and region at that time. However, these overall realistic stories, due to teacher Tian Yunzhang's outdated creative writing skills, caused the play to appear in a state of serious drama.
What are the number of strokes of Teacher Tian? During the plot time, conflicts are allowed to break out concentratedly, and the story of the play is told from the moment when conflicts break out, and the brewing stage of conflicts is abandoned. The superficial advantage of this outdated creative writing method is that the resulting TV series looks very lively, with so-called intensive conflicts, increased attractions, etc. However, it also has serious constraints, that is, for the sake of conflicts, A concentrated explosion, without hesitation to change the principles of truth and realism, making a large number of stories bloody. At the same time, this creative technique actually loses the storytelling nature of the story itself.
At this point, it seems that there is no need for too much argument. One look at the TV series "The Soil of My Hometown" and you can tell it's bloody. On the wedding day of the son of the village party secretary, the villagers grabbed the official seal, and the male protagonist's brothers went to grab the bride. One after another, old people fell to the ground because of "anger" and needed to see a doctor. After these conflicts appeared, they were too dense, and the screenwriter could not even find out the different states that different conflicts would inevitably produce. In the end, all conflicts were "some old man fell to the ground" to "relax" the rhythm. This is the inevitable bloody content brought about by outdated creative techniques.
But this is not the most deadly. The most fatal thing about this outdated technique is that it actually loses the storytelling of the TV series. Let's take the novel "The Romance of the Three Kingdoms" as an example. Why is this novel so good? Even after it was filmed and turned into a TV series, why did it look good? Because it knows how to weave conflict and focuses the narrative on weaving. The Battle of Chibi , this novel does not focus on the battle between the two armies, but on how the two armies prepare for the war and how they battle wits and courage.
By doing this, readers and viewers will have huge story expectations. The impact of this story will only be achieved if you have gathered your energy up front. If you look at the TV series "Romance of the Three Kingdoms ", there are very few scenes of real fighting, and it's all over with a bang. This approach actually looks good and makes the story more interesting.
Let’s go back to "The Soil of My Hometown" written by Tian Yunzhang. In this opening plot, what are the really interesting stories? The big plot of the household-based system, and the really exciting content, is that the villagers have united together to demand the household-based system, but the old party secretary still blocked it. Therefore, everyone began to act in private and began to plot to kill the old party secretary's son. The wedding day came and went straight to Huanglong. This conspiracy process is the most interesting, the most impactful of the story, and the one that provides a huge impetus to the development of the plot.
The big plot of free love, the real exciting content, is not about snatching a bride, fighting on the spot, beating drums, etc., but what preparations the hero and heroine make after they learn that the heroine’s parents have received a betrothal gift from the village party secretary . What preparations do the hero and heroine have from receiving the bride price to the wedding day? This is what best forms the expectations of the story.
On the other hand, in Lao Tian's "The Soil of My Hometown", the scenes such as eloping on the wedding day and hugging me are not only bloody, but also the male and female protagonists have no brains, no planning, and no sense of morality. For such people who have nothing to do, saying that they can succeed in starting a business in rural areas can only be the screenwriter's wishful thinking, and they no longer have the credibility of the character's characteristics. Teachers Tian Yunzhang's creative techniques are old, which has caused serious backwardness, and also caused the script to lack storytelling, the content is too bloody, etc. The problem of
is a common problem among a large number of Hebei film and television creators. Many film and television dramas produced in Hebei are exciting, like taking Western medicine. It was buzzing, buzzing, and lively on the surface, but it was very empty on the inside. The problem is that they only know how to focus on the moment of conflict, but they don't know how to show the powerful stories before the conflict. Excellent literary, film and television works, on the contrary, focus the narrative on the building up of energy, and the final conflict is resolved in one go. I would say that Tian Yunzhang's writing style is old. Luo Guanzhong is not older than Tian Yunzhang, but the techniques that Lao Luo knows are not used by Lao Tian. In fact, the level is still low, and it has nothing to do with age.
On the evening of November 13, our TV series "The Soil of Hometown" produced in Hebei premiered on the CCTV TV Drama Channel. This TV series tells the story of the development of our rural area in Wuji, Hebei, and the Hutuo River Basin. Logically speaking, I, the editor, have already helped to promote it without any principles. However, the responsibility and conscience of a drama critic tells me that we should not avoid relatives when promoting talents, nor should we avoid relatives when criticizing. If the play is good, it is good, and if it is not good, it is not good.
