How to make a Guo Jingming film and television?
First, all the actors were transformed into vertical victims in the scenic ancient style photo studio using Internet celebrity makeup such as fairy hair, ruler eyebrows, and under-eye blush.
Then, I dug out the diary written by the junior high school in the space.
ctrl+c, ctrl+v.
brings back the unnecessary moaning and pretentiousness that can only be driven by adolescent hormones into the adult world.
No big brother, why are you feeling sad for no reason?
Sad Didn’t you eat alpaca meat in "Hua Shao"?
Of course, sadness is not enough, humor is also necessary.
The same editing and special effects on Douyin are flying all over the screen, and Indians bowed down after watching it.
I have to say that the network feel of the four guides is indeed first-rate.
Bad memes on the Internet for many years, buzzwords that have become outdated, baggage that makes people confused one second and makes their faces distorted with embarrassment the next, all traveled through time and space, and were piled up in the script of a costume drama.
was about to click in the last second, and suddenly turned to Na Ying in the next second.
But doesn’t crossing the line from writer to director count as a kind of separation?
Oh, yes, there are so many tricks, it turns out that the plot has not been written yet.
How can you be ridiculous enough to scare people? How about the goddess who is in charge of both worlds of humans and demons and the thousand-year-old evil demon suddenly join forces, set up a magic police station, and start catching demons and solving crimes in the human world?
Why do you ask? We don’t know either, and we don’t dare to ask.
After all, the scripts of the fourth director have never cared much about logic. The front foot is still telling you that the dream created by a certain monster is invulnerable and nothing can penetrate it.
The male protagonist made a temporary decision: Let me go in and take a look.
The only understanding can only be that the male protagonist is not a thing.
Finally, after completing these foreshadowing links (yes, I tortured you for so long without getting to the topic), it is finally time to get down to the main course:
The male protagonist and the second male protagonist who killed the whole family began to train in the dungeon.
- ...and whisper in my ear
- Unbridled
Who is whispering in your ear
The heroine and the second heroine who we met for the first time are very good. .
Urgent interruption: The villain accidentally revealed his secret.
Then you discover that the villain turns out to be a jealous man who sadistically loves the male protagonist. He conspires against the protagonist's small team every day and plans various evil plans.
was confronted face to face, and his opinion was: the woman next to you is powerless and not worthy of being by your side, so take her place.
Domestic dramas have seen a lot of female competition, and there are also some male competitions, but here Si Dao pioneered the creation of male-female competition.
Is that the end? No.
will give you another pair;
will give you another pair;
There are endless CPs for the same sex, but if bg is not increased, why bother not to rot?
At the same time, what is the situation of the male protagonist and female protagonist.
As mentioned earlier, they are one god and one demon, one in the good realm and one in the evil realm, but they once had a history of accompanying each other, and their fate was very deep.
But in the most emotional moment of acquaintance, the atmosphere between the two people was more like a " little era "-style sisterly reunion.
Part of this weird feeling can be attributed to the casting. Chen Duling has a too cold temperament. The title can match the "goddess" but does not fit the setting of the character walking in the world; Hou Minghao has a narrower face than the heroine, and wears more makeup. It's thick, it does have a demonic aura, but it's too demonic.
Viewed separately, both of them play their own roles, but put together they just don’t match up.
In addition, I feel that the fourth director did not intend for the male protagonist and female protagonist to have any development.
The male protagonist pretends to be fainted and is about to lie in the female protagonist’s arms. At this time, the male protagonist with two eyebrows like wings rushes in, forming the trend of " burning winter ".
The protagonist group is divided into groups to do tasks. The female protagonist takes the male protagonist’s hand and ties it. On the other side, the second male protagonist... is also tying the male protagonist.
At this moment, I suddenly felt that "selling it hard" may not be the design of the four directors, but out of helplessness:
Guo Jingming doesn't seem to know how to capture BG emotions well.
On the contrary, in order to cover up the weakness of the emotional line between the male and female protagonists, he can only add other ingredients in large doses to add to the excitement. Why can't
not be photographed well?
Let’s not gossip about the orientation of the director. First of all, the scandal has nothing to do with the work. Secondly, I never think that a person’s identity will limit his expression. Most of the famous women’s films and sexual minority films were made by straight men. , Chen Kaige also filmed "Farewell My Concubine ".
