"Alley People" I have entered the "half-following" state, and the progress bar only stops for Huang Ling and Song Ying. Even on the verge of giving up, in the scene where Huang Ling and Song Ying said goodbye last night, Yan Ni and Jiang Xin acted so well, and every detail of the

"Alley People" I have entered the state of "semi-watching the drama", and the progress bar only stops for Huang Ling and Song Ying.

Even on the verge of giving up, in the scene where Huang Ling and Song Ying said goodbye last night, Yan Ni and Jiang Xin acted really well, and every detail of their expressions touched people's hearts.

There is no doubt that these two people play well, but compared with Yan Ni’s stable status in Qingyi, Jiang Xin is always fighting an invisible "Qingyi" defense battle.

Tsing Yi goalkeeper in the drama industry

Anyone who knows the industry knows that both the audience and the industry habitually classify actresses in the drama industry into major categories, such as Hua Dan and Qing Yi. These words originate from traditional opera, but have gradually evolved to adapt to contemporary meanings.

Hua Dan is what we often call big flowers and small flowers. It mainly refers to their appearance and the roles they play as they grow up. Most of them are traditional film and television drama heroine types.

As for Tsing Yi, she is generally a serious and majestic female image. When she is introduced to the drama circle, she is often referred to as a "serious drama" professional. From this, the Hua Dan face and the Tsing Yi face are also extended. This is another topic of discussion.

The boundary between the two is actually not that clear, and even the differentiating dimensions vary depending on the conditions.

The most obvious example is Sun Li. She also acted in many idol dramas when she was young. It is not without commercial value because of her beautiful appearance. It can be said that she is a leading actress.

But as she gets older, she goes further and further towards the great Tsing Yi, and the roles she plays become more complex. With the support of awards and works, she is now basically firmly in the T0 ranks of Tsing Yi in the drama industry.

Although actresses in the Tsing Yi category rarely take the popular route, they are not like Hua Dan fans who fight every day, but it is not impossible.

Every once in a while, there will be a ranking of several major domestic entertainment actors in Qingyi. The selection from 8-13 has been uncertain. Actors like Sun Li, Qin Hailu, Yin Tao, Yan Ni are stable. The ones at the front, but the ones at the back are always changing again and again. The most obvious example of

is that Jiang Xin and are awkwardly in a "keeper" position.

Some people are going to say, Jiang Xin, who needs a role and a role, and business capabilities and business capabilities, why does she just come to the door?

Yes, for most viewers, Jiang Xin is definitely a good actor. Although she is not a major, she has her own representative role at every stage.

When she first entered the industry, she started playing supporting roles in various dramas. She was an 18-year-old Bei Diao. When she was the youngest and most beautiful, she acted in Zhang Jizhong's version of "Dragon". Mu Wanqing directly made her famous in the industry.

Later, the banshee in "Xian 1", Lu'er from Seven Fairies, and the snake demon in "Strange Stories from a Chinese Studio" were not the protagonists, but they also had enough face at the stage where they should have their faces.

is not just a costume drama, she also acted in urban dramas and period dramas in her early days. She played the beautiful and capable urban elite Jiang He in "Love in Sun Moon Lake" with Ruby Lin, which can almost be regarded as an early version of Andy.

Later, at the age of 28, she met her own life role, which was the Concubine Hua in "The Legend of Zhen Huan". Everyone knows how much this role affected her career.

Unfortunately, "Hua Fei" had poor luck in awards, and was not nominated for any of the three major drama awards.

After "The Legend of Zhen Huan", Jiang Xin went on to act in a bunch of lesser-known dramas, including ancient puppets, urban emotions, and era themes, but the results were mediocre. However, Qiao Yue in "Old Farmer" got Jiang Xin nominated for Best Supporting Actress in Magnolia.

The director of this drama is Zhang Kaizhou, and the two collaborated ten years ago.

Until 2016's "Ode to Joy", Fan Shengmei completely left the industry. I don't need to say how much this role was discussed at the time, until 8 years later. Now, this character has even become a type of female pronoun.

It was also Fan Shengmei who made Jiang Xin nominated for Best Actress in Magnolia and Feitian for the first time. This was the closest she got to the three awards.

