The three-part documentary "Mawangdui" jointly produced by the Central News Documentary Film Studio (Group), Hunan Museum and the Central Television Hunan Station will be broadcast on the CCTV Comprehensive Channel (cctv-1) at 18:00 from November 11 Each episode is 50 minutes long, totaling 150 minutes, and the mysterious face of the Mawangdui Han Tomb is clearly and vividly presented to the audience.
The three episodes of the film are "Xin Zhui's Feast", "Li Xi's Study", and "Li Cang's Government Affairs Office". Among them, "Xin Zhui's Feast" is visually based on a family banquet. It uses scene reproduction techniques combined with the display of cultural relics. It relies on the cultural relics about food, clothing, housing and transportation from the Mawangdui Han Tomb to show the life scenes, humanistic customs and social features of the ancestors of the early Han Dynasty; "Li Xi's Study" relies on the most eye-catching silk calligraphy cultural relics excavated from the Mawangdui Han Tomb to show the highly developed technological and cultural development level of the early Han Dynasty. Ping; "Li Cang's Government Affairs Office" focuses on the Han Tomb No. 2 that was last excavated and revealed in the Mawangdui Han Tomb, uncovering the most critical information code of Mawangdui, and while comprehensively showing the politics, economy, and culture of the early Han Dynasty, it formed The horse documentary "Mawangdui" is based on two time and space stations, one is the life scene of the Bianhou family more than 2,000 years ago, and the current story of the protection and research of Mawangdui cultural relics. The clues of actions of ancient and modern figures who also share the blood of the Chinese nation connect not only the vivid stories of the past lives of cultural relics, but also the inheritance and perception of history and culture by people today.
Make cultural relics come alive in historical scenes - each episode of "Mawangdui" recreates a historical scene, "Xin Zhui's Feast", "Li Xi's Study" and "Li Cang's Government Affairs Office", all related cultural relics are restored Arriving at this scene, all stories radiate from this scene as the starting point. By using CG animation, scene reproduction, 3D printing, etc., the cultural relics displayed in the museum are "copied" in the studio and entered into the scene of reenacting history. The stories behind the cultural relics and the narration of the characters' fate are intertwined, making the cultural relics in the original era The "aliveness" of the background and life scenes also makes the cultural relics more vivid, concrete and warm in the characterization and story telling.
So far, more than 4,000 experts have participated in the archaeological research on Mawangdui. The documentary part of this film focuses on showing the latest results of archaeological research in Mawangdui. In addition to the underground warehouse and research center of Hunan Museum, the film crew also visited the Unearthed Documents and Ancient Inscriptions Research Center of Fudan University, the Mawangdui Ancient Corpse and Cultural Relics Research and Protection Center of Hunan Province, Nanjing Yunjin Research Institute, Central South University , Beijing Many of the latest research results in the industry will be disclosed for the first time in this film from many research institutions such as the University of Science and Technology , including the latest glyphs that have never been seen together in silk book research, the earliest example of lacquer painting and oil decoration technology that has been verified by scientific and technological analysis, and the first use of The video records the work of protecting Xin Zhui’s remains in the Hunan Museum’s core cultural relics protection area. This is a re-examination of the archaeological significance of Mawangdui after the excavation of the Mawangdui Han Tomb shocked the world 50 years ago. The documentary process also reveals the spirit of rigorous exploration and continuous innovation of generations of archaeologists. This film focuses on their daily research and expresses the respect of the recorders - it is them who allow cultural relics to be constantly renewed through the dust of history, and it is they who make it possible to inherit the excellent traditional Chinese culture.
html The precious documentary images of the Mawangdui archaeological excavation 150 years ago are fully disclosed for the first time. From 1972 to 1974, the Central News Documentary Film Studio shot a total of 7 films with a total of 70 minutes of film material, recording Mawangdui I, II, and The entire process of archaeological excavation and research on Tomb No. 3, many of which are little known and undisclosed. This film is based on these historical image data and historical data of related eras. It is true and objective and at the same time a "travel" in time and space. 50 years ago, Central New Film used film to capture a stunning glimpse of the Mawangdui Han Tomb. Now, Central New Film once again used the lens to record Mawangdui 50 years after its excavation. The inheritance and preservation of the image have given Mawangdui another image. A vibrant way.The three-part documentary "Mawangdui" jointly produced by the Central News Documentary Film Studio (Group), Hunan Museum and the Central Television Hunan Station will be broadcast on the CCTV Comprehensive Channel (cctv-1) at 18:00 from November 11 Each episode is 50 minutes long, totaling 150 minutes, and the mysterious face of the Mawangdui Han Tomb is clearly and vividly presented to the audience.