The subjects of love will be different, but love itself is definitely universal > individual. Therefore, the theme of love should be comprehensive.
So Guo Jingming’s problem lies in the expression of his works, not his personal taste.
To put it simply, the prerequisite for good eating is good substitution, and the prerequisite for substitution is the ability to empathize.
Looking back, has Guo Jingming ever photographed any emotional relationships that ordinary people can get?
Let’s take a look at “Tiny Times” which was the first film he put on the screen.
Gu Yuan and Gu Li, a pair of rich second-generation people who talk about love but lose money. The famous "a plate of sand" theory constructed our fantasies about upper-class love when we were young. It is only now that we understand that a real rich couple is likely to spend their lives together. Cheng Yangzi x Huang Shengyi.
Lin Xiaozhou Chongguang, the most intuitive embodiment of "pathological relationship", because the man is really sick. There are many people who fall in love and die and live again, but this couple is the only one who really lives and dies.
Nanxiang Xicheng...
Forget it, I won’t comment. It’s not without reason that Nanxiang came to the conclusion of “rotten and smelly”.
In addition, Tang Wanru Weihai caused a grand humiliation ceremony in the movie that caused the red wine incident. This brother even tried to do things here and there, adding to the bad reputation of sports students. Get the firewood.
Lin Xiao Jianxi, I won’t say more, the choice of actors was a failure. When I saw Yang Mi going crazy for such a passerby, I wanted to ask her, are you okay?
The whole "Tiny Times" series can really be said to have some sense of beauty. Later, the line that was often picked up by drug addicts was the line between Neil and Gu Zhun, who had few roles.
The two's good looks combined with the (their relationship is extremely complicated) brothers' sense of immorality is indeed beautiful.
But believe me, the lack of scenes is the essential reason why they are so addicting.
It is precisely because Guo Jingming left space for us to think about it, instead of him writing the emotional line, otherwise this pair would definitely have derailments, terminal illness, domestic violence, and fraud.
Furthermore, the faces and temperament of the two actors also helped a lot.
Just imagine the same script, but replace it with the drama version of Neil. Can you not feel uncomfortable after watching it?
Therefore, the success of this pair does not deduce the conclusion that the fourth director is more suitable for filming Danmei.
The same is true when we return to " Dream Return ". The sugary snacks it sets up to sell rotten women are so rigid that they are more like implants than advertisements. It seems like once the plot stops going on, the actors start flirting with each other. In the scene of the battle between
and the villain, the second male lead asks the big boss "Who is he?" The atmosphere should have been tense and sword-fighting, but now it is like a costume version of " Marriage Defense ".
Husband, tell me something, who are you opposite! !
Even if a fujoshi has such good teeth, can she still have such a good appetite?
I am deeply skeptical.
Switching to a female perspective, the look and feel of Cheng Xiao x Chen Duling is also very strange.
As the saying goes, if a straight woman pretends to be a concubine, she will be so thunderous.
The two of them held hands, and their eyes were as straight as possible, but their bodies were honestly stiff. What separated them was not time and space, but incompatible sexual orientations.
Under the four-channel lens, every pair of men and women has this kind of stiffness that is obviously straight steel bars, but has been forcibly twisted into braids.
Phased summary:
Basically, the more characters Guo Jingming writes about, the more abstract the emotional lines become. On the contrary, those supporting characters who narrowly escape in his writing are expected to produce sugar.
So the problem with the fourth director may not be that he can’t shoot bg well, but that he can’t shoot love well.
Lines that are incomprehensible to ordinary humans
He always handles the emotional lines extremely sickly, and he has done so consistently for many years.
As an audience, we can probably only understand it this way:
Either, this way of writing is his business strategy to attract attention and gain popularity;
Or, "sick blood" is basically the essence of love that he personally understands.
He once mentioned his love life: the other party cannot cling to him, and usually do not bother him, but when Guo Jingming misses the other party, the other party must appear immediately. If you don't reply to a text message for three minutes, you will get angry. If you don't reply for ten minutes, you will start making phone calls. If you don't answer the phone, you will go crazy and keep calling until someone answers.
At the same time, he will never reply immediately. He must be in the mood before replying as appropriate.