But at that time, Sun Li won Feitian with "That Year the Flowers Bloomed and the Moon Was Full", while Magnolia went to Yin Tao from "Chicken Feathers Flying to the Sky".

A meeting in Qingyi

After that, Jiang Xin’s resources were obviously much better, and her subsequent roles were basically in urban dramas and period dramas. Until this time, " Alley People " once again demonstrated her excellent business ability.

html The two-person drama is so representative, why are you still the Tsing Yi goalkeeper in the drama industry?

Jiang Xin’s two shortcomings

Actually there are only two shortcomings that make Jiang Xin unable to sit firmly in the TV drama industry. Her acting career can be seen above: One is the lack of the three major awards, and the other is the lack of verification (that is, the lead role) the absence of works).

Although the credibility of the three major awards has dropped a lot due to their own problems and some frivolous actions, Jiang Xin’s opponents are not the 85 flowers with a similar age, but the backbone of the drama circle, the Tsing Yis.

At this time, the three awards have become a so-called entry threshold and a recognition indicator of business capabilities in the industry.

In fact, if you have to count them in detail, you will find that Jiang Xin has basically played a small supporting role for those big Qingyi people.

Jiang Xin’s old acquaintance Sun Li, in "The Legend of Zhen Huan" and "The Legend of Mi Yue", Jiang Xin gave She played a supporting role, the only difference is that Concubine Hua is more outstanding, and Ju Ji is equivalent to a cameo; "Ode to Joy" is a group portrait of women, Liu Tao and Jiang Xin were both nominated for Best Actress, but Andy's role was played by five people Do you have any objections to the core group?

The heroine in "Little Shede" is Song Jia, and this time in "Alley People", the heroine is Yan Ni.

These Mesozoic Tsing Yi players basically have one or more three major awards, and Yin Tao is even on the way to the second Grand Slam.

In total, there was only one supporting actress nomination, and Jiang Xin, who was nominated for two heroines, was indeed stretched.

Let’s digress here. Jiang Xin’s luck in winning prizes is indeed average, and Fan Sheng is the best. Last year, she lost to Yin Tao, Sun Li, and Song Ying from "Alley People". Next year's awards season opponents will be Song Jia from "Mountain Flowers", Ma Yili from "My Altay", and Yan Ni from the same drama has not even been counted. , the chance of winning has been reduced by at least half.

did not win any awards. In fact, it was somewhat affected by the second reason, the lack of main works.

has already reached the Qingyi column of the Mesozoic Era. Who doesn’t have a few representative characters that can be used? There is no such thing as a role that lasts a lifetime, it is all about stabilizing one's status by performing in one drama after another.

Whether he can be the protagonist of a drama and whether he can act well and carry the drama at the same time has become a key assessment item for Qing Yi at this stage. Jiang Xin is also missing out here. She does not have a drama in which she is the heroine independently, and the quality and popularity of the drama are equal.

Although things like coffee positions sound illusory and ethereal, and can only be glimpsed in the order of seats at every prestigious event, it is actually very important. It represents part of the positioning of you as a person in the industry.

Why do ancient puppet s+ works on big platforms have to find traffic flowers? Isn’t it because they value the popularity of traffic flowers and their ability to bring dramas. Similarly, in the serious drama circle where Tsing Yis compete, there is also a distinction between superior and inferior. If you do not have the experience of being a heroine and have a representative work before you, the possibility of being a good heroine will be lower.

It’s not like Jiang Xin has never been a heroine in her works, let’s just talk about the past two years.

She and Qin Hao have acted together in the urban life drama "Little Man's Life". The drama is a popular theme in recent years. How middle-aged couples deal with real-life problems, and the highly discussed topic of second children + housing in a school district, and the co-stars are also poor.

This drama is not serious to say, but it is not out of the circle. It has a mediocre reputation and eventually became a mediocre part of middle-aged and middle-class anxiety dramas.

Urban dramas are not good. The spy drama "Stalker" co-operated with Xiaoming is a fake couple model similar to "Insidious", but the reputation and effect after the show was aired can only be said to be ten points different from "Insidious" "Storm Chaser".

dramas are so-so. This is not to say that these are all the problems of the female lead. It’s just that Jiang Xin’s path to Qingyi’s advancement is really short of a starring work that can take her to the next level.

