On October 26, the ancient puppet fantasy drama "大梦guili" premiered. This work created by Guo Jingming is on the surface an adventure of catching monsters and investigating the case, but upon closer inspection, it still has the flavor of "Guo-style love". The story is pretentious and mysterious, and the emotional line is also chatty. , it’s so pretentious that it received numerous bad reviews as soon as it went online.
1. Sluggish rhythm and no logic
Guo Jingming’s works are often difficult to understand, not because his works are profound, but because the logic of his stories is confusing. For example, the recently aired "Big Dream Returns" has been full of plots that make no sense.
In order to prove that these words are not meant to scare people, the male protagonist actually kills people. But in the blink of an eye, the male lead got cold feet and no longer dared to attack the second male lead. However, a few words later, the second male lead took a sword and wanted to kill the male lead. After
, the male supporting actor put the male protagonist into a cell again, and the two continued to talk. This way of not taking action for a long time is Guo Jingming's unique "pull". Many viewers were filled with question marks when they saw this, and they didn't understand what these two people wanted to do. After all, in Guo Jingming's drama, the motivations of many characters' behaviors were simply incomprehensible.
After the male protagonist was imprisoned in the torture chamber, the male protagonist was peaceful at first. Not long after, he became restless again and tried to escape from prison. After struggling for a long time, he actually ran out. So the male supporting actor started chasing after her. After a while, the heroine came out, and the male and female protagonists began to interact. Previously, the heroine also had a scene, which probably meant that she had a good heart, but was not good at fighting. She tried to save a small animal but was beaten half to death by the court people.
The setting of the heroine at the beginning is very weak. But as soon as the male and female protagonists met, the female protagonist actually picked up a knife and scratched the male protagonist. The male protagonist was immediately poisoned and collapsed to the ground. The male protagonist, who had just said that he would fight one against a hundred, was knocked down by the female protagonist with a knife. The logic of the script was simply messed up.
Then, the heroine asked the male partner to put the hero back in prison. The male partner said that the cell in his house could not contain him. After the male protagonist woke up, he actually returned to the prison. After returning to the cell, there was another boring conversation. The male protagonist first talks to the male partner, and then talks to the female protagonist. After talking a lot of nonsense, the male protagonist showed off his strength in prison. Just like this, two whole episodes passed, and the audience didn't know what they were doing?
Guo Jingming’s stuff, like those anti-Japanese dramas, has no logic at all and refuses to accept any rational thinking. This kind of illogical plot makes the motivations of the characters' actions unclear and makes people drowsy.
When the plot of a TV series is all piled up, it can easily become confusing. Guo Jingming's drama itself has no logic at all, so she can only rely on special effects to forcefully create scenes of intense conflict.
In the drama "The Big Dream Returns", when the male protagonist and other characters tell boring plots, they will have a fight or create special effects such as wall-traveling to increase the drama tension. Guo Jingming will only do these tricks outside of the plot.
In general, if you don’t have any requirements for narrative logic, then there is absolutely no problem in watching Guo Jingming’s "The Dream Returns". But if you have some sense of aesthetics and logic, this show will definitely make you dizzy.
2. The Waterloo of "Guo's Aesthetic"
Guo Jingming's aesthetic always reminds people of the Japanese aesthetic that is half bright and half dominant. He cast his characters as if they were ready-made dummies, pursuing a sculptural or caricature look.
Guo Jingming's aesthetic is to apply a layer of powder on the male protagonist's face like a wall, and then add red lips.When I saw them, I really couldn’t tell whether they were humans or ghosts?
The two male protagonists in "The Big Dream Returns" have too much powder on their faces to give them a sense of presence, their red lips look like they are eating children, their eyebrows are drawn wantonly and arrogantly, and they are full of powder.
The two male protagonists are dressed more Japanese than Japanese, and their faces are more Korean than Korean. They are so delicate that they look like porcelain dolls that have been broken and then repaired. It feels awkward to look at them. It looks beautiful at first, but if you look closely, it's actually quite scary. Adding to the atmosphere of the whole show, this show looks like a horror movie.
The acting is not good, and the plot is too slow. The first two episodes rely on dialogue to hold up the time, but there is no content in what they say. It is a waste of time. In addition, the actor's dialogue skills are not good, and the slow speech is so slow that even driving twice as fast is too slow!
These lines are purely to appear high-end and classy, but the audience was stunned after hearing it. The negative reviews after the show was aired are really not unfair at all.