This is consistent with his well-known work style, so the credibility should be very high.
is substituted into "Little Times". The partner he wants is probably Lin Xiao, who works under Gong Ming, who is always available and disappears automatically when no longer needed.
And can you imagine Lin Xiao and Gong Ming falling in love? You can't. Just like it is difficult for you to imagine that Concubine Hua and Zhou Ninghai are having an affair, because Zhou Ninghai's leg is lame and they have a master-slave relationship, and only a servant can withstand this kind of torture.
Of course, with the help of the times, this kind of sad and decadent story about a group of twisted people torturing each other was once a favorite among teenagers, which also made Guo Jingming’s brilliant career.
But the highlight of the novel version of "Tiny Times" was still the pain of youth, but by the time of the movie version, it has become a tear-jerking madness. It’s not that the audience still buys into this view of love, but the older people get, the more they like to watch quarrels on the street.
What the four directors who broke into the ancient puppet world lack most is the resonance of the majority of the audience. However, there is a fundamental contradiction that his creations have always been deliberately away from the public.
More specifically, he doesn't care about the specific relationship between people, but cares more about the empty external beauty.
Just like the casting problem mentioned above, it’s not that Hou Minghao or Chen Duling are not suitable, but that they don’t look like a couple at all.
Guo Jingming’s first concern must be superficial issues, such as casting, makeup, special effects, editing, post-production, etc. The ultimate goal is to restore the aesthetic atmosphere in his fantasy.
But the foundation of a drama should be the relationship between people, not vision.
The human void that was ignored in the early stage can only be filled with dramatic tension later.
Hence the visual deception of "Cloud Feather". At first glance, I thought the ancient puppet circle was finally getting something good, but when I clicked on it, it still looked like a group of people slapping each other.
In Guo Jingming’s shots, love is often an atmosphere. It is a playback of the colorful falling flowers, a yellowed memory in the falling snowflakes, two people holding the same umbrella, riding the same boat, wide angle-medium shot - A close-up of a part, and then the bubble voice narration begins to read sentences that would be just right if typed in Martian script.
But apart from this specific moment shaped by a series of visual techniques, you cannot understand the bonds and emotions between the characters.
The reason is that these bonds do not actually exist, and the characters in the Four Directors can only be slapped and yelled at the top of their lungs.
Whether it’s bg feelings or prostitution, or even other interpersonal emotions, it is ultimately difficult to achieve in this kind of logic that puts the cart before the horse.
Think about it, even if it is a purely commercial film like " Painted Skin ", the surface is fantasy and strange things, but inside it is still "entrained" with human emotions and worldly relationships.
Pei Rong was an insecure wife and even offered to ask Wang Sheng to take a concubine.This is because as a woman, she has never had the initiative. If this matter is beautified as "let me make the decision", it can offset the pain of her helplessness and passivity.
The husband Wang Sheng was furious about this and accused his wife of not trusting him.
He did not realize that the basis of trust in marriage is often not feelings, but status. The weak person who has always been in the position of being given charity can never trust the superior from the bottom of his heart.
Since a love can be given at any time, it can also be withdrawn at any time.
Look, this is not a myth at all, but a fable about the siege of modern marriage. The emotional game between people is always subtle and profound. No one just throws roses at each other in abnormal weather.
At this time, when comparing the sex-redirected version of "Painted Skin" with a good reputation by Four Directors, the problem becomes even more prominent.
The three leading actors seem to have an affair, but none of the pair's relationship can stand up to scrutiny.
Think about it again, why did the fourth director insist on making a sex-change version?
Is it because it can express more or provide new perspectives?
I suspect that he just wanted the two male protagonists to recreate the classic picture of holding an umbrella in the snow in "Tiny Times", and he made such a large meal of dumplings just for this dish of vinegar.
What is love?
This is not a question that can be answered simply, but what can be confirmed is that it should not be the kind of thing Guo Jingming is keen on presenting. Empty, artificial, logical gaps, and emotional jumps.
In fact, we have talked many times about the decisive role of Guo Jingming’s background and personality in his aesthetic orientation. He habitually hides it because of his low self-esteem and always uses flashy and exaggerated things to decorate himself.
As for what to say with true feelings and seeking truth from facts, it’s not that he doesn’t understand, but more like disdain. It took so many years to finally break away from the common people and enter the upper class world that you dreamed of. How could you be willing to go back?