The three episodes of the film are "Xin Zhui's Feast", "Li Xi's Study", and "Li Cang's Government Affairs Office". Among them, "Xin Zhui's Feast" is visually based on a family banquet. It uses scene reproduction techniques combined with the display of cultural relics. It relies on the cultural relics about food, clothing, housing and transportation from the Mawangdui Han Tomb to show the life scenes, humanistic customs and social features of the ancestors of the early Han Dynasty; "Li Xi's Study" relies on the most eye-catching silk calligraphy cultural relics excavated from the Mawangdui Han Tomb to show the highly developed technological and cultural development level of the early Han Dynasty. Ping; "Li Cang's Government Affairs Office" focuses on the Han Tomb No. 2 that was last excavated and revealed in the Mawangdui Han Tomb, uncovering the most critical information code of Mawangdui, and while comprehensively showing the politics, economy, and culture of the early Han Dynasty, it formed The horse documentary "Mawangdui" is based on two time and space stations, one is the life scene of the Bianhou family more than 2,000 years ago, and the current story of the protection and research of Mawangdui cultural relics. The clues of actions of ancient and modern figures who also share the blood of the Chinese nation connect not only the vivid stories of the past lives of cultural relics, but also the inheritance and perception of history and culture by people today.
Make cultural relics come alive in historical scenes - each episode of "Mawangdui" recreates a historical scene, "Xin Zhui's Feast", "Li Xi's Study" and "Li Cang's Government Affairs Office", all related cultural relics are restored Arriving at this scene, all stories radiate from this scene as the starting point. By using CG animation, scene reproduction, 3D printing, etc., the cultural relics displayed in the museum are "copied" in the studio and entered into the scene of reenacting history. The stories behind the cultural relics and the narration of the characters' fate are intertwined, making the cultural relics in the original era The "aliveness" of the background and life scenes also makes the cultural relics more vivid, concrete and warm in the characterization and story telling.
So far, more than 4,000 experts have participated in the archaeological research on Mawangdui. The documentary part of this film focuses on showing the latest results of archaeological research in Mawangdui. In addition to the underground warehouse and research center of Hunan Museum, the film crew also visited the Unearthed Documents and Ancient Inscriptions Research Center of Fudan University, the Mawangdui Ancient Corpse and Cultural Relics Research and Protection Center of Hunan Province, Nanjing Yunjin Research Institute, Central South University , Beijing Many of the latest research results in the industry will be disclosed for the first time in this film from many research institutions such as the University of Science and Technology , including the latest glyphs that have never been seen together in silk book research, the earliest example of lacquer painting and oil decoration technology that has been verified by scientific and technological analysis, and the first use of The video records the work of protecting Xin Zhui’s remains in the Hunan Museum’s core cultural relics protection area. This is a re-examination of the archaeological significance of Mawangdui after the excavation of the Mawangdui Han Tomb shocked the world 50 years ago. The documentary process also reveals the spirit of rigorous exploration and continuous innovation of generations of archaeologists. This film focuses on their daily research and expresses the respect of the recorders - it is them who allow cultural relics to be constantly renewed through the dust of history, and it is they who make it possible to inherit the excellent traditional Chinese culture.
html The precious documentary images of the Mawangdui archaeological excavation 150 years ago are fully disclosed for the first time. From 1972 to 1974, the Central News Documentary Film Studio shot a total of 7 films with a total of 70 minutes of film material, recording Mawangdui I, II, and The entire process of archaeological excavation and research on Tomb No. 3, many of which are little known and undisclosed. This film is based on these historical image data and historical data of related eras. It is true and objective and at the same time a "travel" in time and space. 50 years ago, Central New Film used film to capture a stunning glimpse of the Mawangdui Han Tomb. Now, Central New Film once again used the lens to record Mawangdui 50 years after its excavation. The inheritance and preservation of the image have given Mawangdui another image. A vibrant way.Text/Beijing Youth Daily reporter Xiao Yang
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