On October 26, the ancient puppet fantasy drama "大梦guili" premiered. This work created by Guo Jingming is on the surface an adventure of catching monsters and investigating the case, but upon closer inspection, it still has the flavor of "Guo-style love". The story is pretentious and mysterious, and the emotional line is also chatty. , it’s so pretentious that it received numerous bad reviews as soon as it went online.
1. Sluggish rhythm and no logic
Guo Jingming’s works are often difficult to understand, not because his works are profound, but because the logic of his stories is confusing. For example, the recently aired "Big Dream Returns" has been full of plots that make no sense.
In order to prove that these words are not meant to scare people, the male protagonist actually kills people. But in the blink of an eye, the male lead got cold feet and no longer dared to attack the second male lead. However, a few words later, the second male lead took a sword and wanted to kill the male lead. After
, the male supporting actor put the male protagonist into a cell again, and the two continued to talk. This way of not taking action for a long time is Guo Jingming's unique "pull". Many viewers were filled with question marks when they saw this, and they didn't understand what these two people wanted to do. After all, in Guo Jingming's drama, the motivations of many characters' behaviors were simply incomprehensible.
After the male protagonist was imprisoned in the torture chamber, the male protagonist was peaceful at first. Not long after, he became restless again and tried to escape from prison. After struggling for a long time, he actually ran out. So the male supporting actor started chasing after her. After a while, the heroine came out, and the male and female protagonists began to interact. Previously, the heroine also had a scene, which probably meant that she had a good heart, but was not good at fighting. She tried to save a small animal but was beaten half to death by the court people.
The setting of the heroine at the beginning is very weak. But as soon as the male and female protagonists met, the female protagonist actually picked up a knife and scratched the male protagonist. The male protagonist was immediately poisoned and collapsed to the ground. The male protagonist, who had just said that he would fight one against a hundred, was knocked down by the female protagonist with a knife. The logic of the script was simply messed up.
Then, the heroine asked the male partner to put the hero back in prison. The male partner said that the cell in his house could not contain him. After the male protagonist woke up, he actually returned to the prison. After returning to the cell, there was another boring conversation. The male protagonist first talks to the male partner, and then talks to the female protagonist. After talking a lot of nonsense, the male protagonist showed off his strength in prison. Just like this, two whole episodes passed, and the audience didn't know what they were doing?
Guo Jingming’s stuff, like those anti-Japanese dramas, has no logic at all and refuses to accept any rational thinking. This kind of illogical plot makes the motivations of the characters' actions unclear and makes people drowsy.
When the plot of a TV series is all piled up, it can easily become confusing. Guo Jingming's drama itself has no logic at all, so she can only rely on special effects to forcefully create scenes of intense conflict.
In the drama "The Big Dream Returns", when the male protagonist and other characters tell boring plots, they will have a fight or create special effects such as wall-traveling to increase the drama tension. Guo Jingming will only do these tricks outside of the plot.
In general, if you don’t have any requirements for narrative logic, then there is absolutely no problem in watching Guo Jingming’s "The Dream Returns". But if you have some sense of aesthetics and logic, this show will definitely make you dizzy.
2. The Waterloo of "Guo's Aesthetic"
Guo Jingming's aesthetic always reminds people of the Japanese aesthetic that is half bright and half dominant. He cast his characters as if they were ready-made dummies, pursuing a sculptural or caricature look.
Guo Jingming's aesthetic is to apply a layer of powder on the male protagonist's face like a wall, and then add red lips.When I saw them, I really couldn’t tell whether they were humans or ghosts?
The two male protagonists in "The Big Dream Returns" have too much powder on their faces to give them a sense of presence, their red lips look like they are eating children, their eyebrows are drawn wantonly and arrogantly, and they are full of powder.
The two male protagonists are dressed more Japanese than Japanese, and their faces are more Korean than Korean. They are so delicate that they look like porcelain dolls that have been broken and then repaired. It feels awkward to look at them. It looks beautiful at first, but if you look closely, it's actually quite scary. Adding to the atmosphere of the whole show, this show looks like a horror movie.
The acting is not good, and the plot is too slow. The first two episodes rely on dialogue to hold up the time, but there is no content in what they say. It is a waste of time. In addition, the actor's dialogue skills are not good, and the slow speech is so slow that even driving twice as fast is too slow!
These lines are purely to appear high-end and classy, but the audience was stunned after hearing it. The negative reviews after the show was aired are really not unfair at all.
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