Jiang Xin's thoughts on breaking the situation

In fact, Jiang Xin's problem is not just Jiang Xin's problem, it is a common problem for actresses in the drama circle who are in a similar situation to her.

They basically all have excellent professional skills. They started acting from small roles, one step at a time. Controlling a character is not just a three-pointer, but you can control it with your hands. Once you encounter a character with room for interpretation, you can also exert an effect of 1+1 greater than 2.

has been up and down in the drama industry for more than ten or twenty years. It’s not that she hasn’t had good opportunities, but sometimes she just loses a bit of luck. This year’s Liu Lin made me feel like this. She is always short of awards.

Let’s just say they are in trouble. They are not short of filming, and they can receive teams and productions that ordinary actors can’t dream of. And although they are not as good as theirs, they have nothing to lose in terms of audience popularity and reputation.

But they are satisfied with this. If they really have the ambition to be actors, they do have problems to overcome.

Let’s not talk about the illusory benefits, just talk about the drama. Who of Qingyi people at this level doesn’t want to get the best work from the platform and the company? However, only a few books like this are released in a year, and the first ones to be handed over after they are released are also the best actors.

So what they are facing is a bottleneck period of choice in their careers.

chooses to maintain the status quo, so he will continue to film while maintaining his professional ability and not stretching his hips. As he gets older, the range of roles he chooses will become smaller and smaller. Occasionally, he will work in big productions, but at least he will survive a period of comparison. A career period of stable output.

If you choose to go for it again, you should be more aggressive when choosing a book, give up some conventional comfort zones, and take appropriate risks when choosing a role.

But this is also risky. If you choose the right one, it will be Song Jia's "When the Mountain Flowers Are Blooming", and if you choose the wrong one, it will be Hai Qing's "I am a Mountain".

In addition, there is another way to solve the problem, which is the "human nature" that we are more familiar with.

Awards can work, and the team can be saved by oneself. Those who have the ability and courage, such as Jia Ling, can directly jump from comedy actress to female director, change the track, and create another world.

However, the difficulty and risk of this answering direction is the greatest among the three options. It is not recommended for actors without "foundation" to try it easily.

To put it bluntly, in this circle, actresses always face more professional pressure than male actors.

The rules of casting in the industry are not a secret. The major platforms have more and more say. They have long been determined by the director and production company, and has gradually become a platform decision.. Actresses like Jiang Xin will not be the first choice heroines in platform S+ dramas to a large extent, which adds obstacles to her path to receiving good books and winning awards. Just because

is not the first choice does not mean that she has no choice at all, it is just "relatively speaking".

Of course, we have to trace the origin of this situation. The main reason is that the entire production process is more traffic-oriented and youth-oriented. There are only a few books and teams suitable for Tsing Yi every year, and there is not enough to divide the pie.

Therefore, Jiang Xin and others have broken the situation. In addition to personal ambition, if more female creators can appear in the industry to explore some avant-garde themes and productions for Tsing Yi and mature audiences, only actors and the industry can be promoted. Better ecological development.

e sister’s conclusion

The actresses in the expensive circle, whether Hua Dan or Qing Yi, basically follow a fixed pattern of fighting monsters and upgrading.

From a small supporting role in a small production, to a small supporting role in a big production, to a heroine in a small production, and then to a big heroine in a large production, the film industry is testing the waters. Once you make a mistake somewhere, you have to go back to the previous stage and start again. (Except the resource guys). This pattern is even more obvious in today’s traffic florets.

It is difficult for them to reach the top of a drama like male actors, and they will be given many opportunities to try and make mistakes. Therefore, the junior students are not as good as the little ones, the green students fight and twist into twists, and the middle school students are also stable and happy. In this case, actresses are destined to work harder to move up, and sometimes, luck is indeed more important than we think.

If the role of Concubine Hua is put into the past few years, the "effective transformation" brought to Jiang Xin may be much more than before, but time is also destiny, fire and explosion are both a kind of metaphysics, who knows that she is now Isn't it possible that every step taken well and solidly will pave the way for the next summit?

At least my simple wish is that every actress with strong professional ability can wait for her own role as "Hua Fei".