At present, "The Soil of My Hometown" is not good. Its main problem is that the script is too old. In the past two days, there has been a joke on the Internet. A certain female screenwriter named Zhao was said by the management that the script was too old. Director Gao offended the management because of this female screenwriter and was kicked out. However, the female screenwriter was kicked out because she was not kicked out. Post a special Weibo post to celebrate. The issue of "the script is too old" is very noteworthy in the industry. This oldness is mainly reflected in outdated routines. This is also reflected in "The Soil of My Hometown" written by Tian Yunzhang.
The screenwriter Tian Yunzhang is from Wuji, Hebei Province. Writing Wuji stories is of course easy. In "The Soil of My Hometown", the villagers demand household quotas, and the male and female protagonists resist arranged marriages and want free love, etc., which all have the characteristics of the time and region at that time. However, these overall realistic stories, due to teacher Tian Yunzhang's outdated creative writing skills, caused the play to appear in a state of serious drama.
What are the number of strokes of Teacher Tian? During the plot time, conflicts are allowed to break out concentratedly, and the story of the play is told from the moment when conflicts break out, and the brewing stage of conflicts is abandoned. The superficial advantage of this outdated creative writing method is that the resulting TV series looks very lively, with so-called intensive conflicts, increased attractions, etc. However, it also has serious constraints, that is, for the sake of conflicts, A concentrated explosion, without hesitation to change the principles of truth and realism, making a large number of stories bloody. At the same time, this creative technique actually loses the storytelling nature of the story itself.
At this point, it seems that there is no need for too much argument. One look at the TV series "The Soil of My Hometown" and you can tell it's bloody. On the wedding day of the son of the village party secretary, the villagers grabbed the official seal, and the male protagonist's brothers went to grab the bride. One after another, old people fell to the ground because of "anger" and needed to see a doctor. After these conflicts appeared, they were too dense, and the screenwriter could not even find out the different states that different conflicts would inevitably produce. In the end, all conflicts were "some old man fell to the ground" to "relax" the rhythm. This is the inevitable bloody content brought about by outdated creative techniques.
But this is not the most deadly. The most fatal thing about this outdated technique is that it actually loses the storytelling of the TV series. Let's take the novel "The Romance of the Three Kingdoms" as an example. Why is this novel so good? Even after it was filmed and turned into a TV series, why did it look good? Because it knows how to weave conflict and focuses the narrative on weaving. The Battle of Chibi , this novel does not focus on the battle between the two armies, but on how the two armies prepare for the war and how they battle wits and courage.
By doing this, readers and viewers will have huge story expectations. The impact of this story will only be achieved if you have gathered your energy up front. If you look at the TV series "Romance of the Three Kingdoms ", there are very few scenes of real fighting, and it's all over with a bang. This approach actually looks good and makes the story more interesting.
Let’s go back to "The Soil of My Hometown" written by Tian Yunzhang. In this opening plot, what are the really interesting stories? The big plot of the household-based system, and the really exciting content, is that the villagers have united together to demand the household-based system, but the old party secretary still blocked it. Therefore, everyone began to act in private and began to plot to kill the old party secretary's son. The wedding day came and went straight to Huanglong. This conspiracy process is the most interesting, the most impactful of the story, and the one that provides a huge impetus to the development of the plot.
The big plot of free love, the real exciting content, is not about snatching a bride, fighting on the spot, beating drums, etc., but what preparations the hero and heroine make after they learn that the heroine’s parents have received a betrothal gift from the village party secretary . What preparations do the hero and heroine have from receiving the bride price to the wedding day? This is what best forms the expectations of the story.
On the other hand, in Lao Tian's "The Soil of My Hometown", the scenes such as eloping on the wedding day and hugging me are not only bloody, but also the male and female protagonists have no brains, no planning, and no sense of morality. For such people who have nothing to do, saying that they can succeed in starting a business in rural areas can only be the screenwriter's wishful thinking, and they no longer have the credibility of the character's characteristics. Teachers Tian Yunzhang's creative techniques are old, which has caused serious backwardness, and also caused the script to lack storytelling, the content is too bloody, etc. The problem of
is a common problem among a large number of Hebei film and television creators. Many film and television dramas produced in Hebei are exciting, like taking Western medicine. It was buzzing, buzzing, and lively on the surface, but it was very empty on the inside. The problem is that they only know how to focus on the moment of conflict, but they don't know how to show the powerful stories before the conflict. Excellent literary, film and television works, on the contrary, focus the narrative on the building up of energy, and the final conflict is resolved in one go. I would say that Tian Yunzhang's writing style is old. Luo Guanzhong is not older than Tian Yunzhang, but the techniques that Lao Luo knows are not used by Lao Tian. In fact, the level is still low, and it has nothing to do with age.(Text/Ma Qingyun)
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