So all this finally became a closed loop:
To make a good film, you need to understand emotions;
But if he lowers his attitude, Guo Jingming is not Guo Jingming. How to make a Guo Jingming film and television? First, all the actors were transformed into vertical victims in the scenic ancient style photo studio using Internet celebrity makeup such as fairy hair, ruler eyebrows, and under-eye blush. Then, I dug out the diary written by the junior high school in the space. ctrl+c, ctrl+v. brings back the unnecessary moaning and pretentiousness that can only be driven by adolescent hormones into the adult world. No big brother, why are you feeling sad for no reason? Sad Didn’t you eat alpaca meat in "Hua Shao"? Of course, sadness is not enough, humor is also necessary. The same editing and special effects on Douyin are flying all over the screen, and Indians bowed down after watching it. I have to say that the network feel of the four guides is indeed first-rate. Bad memes on the Internet for many years, buzzwords that have become outdated, baggage that makes people confused one second and makes their faces distorted with embarrassment the next, all traveled through time and space, and were piled up in the script of a costume drama. was about to click in the last second, and suddenly turned to Na Ying in the next second. But doesn’t crossing the line from writer to director count as a kind of separation? Oh, yes, there are so many tricks, it turns out that the plot has not been written yet. How can you be ridiculous enough to scare people? How about the goddess who is in charge of both worlds of humans and demons and the thousand-year-old evil demon suddenly join forces, set up a magic police station, and start catching demons and solving crimes in the human world? Why do you ask? We don’t know either, and we don’t dare to ask. After all, the scripts of the fourth director have never cared much about logic. The front foot is still telling you that the dream created by a certain monster is invulnerable and nothing can penetrate it. The male protagonist made a temporary decision: Let me go in and take a look. The only understanding can only be that the male protagonist is not a thing. Finally, after completing these foreshadowing links (yes, I tortured you for so long without getting to the topic), it is finally time to get down to the main course: The male protagonist and the second male protagonist who killed the whole family began to train in the dungeon. - ...and whisper in my ear - Unbridled Who is whispering in your ear The heroine and the second heroine who we met for the first time are very good. . Urgent interruption: The villain accidentally revealed his secret. Then you discover that the villain turns out to be a jealous man who sadistically loves the male protagonist. He conspires against the protagonist's small team every day and plans various evil plans. was confronted face to face, and his opinion was: the woman next to you is powerless and not worthy of being by your side, so take her place. Domestic dramas have seen a lot of female competition, and there are also some male competitions, but here Si Dao pioneered the creation of male-female competition. Is that the end? No. will give you another pair; will give you another pair; There are endless CPs for the same sex, but if bg is not increased, why bother not to rot? At the same time, what is the situation of the male protagonist and female protagonist. As mentioned earlier, they are one god and one demon, one in the good realm and one in the evil realm, but they once had a history of accompanying each other, and their fate was very deep. But in the most emotional moment of acquaintance, the atmosphere between the two people was more like a " little era "-style sisterly reunion. Part of this weird feeling can be attributed to the casting. Chen Duling has a too cold temperament. The title can match the "goddess" but does not fit the setting of the character walking in the world; Hou Minghao has a narrower face than the heroine, and wears more makeup. It's thick, it does have a demonic aura, but it's too demonic. Viewed separately, both of them play their own roles, but put together they just don’t match up. In addition, I feel that the fourth director did not intend for the male protagonist and female protagonist to have any development. The male protagonist pretends to be fainted and is about to lie in the female protagonist’s arms. At this time, the male protagonist with two eyebrows like wings rushes in, forming the trend of " burning winter ". The protagonist group is divided into groups to do tasks. The female protagonist takes the male protagonist’s hand and ties it. On the other side, the second male protagonist... is also tying the male protagonist. At this moment, I suddenly felt that "selling it hard" may not be the design of the four directors, but out of helplessness: Guo Jingming doesn't seem to know how to capture BG emotions well. On the contrary, in order to cover up the weakness of the emotional line between the male and female protagonists, he can only add other ingredients in large doses to add to the excitement. Why can't not be photographed well? Let’s not gossip about the orientation of the director. First of all, the scandal has nothing to do with the work. Secondly, I never think that a person’s identity will limit his expression. Most of the famous women’s films and sexual minority