On November 11, the TV series " rival " was updated to episode 6. This TV series only has 16 episodes in total. However, it has been broadcast to the 6th episode, and the heroine Zhu Zhu has not yet appeared. By the way, which other TV series can achieve the goal of airing a third of the plot before the heroine has yet to appear? "Enemy" obviously set a precedent for "the heroine appears later". It's outrageous and its father opened the door for outrageousness. It's outrageous as hell.
However, what is even more outrageous than the fact that the heroine never appears is that the latest plot content actually creates a tough twist. In the sixth episode of "Enemy", the young male protagonist's team locked the physical address of the criminal and led the team to arrest him. After a fight, the young male protagonist team captured the overseas criminal, escorted him to the police car, handcuffed him, and took him away.
It stands to reason that this overseas criminal is already an "online person". Catching him means that by following the clues, this overseas criminal gang can be wiped out. However, something outrageous happened. The criminal escaped in the police car while being escorted by the police car. The content of the picture shows that the criminal was placed in the middle of the back row and was escorted by two staff members in the back row. There was no room for escape. But under this situation, he was able to unlock and escape easily.
There are at least three of our well-trained professionals on this police car responsible for escorting. Their fighting ability and adaptability must be one in a million. Even so, the handcuffed criminal in "Enemy" can still escape easily. Faced with such a plot, can the audience still believe that this is a realistic national security-themed TV series? Isn't this criminal from Hollywood? He got his start by playing a superhero, right? Even if Iron Man is here, he still has to lie down in our police car, right? He actually escaped easily.
When we review this plot, we may feel that this is slandering the escort ability of our staff? In fact, there is no need to rise to such a height. The emergence of such a plot makes the audience question its rationality. This is itself caused by the very limited creative abilities of the screenwriter and director. A truly qualified TV drama script needs to be self-justifying, and any reversal of the plot needs to be reasonable.
Like in "Enemy", the key criminals escape and achieve it in the most unreasonable way, which itself is a manifestation of the poor creative ability of the screenwriter. Similar problems exist on a large scale in the TV series "Enemy". For example, in the country's highly confidential scientific research institutions, where cameras are densely covered, criminals can actually escape through the sewers. This itself is just a random fabrication by the screenwriter. Under the dense sky net, no trace of the criminals can be found, which shows how ridiculous it is.
Even worse, criminals can escape through the sewers, but they are unable to take out confidential documents when they escape. This is also an international joke. He even ran away, but he actually left the key things behind. This in itself creates false suspense and false reversal, thereby injecting water into the subsequent plot content. A 16-episode TV series has to be filled with such water, which shows the weakness of the script of "Enemy".
Similar problems are still widespread in "Enemy". For example, the male protagonist played by Liao Fan has been working undercover for eight years from "something happened" to going undercover, and it turned out that he was just trying to catch a few people smuggling overseas. The key point of his undercover mission was to go to the border to rob a farm. By the way, if this farm is really so important, why did the male protagonist have to go without an undercover agent for eight years? Our staff could have easily taken it down long ago. In the past eight years, I have achieved nothing. Even though we have people and no shortage of comrades, we can't waste their youth like this.
So, I am still watching such a terrible TV series. Why? Just waiting for Zhu Zhu to appear. After the heroine appeared, I saw what kind of role it was and chose to abandon the drama.For a TV series with an inadequate script, no matter how good the actors are, it is useless. Script, script, the basis of a play. The only thing our TV drama producers don't pay attention to is the script.
On November 11, the TV series " rival " was updated to episode 6. This TV series only has 16 episodes in total. However, it has been broadcast to the 6th episode, and the heroine Zhu Zhu has not yet appeared. By the way, which other TV series can achieve the goal of airing a third of the plot before the heroine has yet to appear? "Enemy" obviously set a precedent for "the heroine appears later". It's outrageous and its father opened the door for outrageousness. It's outrageous as hell.
However, what is even more outrageous than the fact that the heroine never appears is that the latest plot content actually creates a tough twist. In the sixth episode of "Enemy", the young male protagonist's team locked the physical address of the criminal and led the team to arrest him. After a fight, the young male protagonist team captured the overseas criminal, escorted him to the police car, handcuffed him, and took him away.
It stands to reason that this overseas criminal is already an "online person". Catching him means that by following the clues, this overseas criminal gang can be wiped out. However, something outrageous happened. The criminal escaped in the police car while being escorted by the police car. The content of the picture shows that the criminal was placed in the middle of the back row and was escorted by two staff members in the back row. There was no room for escape. But under this situation, he was able to unlock and escape easily.
There are at least three of our well-trained professionals on this police car responsible for escorting. Their fighting ability and adaptability must be one in a million. Even so, the handcuffed criminal in "Enemy" can still escape easily. Faced with such a plot, can the audience still believe that this is a realistic national security-themed TV series? Isn't this criminal from Hollywood? He got his start by playing a superhero, right? Even if Iron Man is here, he still has to lie down in our police car, right? He actually escaped easily.
When we review this plot, we may feel that this is slandering the escort ability of our staff? In fact, there is no need to rise to such a height. The emergence of such a plot makes the audience question its rationality. This is itself caused by the very limited creative abilities of the screenwriter and director. A truly qualified TV drama script needs to be self-justifying, and any reversal of the plot needs to be reasonable.
Like in "Enemy", the key criminals escape and achieve it in the most unreasonable way, which itself is a manifestation of the poor creative ability of the screenwriter. Similar problems exist on a large scale in the TV series "Enemy". For example, in the country's highly confidential scientific research institutions, where cameras are densely covered, criminals can actually escape through the sewers. This itself is just a random fabrication by the screenwriter. Under the dense sky net, no trace of the criminals can be found, which shows how ridiculous it is.
Even worse, criminals can escape through the sewers, but they are unable to take out confidential documents when they escape. This is also an international joke. He even ran away, but he actually left the key things behind. This in itself creates false suspense and false reversal, thereby injecting water into the subsequent plot content. A 16-episode TV series has to be filled with such water, which shows the weakness of the script of "Enemy".
Similar problems are still widespread in "Enemy". For example, the male protagonist played by Liao Fan has been working undercover for eight years from "something happened" to going undercover, and it turned out that he was just trying to catch a few people smuggling overseas. The key point of his undercover mission was to go to the border to rob a farm. By the way, if this farm is really so important, why did the male protagonist have to go without an undercover agent for eight years? Our staff could have easily taken it down long ago. In the past eight years, I have achieved nothing. Even though we have people and no shortage of comrades, we can't waste their youth like this.
So, I am still watching such a terrible TV series. Why? Just waiting for Zhu Zhu to appear. After the heroine appeared, I saw what kind of role it was and chose to abandon the drama.For a TV series with an inadequate script, no matter how good the actors are, it is useless. Script, script, the basis of a play. The only thing our TV drama producers don't pay attention to is the script.(Text/Ma Qingyun)
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