films were made by straight men. , Chen Kaige also filmed "Farewell My Concubine ". The subjects of love will be different, but love itself is definitely universal > individual. Therefore, the theme of love should be comprehensive. So Guo Jingming’s problem lies in the expression of his works, not his personal taste. To put it simply, the prerequisite for good eating is good substitution, and the prerequisite for substitution is the ability to empathize. Looking back, has Guo Jingming ever photographed any emotional relationships that ordinary people can get? Let’s take a look at “Tiny Times” which was the first film he put on the screen. Gu Yuan and Gu Li, a pair of rich second-generation people who talk about love but lose money. The famous "a plate of sand" theory constructed our fantasies about upper-class love when we were young. It is only now that we understand that a real rich couple is likely to spend their lives together. Cheng Yangzi x Huang Shengyi. Lin Xiaozhou Chongguang, the most intuitive embodiment of "pathological relationship", because the man is really sick. There are many people who fall in love and die and live again, but this couple is the only one who really lives and dies. Nanxiang Xicheng... Forget it, I won’t comment. It’s not without reason that Nanxiang came to the conclusion of “rotten and smelly”. In addition, Tang Wanru Weihai caused a grand humiliation ceremony in the movie that caused the red wine incident. This brother even tried to do things here and there, adding to the bad reputation of sports students. Get the firewood. Lin Xiao Jianxi, I won’t say more, the choice of actors was a failure. When I saw Yang Mi going crazy for such a passerby, I wanted to ask her, are you okay? The whole "Tiny Times" series can really be said to have some sense of beauty. Later, the line that was often picked up by drug addicts was the line between Neil and Gu Zhun, who had few roles. The two's good looks combined with the (their relationship is extremely complicated) brothers' sense of immorality is indeed beautiful. But believe me, the lack of scenes is the essential reason why they are so addicting. It is precisely because Guo Jingming left space for us to think about it, instead of him writing the emotional line, otherwise this pair would definitely have derailments, terminal illness, domestic violence, and fraud. Furthermore, the faces and temperament of the two actors also helped a lot. Just imagine the same script, but replace it with the drama version of Neil. Can you not feel uncomfortable after watching it? Therefore, the success of this pair does not deduce the conclusion that the fourth director is more suitable for filming Danmei. The same is true when we return to " Dream Return ". The sugary snacks it sets up to sell rotten women are so rigid that they are more like implants than advertisements. It seems like once the plot stops going on, the actors start flirting with each other. In the scene of the battle between and the villain, the second male lead asks the big boss "Who is he?" The atmosphere should have been tense and sword-fighting, but now it is like a costume version of " Marriage Defense ". Husband, tell me something, who are you opposite! ! Even if a fujoshi has such good teeth, can she still have such a good appetite? I am deeply skeptical. Switching to a female perspective, the look and feel of Cheng Xiao x Chen Duling is also very strange. As the saying goes, if a straight woman pretends to be a concubine, she will be so thunderous. The two of them held hands, and their eyes were as straight as possible, but their bodies were honestly stiff. What separated them was not time and space, but incompatible sexual orientations. Under the four-channel lens, every pair of men and women has this kind of stiffness that is obviously straight steel bars, but has been forcibly twisted into braids. Phased summary: Basically, the more characters Guo Jingming writes about, the more abstract the emotional lines become. On the contrary, those supporting characters who narrowly escape in his writing are expected to produce sugar. So the problem with the fourth director may not be that he can’t shoot bg well, but that he can’t shoot love well. Lines that are incomprehensible to ordinary humans He always handles the emotional lines extremely sickly, and he has done so consistently for many years. As an audience, we can probably only understand it this way: Either, this way of writing is his business strategy to attract attention and gain popularity; Or, "sick blood" is basically the essence of love that he personally understands. He once mentioned his love life: the other party cannot cling to him, and usually do not bother him, but when Guo Jingming misses the other party, the other party must appear immediately. If you don't reply to a text message for three minutes, you will get angry. If you don't reply for ten minutes, you will start making phone calls. If you don't answer the phone, you will go crazy and keep calling until someone answers. At the same time, he will never reply immediately. He must be in the mood before replying as appropriate. This is consistent with his well-known work style, so the credibility should be very high. is substituted into "Little Times". The partner he wants is probably Lin Xiao, who works under Gong Ming, who is always available and disappears automatically when no longer needed. And can you imagine Lin Xiao and Gong Ming falling in love? You can't. Just like it is difficult for you to imagine that Concubine Hua and Zhou Ninghai are having an affair, because Zhou Ninghai's leg is lame and they have a master-slave relationship, and only a servant can withstand this kind of torture. Of course, with the help of the times, this kind of sad and decadent story about a group of twisted people torturing each other was once a favorite among teenagers, which also made Guo Jingming’s brilliant career. But the highlight of the novel version of "Tiny Times" was still the pain of youth, but by the time of the movie version, it has become a tear-jerking madness. It’s not that the audience still buys into this view of love, but the older people get, the more they like to watch quarrels on the street. What the four directors who broke into the ancient puppet world lack most is the resonance of the majority of the audience. However, there is a fundamental contradiction that his creations have always been deliberately away from the public. More specifically, he doesn't care about the specific relationship between people, but cares more about the empty external beauty. Just like the casting problem mentioned above, it’s not that Hou Minghao or Chen Duling are not suitable, but that they don’t look like a couple at all. Guo Jingming’s first concern must be superficial issues, such as casting, makeup, special effects, editing, post-production, etc. The ultimate goal is to restore the aesthetic atmosphere in his fantasy. But the foundation of a drama should be the relationship between people, not vision. The human void that was ignored in the early stage can only be filled with dramatic tension later. Hence the visual deception of "Cloud Feather". At first glance, I thought the ancient puppet circle was finally getting something good, but when I clicked on it, it still looked like a group of people slapping each other. In Guo Jingming’s shots, love is often an atmosphere. It is a playback of the colorful falling flowers, a yellowed memory in the falling snowflakes, two people holding the same umbrella, riding the same boat, wide angle-medium shot - A close-up of a part, and then the bubble voice narration begins to read sentences that would be just right if typed in Martian script. But apart from this specific moment shaped by a series of visual techniques, you cannot understand the bonds and emotions between the characters. The reason is that these bonds do not actually exist, and the characters in the Four Directors can only be slapped and yelled at the top of their lungs. Whether it’s bg feelings or prostitution, or even other interpersonal emotions, it is ultimately difficult to achieve in this kind of logic that puts the cart before the horse. Think about it, even if it is a purely commercial film like " Painted Skin ", the surface is fantasy and strange things, but inside it is still "entrained" with human emotions and worldly relationships. Pei Rong was an insecure wife and even offered to ask Wang Sheng to take a concubine.This is because as a woman, she has never had the initiative. If this matter is beautified as "let me make the decision", it can offset the pain of her helplessness and passivity. The husband Wang Sheng was furious about this and accused his wife of not trusting him. He did not realize that the basis of trust in marriage is often not feelings, but status. The weak person who has always been in the position of being given charity can never trust the superior from the bottom of his heart. Since a love can be given at any time, it can also be withdrawn at any time. Look, this is not a myth at all, but a fable about the siege of modern marriage. The emotional game between people is always subtle and profound. No one just throws roses at each other in abnormal weather. At this time, when comparing the sex-redirected version of "Painted Skin" with a good reputation by Four Directors, the problem becomes even more prominent. The three leading actors seem to have an affair, but none of the pair's relationship can stand up to scrutiny. Think about it again, why did the fourth director insist on making a sex-change version? Is it because it can express more or provide new perspectives? I suspect that he just wanted the two male protagonists to recreate the classic picture of holding an umbrella in the snow in "Tiny Times", and he made such a large meal of dumplings just for this dish of vinegar. What is love? This is not a question that can be answered simply, but what can be confirmed is that it should not be the kind of thing Guo Jingming is keen on presenting. Empty, artificial, logical gaps, and emotional jumps. In fact, we have talked many times about the decisive role of Guo Jingming’s background and personality in his aesthetic orientation. He habitually hides it because of his low self-esteem and always uses flashy and exaggerated things to decorate himself. As for what to say with true feelings and seeking truth from facts, it’s not that he doesn’t understand, but more like disdain. It took so many years to finally break away from the common people and enter the upper class world that you dreamed of. How could you be willing to go back? So all this finally became a closed loop: To make a good film, you need to understand emotions; But if he lowers his attitude, Guo Jingming is not Guo Jingming.
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